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Exhibition review

 Subject
Subject Source: Sackner Database

Found in 298 Collections and/or Records:

Me. No.1 / Carlo Pittore ; Porter B., 1980

 Item
Identifier: CC-50748-71826
Scope and Contents

Stored under Pittore. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Messages That Conduct as Electric Charge / Cotter, Holland; Ligon G., 2011

 Item
Identifier: CC-52361-73484
Scope and Contents

This is an exhibition review of the work of Glen Ligon. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

Metaphor & Metamorphosis / Fisher, Barbara; Lyons J; Pomeroy J; Meador C; Braunstein T., 1992

 Item
Identifier: CC-10995-11209
Scope and Contents

A review of photographic book art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Mimmo Rotella: American Icons and Early Work / Rosenberg, Karen., 2009

 Item
Identifier: CC-49743-70796
Scope and Contents

This review describes an exhibition at the Knoedler Gallery in New York. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Mixed Paints and Minced Words / Litt, Steven; Phillips T; Sackner RK; Sackner MA., 1990

 Item
Identifier: CC-07179-7320
Scope and Contents

This is an illustrated review of Tom Phillips' exhibition at the North Carolina Museum of Art. All works in the exhibition were from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Modern Art Museums: The Surprise Is Gone / Russell, John; Johns J; Andre C; Bartlett J., 1985

 Item
Identifier: CC-31027-32488
Scope and Contents

John Russell contends that "the same few artists dominate all the major contemporary collections...[because] we feel comfortable with what we know, and for better and for worse that sensation is available in full measure in museums of modern art...It is, in fact, the buildings, and not what we see in them, that are full of surprises." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Modernism Wasn't So American After All / Kimmelman, Michael; Drozdz S; Antin E; Cage J; Feldman M; Zelevansky L; Duchamp M., 2004

 Item
Identifier: CC-42686-44704
Scope and Contents

This exhibition was curated by Lyn Zelevansky at the LA County Museum of Art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

MoMA Members Quarterly. No.43/Spr / Iliazd., 1987

 Item
Identifier: CC-05885-5995
Scope and Contents

Contains essay on Iliazd, "uncomprising master of the Livre de Peintre." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

More Drawings about History and Evidence / Wilner, Martin., 2008

 Item
Identifier: CC-47763-68782
Scope and Contents

The Sackner Archive lent three drawings to the exhibition at Pierogi gallery. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Needling More Than the Feminist Consciousness / Rosenberg, Karen; Dezso A; Reichek E., 2007

 Item
Identifier: CC-47504-68501
Scope and Contents

The Sackners saw this exhibition, entitled "Pricked" and purchased two works by Andrea Dezso from the 48 embroidered cotton squares of the series "My Mother Claimed That..." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

No Loss for Words / Lewinson, Ann; Phillips T., 1994

 Item
Identifier: CC-07534-7678
Scope and Contents

Review of Tom Phillips' exhibition at Yale Center for British Art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Not Just for Children / Okonowic, Ed; Carothers M; Sackner MA; Sackner RK., 2000

 Item
Identifier: CC-35271-37005
Scope and Contents

Martha Carothers shares her expertise on the history of pop-up books with the publication of "Brooklyn Pops Up!" The book coincides with the exhibition at the Brooklyn Central Library and includes the history and art of the movable book. The Sackner Archive is mentioned as holding Carothers' original bookworks. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Object Lessons in the Poet's Art / Archer, Michael; Finlay IH., 1995

 Item
Identifier: CC-26883-27355
Scope and Contents

Review of Finlay's exhibitions at Deictorhallen, Hamburg and Victoria Miro Gallery, London on the occasion of Finlay's 70th birthday. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Oh, What a Futurist War / Finkel, Jori; Marinetti FT; Mallander J., 2006

 Item
Identifier: CC-45747-47956
Scope and Contents

This essay reviews the exhibition at the Getty Research Institute. An illustration of "Apres la marne, Joffre visita le front en auto" is analyzed from the Parole In Liberta to an English text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006