This is a review of the Seagram corporate art collection installed in Ralph Erskine's Ark building that includes a work of Ian Hamilton Finlay, "Sea Flower." -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the Seagram corporate art collection installed in Ralph Erskine's Ark building that includes a work of Ian Hamilton Finlay, "Sea Flower." -- Source of annotation: Marvin or Ruth Sackner.

Article gives an overview of Tom Phillips' work during his residency/festival in Raleigh, 1992. -- Source of annotation: Marvin or Ruth Sackner.

The reviewer writes, " What the show conveys most decisively, though, is a poetic side of Mr. Camnizer's art. Various writers have compared his text-driven pieces to concrete poetry - a genre based on how words function visually, rather that verbally, and that takes the instability of language as a given. The artist himself rejects this reading, insisisting that he has no interest in poetry, even dislikes what he sees as its artificiality and penchant for ego-centered sentimentality." -- Source of annotation: Marvin or Ruth Sackner.

This review of Saul Steinberg's exhibitions at the Morgan Library and the Museum of the City of New York describes "mysterious documents [that] appear often: sheets of impenetrable pseudo-writing punctuated with the featureless photographs, fictive seals and stamps, and incomprehensible signatures of nightmare bureaucracies." The Sackner holds one such documentary drawing. -- Source of annotation: Marvin or Ruth Sackner.

The work and publications of Claude Givaudan are reviewed. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing mentions that nearly a thousand items were included in this exhibition that took place over one month's period which thirty thousand people attended un London's Royal Festival Hall.. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of "Charlotte Salomon: Life Or Theater?" organized by the Royal Academy of Arts in London and on view at the Boston Museum of Fine Arts. -- Source of annotation: Marvin or Ruth Sackner.

Glueck describes Marinetti's expression of Simultaneity (perceptual registration of many things happening at once) in poetry that he called parole in liberta or words in freedom. "He combined onomatopoetic word fragments, numbers, symbols and typographical effects in a format that stormed the viewer's eye, making poetry a visual rather than an auditory experience...These words in freedom compositions obviously played a role in the developement of concrete and other visual poetry of la -- Source of annotation: Marvin or Ruth Sackner.

Review of an exhibition at Leubsdorf Art Gallery, Hunter College, New York titled, "A Painter's Poet: Stephane Mallarme and His Impressionist Circle." The Sackner Archive also contains the catalogue of this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the exhibiiton "Semina Culture: Wallace Berman & His Circle." -- Source of annotation: Marvin or Ruth Sackner.

This review by Will Friedwald describes Robert Crumb's concert in Amagansett with the East River String Band. It also mentions his illustrations and exhibition for "The Book of Genesis." -- Source of annotation: Marvin or Ruth Sackner.

This review of the exhibition "Carl Andre: Sculpture as Place, 1958- 2010" at Dia: Beacon is by Holland Cotter. It describes how "Writing poetry was Mr. Andre's initial calling...Even if he had not gone on to art, the poetry would be of interest. And in it, the sculptor-to-be is already evident. Mr. Andre has referred to his poems as 'typewriter drawings' and, in the spirit of Concrete poetry, their shape on the page is crucial to their effect." -- Source of annotation: Marvin or Ruth Sackner.

This is a review of Lawernce Weiner's conceptual word works at Marion Goodman Gallery. -- Source of annotation: Marvin or Ruth Sackner.

This is a a review of the Judaica collection of the Swiss collector Rene Brafinsky at Yeshiva University Museum. It is titled "A Journey Through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books." -- Source of annotation: Marvin or Ruth Sackner.

This article describing The Midland Group Gallery in Nottingham specifically relates to an exhibition of concrete poetry, the catalog of which is contained in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.