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Visual/verbal

 Subject
Subject Source: Sackner Database

Found in 328 Collections and/or Records:

Jungfernsprung Im Bundeshaus, 1971

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-15807-16138

Kibbo Mountain , 1980 - 1984

 Item
Identifier: CC-21802-22213
Scope and Contents

Typed on verso (1980-reworked 1984). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980 - 1984

Kibbo Mountain, 1980 - 1984

 Item — Box 329: [Barcode: 31858072490950]
Identifier: CC-21802-22213
Scope and Contents

Typed on verso (1980-reworked 1984). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980 - 1984

Kojeve's Rhino, 2005

 Item
Identifier: CC-62510-47663
Scope and Contents Cozette de Charmoy writes in the colophon, "In 1806 Hegel saw the Rhino pass under his window in the stsreets of Jena. He understood at once. He said to himself 'This is the end of history.' More than a century later, Alexander Kojeve saw the Rhino (a metaphor for Salin) in the streets of Moscow. He understood, he left immediately." the following was taken from a WEB site: "Kojeve was a French philosopher (1902-1968), born Aleksandr Vladimirovich Kozhevnikov in Russia. Kojève studied in Germany (Heidelberg) where, under the supervision of Karl Jaspers, he completed a thesis (Die religöse Philosophie Wladimir Solowjews, 1931) Vladimir Solovyov, a Russian religious philosopher deeply influenced by Hegel. He later settled in Paris, where he taught at the Ecole Pratique des Hautes Etudes. Taking over from Alexandre Koyré, he taught a seminar on Hegel from 1933 till 1939. Along with Jean Hyppolite, he was responsible for the serious introduction of Hegel into French thought. His...
Dates: 2005

Kollages, 1970

 Item — Box unknown: [Barcode: 31858073143665]
Identifier: CC-11024-11239
Scope and Contents

The prints were reproduced from collages made by Fones. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Kontrapunk, 1992

 Item
Identifier: CC-14662-14975
Scope and Contents

Most works in this book were made by Deisler. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Kronika, 2002

 Item
Identifier: CC-56452-9999860
Scope and Contents

Most of the pages in this book are blank. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Lapin Semiotique, 1990

 Item
Identifier: CC-09346-9532
Scope and Contents

Hubaut altered a book advertising antibiotics for the presentation. This book served as a maquette for a book to be published in trade edition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

L'Art en Transit, no. 1: Depanne Machine recontre Joel Hubaut, 1988

 Item — Box 123: [Barcode: 31858072458098]
Identifier: CC-14531-14842
Scope and Contents

This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.

Dates: 1988

L'Artista, 1980

 Item — Box Artist Boxed Materials/Oversized: Baroni, Vittore: [Barcode: 31858072491123]
Identifier: CC-22225-22647

LIAO ED 912 Posters (On Cruelty, No. 3): The Tching & the Hsueh (L'Agopuntura Cinese), 1968

 Item — Folder 27: [Barcode: 31858072459864]
Identifier: CC-14140-14445
Scope and Contents

Image depicts acupuncture points on the body. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Lil'Frank's Tree, 1984

 Item — Box 608: [Barcode: 31858073143558]
Identifier: CC-10062-10261
Scope and Contents

. Exhibitied at Gaard's retrospective at the Walker Art Center, Minneapolis, MN in 2012. The frame was made by the museum. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Little Salty Arman, 1996

 Item — Box 147: [Barcode: 31858072458007]
Identifier: CC-27435-28483
Scope and Contents

This object is a parody of Arman's assemblages of crushed paint tubes within a plexiglas tube container. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996