Collages are titled "The Invisible Man" (1975-1988), "Genealogical Three" (1976-1988), "Love/Hate" (1977-1988), "The Effects of Acid Rain on a Polynesian Beauty" (1986), "Yonization" (1987), "No Cutie" (1988). -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispo, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispo, California, curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

The edition consisted of 25 copies plus seven copies for contributors and legal deposit. -- Source of annotation: Marvin or Ruth Sackner.

Photograph depicts Baroni's son, Giovanni, age 2 years, with an opened mouth and letraset letters and musical notes flowing from it. -- Source of annotation: Marvin or Ruth Sackner.

Poetic lines trace the silhouette of a woman's face. The eyebrow says insoporatble pesar (insupportable grief); the eye, madre erecta; the lips, watch out people for hell is coming back. -- Source of annotation: Marvin or Ruth Sackner.

Isidore Isou contributes an essay written in 1968 which includes an "Introduction au Lettrisme," "La Photographie Ciselante," "La Photographie Lettriste et Hypergraphique," "La Photographie Supertemporelle," and "L'Avenir de la Photographie." The photographs mainly depict images captured by the camera from life or collage and subsequently treated with paint, ink, and/or scratched additions to the negative or the photograph itself. This copy is one of 20 reserved for the contributors which in this was Maurice Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.