This issue includes a review by Tracy Aollinger Turner of "An American Avant Garde: Second Wave" curated and conceived by John M. Bennett in the Rare Books and Manuscripts Library at Ohio State University. Ruth and Marvin Sackner attended the exhibition and Marvin delivered the keynote address at the poetry symposium. -- Source of annotation: Marvin or Ruth Sackner.

Calligraphic drawing by John M. Bennett. -- Source of annotation: Marvin or Ruth Sackner.

The soft cover book, Works, accompanying the found poems, consists of conventional poetry. The broadsides are concrete poems. Although the first 30 copies of this publication were signed, the lack of numbering and the dating with the year 1979 indicates that the signatures were written later than the year of publication. -- Source of annotation: Marvin or Ruth Sackner.

The soft cover book, Works, that accompanies the found poems, consists of conventional poetry. The broadsides are concrete poems. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Mike Schaefer. The mimeographed pages were originally planned to be part of Sctatch 3 (1981) that was not published. -- Source of annotation: Marvin or Ruth Sackner.

Bob Grumman contributes an essay on the utilization of neologisms in experimental poetry. -- Source of annotation: Marvin or Ruth Sackner.

This book a performance poem about the French revolution by Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Critical analysis of Sollfrey's poetry by John M. Bennett. -- Source of annotation: Marvin or Ruth Sackner.