Exhibition review
Found in 298 Collections and/or Records:
MCBA Newsletter. No.2/Jan-Mar / Betty Bright, editor ; Wirth K., 1999
MCBA Newsletter. No.3/Jan-Mar / Betty Bright, editor ; Hoyem A., 1989
MCBA Newsletter. No.3/Jan-Mar / Betty Bright, editor ; VanVliet C., 1990
MCBA Newsletter. No.4/Apr-Jun / Betty Bright, editor ; Bright B., 1990
MCBA Newsletter. No.4/Mar / Betty Bright, editor., 1986
Me. No.1 / Carlo Pittore ; Porter B., 1980
Stored under Pittore. -- Source of annotation: Marvin or Ruth Sackner.
Mercante Di Sale, Il. No.3/Mar / Ugo Carrega, editor ; Martini SM ; Finotti C ; Accame V ; Carrega U ; Sarenco ; Tadini E ; Abdell D ; Kostelanetz R., 1982
This issue consists of brief exhibition reviews. -- Source of annotation: Marvin or Ruth Sackner.
Messages That Conduct as Electric Charge / Cotter, Holland; Ligon G., 2011
This is an exhibition review of the work of Glen Ligon. -- Source of annotation: Marvin or Ruth Sackner.
Metaphor & Metamorphosis / Fisher, Barbara; Lyons J; Pomeroy J; Meador C; Braunstein T., 1992
A review of photographic book art. -- Source of annotation: Marvin or Ruth Sackner.
Mimmo Rotella: American Icons and Early Work / Rosenberg, Karen., 2009
This review describes an exhibition at the Knoedler Gallery in New York. -- Source of annotation: Marvin or Ruth Sackner.
Mixed Paints and Minced Words / Litt, Steven; Phillips T; Sackner RK; Sackner MA., 1990
This is an illustrated review of Tom Phillips' exhibition at the North Carolina Museum of Art. All works in the exhibition were from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Modern Art Museums: The Surprise Is Gone / Russell, John; Johns J; Andre C; Bartlett J., 1985
John Russell contends that "the same few artists dominate all the major contemporary collections...[because] we feel comfortable with what we know, and for better and for worse that sensation is available in full measure in museums of modern art...It is, in fact, the buildings, and not what we see in them, that are full of surprises." -- Source of annotation: Marvin or Ruth Sackner.
Modernism Wasn't So American After All / Kimmelman, Michael; Drozdz S; Antin E; Cage J; Feldman M; Zelevansky L; Duchamp M., 2004
This exhibition was curated by Lyn Zelevansky at the LA County Museum of Art. -- Source of annotation: Marvin or Ruth Sackner.
MoMA Members Quarterly. No.43/Spr / Iliazd., 1987
Contains essay on Iliazd, "uncomprising master of the Livre de Peintre." -- Source of annotation: Marvin or Ruth Sackner.
More Drawings about History and Evidence / Wilner, Martin., 2008
The Sackner Archive lent three drawings to the exhibition at Pierogi gallery. -- Source of annotation: Marvin or Ruth Sackner.
Needling More Than the Feminist Consciousness / Rosenberg, Karen; Dezso A; Reichek E., 2007
The Sackners saw this exhibition, entitled "Pricked" and purchased two works by Andrea Dezso from the 48 embroidered cotton squares of the series "My Mother Claimed That..." -- Source of annotation: Marvin or Ruth Sackner.
No Loss for Words / Lewinson, Ann; Phillips T., 1994
Review of Tom Phillips' exhibition at Yale Center for British Art. -- Source of annotation: Marvin or Ruth Sackner.
Not Just for Children / Okonowic, Ed; Carothers M; Sackner MA; Sackner RK., 2000
Martha Carothers shares her expertise on the history of pop-up books with the publication of "Brooklyn Pops Up!" The book coincides with the exhibition at the Brooklyn Central Library and includes the history and art of the movable book. The Sackner Archive is mentioned as holding Carothers' original bookworks. -- Source of annotation: Marvin or Ruth Sackner.
Object Lessons in the Poet's Art / Archer, Michael; Finlay IH., 1995
Review of Finlay's exhibitions at Deictorhallen, Hamburg and Victoria Miro Gallery, London on the occasion of Finlay's 70th birthday. -- Source of annotation: Marvin or Ruth Sackner.
Oh, What a Futurist War / Finkel, Jori; Marinetti FT; Mallander J., 2006
This essay reviews the exhibition at the Getty Research Institute. An illustration of "Apres la marne, Joffre visita le front en auto" is analyzed from the Parole In Liberta to an English text. -- Source of annotation: Marvin or Ruth Sackner.