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Conventional non-fiction

 Subject

Subject Source: Sackner Database

Found in 299 Collections and/or Records:

The Badger Poets / Cohen, David ; Mason, Roger ; Phillips-Smith, Elizabeth ; Phillips-Smith, Tony ; Pickering, Frank., 1981

 Item — Box 396: [Barcode: 31858072461605]
Identifier: CC-17387-17752
Scope and Contents

Each poem is presented both conventionally and visually with calligraphic text on opposing pages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

The Burroughs File , 1984

 Item
Identifier: CC-30497-31925
Scope and Contents

This is the first edition. It includes reproductions of "Pages from Cut-Up Scrapbooks" in which Burroughs' pasted remnants from "Moroccan streets, weird news items, St. Louis memorabilia, ruminations on sex and death, old photographs, notes from narcs, and other essential exotica - an incredible montage of telescoped existence on the main line, source material and matrix of his books." There are also sections of Burroughs' The White Subway, The Old Movies, The Cobble Stone Gardens, and The Retreat Diaries, -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

The Cyclist, 1995

 Item — Box 615: [Barcode: 31858073143871]
Identifier: CC-03090-3137
Scope and Contents

The wood engraving illustrations are by John De Pol. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

The Dancers Inherit the Party and Glasgow Beasts, 1996

 Item
Identifier: CC-30352-31767
Scope and Contents

According to Alec Finlay, this book included all the poems Finlay wanted reprinted as of 1996. It reprinted 46 of the 48 poems in The Dancers Inherit the Party, the Scottish poem entitled, Glasgow Beasts, that was illustrated with papercuts by John Picking and Pete McGinn, and Orkney Lyrics illustrated by John Arran. Robert Creeley contributed a brief foreward and Alec Finlay a long afterward that provides historic information about Finlay's early poetic years. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

The Day Is A Prayer They Can't Understand, 1967

 Item — Box 617: [Barcode: 31858072461027]
Identifier: CC-28494-29769
Scope and Contents

The abstract oil painting on brown paper that is collaged onto cover was done by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

The Day Is A Prayer They Can't Understand, 1967

 Item — Box 617: [Barcode: 31858072461027]
Identifier: CC-00536-549
Scope and Contents

Collage cover of photographic b&w reproductions of female nudes was composed by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

The Fast, 1992

 Item
Identifier: CC-00444-456
Scope and Contents

Weiner records her early experiences with pyschedelic trips while taking LSD. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

The Gun Child, 1968

 Item — Box 617: [Barcode: 31858072461027]
Identifier: CC-49109-70149
Scope and Contents

d.a. levy did the cover drawing that depicts abstract markings. This book is stored in a d.a. levy box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

The House of Illnesses, 1993

 Item
Identifier: CC-00110-113
Scope and Contents

Zurn was the companion of Hans Bellmer; she suffered from mental illness the last 13 years of her life. The book was written in 1958 after she developed a case of jaundice. Contains 18 surrealistic, calligraphic drawings related to the text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

The Massacre of the Innocents / Cobbing, Bob ; Rowan, John ; Nuttall J., 1963

 Item — Box 385: [Barcode: 31858072461506]
Identifier: CC-17989-18359
Scope and Contents

Designated Poets 2. The cover was designed by Jeff Nuttall. These are Cobbing's first published poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

The Massacre of the Innocents: Working Copy / Cobbing, Bob ; Rowan, John ; Nuttall J., 1963

 Item — Box 385: [Barcode: 31858072461506]
Identifier: CC-17990-18360
Scope and Contents

Designated Poets 2. This copy was probably used by Cobbing for a performance/reading as it contains additional printed and handwritten poems pasted onto the pages as well as handwritten notes. The cover was designed by Jeff Nuttall. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963