Exhibition review
Found in 298 Collections and/or Records:
Small is Sometimes Beautiful / Glover, Michael; Phillips T., 2006
This is an unfavorable review of Tom Phillips' exhibition at the Ashmolean Museum in Oxford England. The Sackners attended this exhibition entitled "A micro-retrospective." The critic found fault with the artistic merits of A Humument "...the abstract designs do not particularly excite us, the combination of colours do not strike as particularly inspired, the philosophical tags strike us as just a mite pretentious." The critic writes favorably about Phillips portrait paintings not shown in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Snapshots in Paint / Graham-Dixon, Andrew., 1992
Graham-Dixon concludes his unfavorable review of Phillips' exhibition at the Royal Academy of Art in London November 1992, viz., "Phillips is a fine writer (if anyone doubts this, they should read his translation of Dante's Inferno) who has got the idea into his head that he has some talent for painting. His tragedy is that of a man who has, quite unaccountably, mistaken his vocation." -- Source of annotation: Marvin or Ruth Sackner.
Something for Every Taste at Miami-Dade College Shows / Kohen, Helen; Kostelanetz R., 1980
Richard Kostelanetz' exhibition "Wordsand" at Miami-Dade South Campus Gallery was sponsored by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Sound as the mother of invention: Joan LaBarbara / Mangan, Timothy; LaBarbara J; Goldsmith K., 1999
Mangan reviews a performance by Joan La Barbara including her "magnum opus, 73 Poems" by Kenneth Goldsmith. -- Source of annotation: Marvin or Ruth Sackner.
Spoils of the Remembrancers / Phillips, Tom., 2003
Tom Phillips reviews the exhibition and the catalogue "The Museum of the Mind" at the British Museum organized by John Mack. Phillips describes the artifacts ranging from prehistoric to 2001 as "reminders of the importance of the aesthetic; memory is most efficient assisted by artefacts in which coherence is synonymous with beauty...These leaps of time and space and subject sketch a network of associations that builds for the visitor a microcosmic map of the museum as neatly schematic and graphically witty as the plan of the London Underground." -- Source of annotation: Marvin or Ruth Sackner.
Stitch by Stitch, a Daughter of Islam Takes On Taboos / Sheets, Hilarie M.; Amer G., 2001
This review describes the work of the Egyptian-French artist, Ghada Amer who now lives in the United States. -- Source of annotation: Marvin or Ruth Sackner.
Studio International. No.957/Jul-Aug / Phillips T., 1973
Cover for this issue was specially designed by Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.
Take Time For Visual Testimony / Kohen, Helen L.., 1987
Review of exhibition at Center for Fine Arts of Judaica books from Vatican Library. -- Source of annotation: Marvin or Ruth Sackner.
Text and Images at MDCC Galleries / Kohen, Helen L.; Goldsmith K; Segal M., 1993
Text, Image Fuse in an Artist's Book / Sozanski, Edward J.; Phillips T; Sackner MA; Sackner RK., 1993
This is a review of the Tom Phillips exhibition in the Van Pelt Library, University of Pennsylvania as borrowed from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The Altered Page: Review / curry, jw; Sackner MA., 1988
This is an exhibition review written for Score of "The Altered Page," an exhibition held at the Center For Book Arts that was curated by Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.
The Art Is in the Mail / Jeromack, Paul; Johnson R., 1999
This review of Ray Johnson's exhibition at the Whitney Museum of American Art describes him as "the irrascible American artist who sent his comic strip-style work in chain leters to friends and refused to exhibit in his lifetime, gets his first show." -- Source of annotation: Marvin or Ruth Sackner.
The Book as Art / Worland, Gayle., 2005
Stored in box with Hamady material. -- Source of annotation: Marvin or Ruth Sackner.
The Favorite Word In His Vocabulary Is Undermine / Wallach, Amei; Conner B; Boswell P., 2000
This review mentions Peter Boswell who curated the exhibition and contributed to the exhibition catalogue. The latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The ground beneath his feet / Haycock, David Boyd; Phillips T., 2006
This is a review of Tom Phillips' exhibition at the Ashmolean Museum in Oxford England. The Sackners attended this exhibition entitled "A micro-retrospective" which was very favorably reviewed by Haycock. -- Source of annotation: Marvin or Ruth Sackner.
The Inside Story on Outsiderness / Vogel, Carol; Ligon G., 2011
This is an exhibition review of the work of Glen Ligon. -- Source of annotation: Marvin or Ruth Sackner.
The Listings: Kay Rosen / Johnson, Ken; Rosen K., 2005
The Other Russian Revolution: Avant Garde Prints, Porcelains / Reif, Rita; Lissitzky E; Malevich K; Rodchenko A; Kliun I; Stenberg V; Larionov M., 1992
Reviews several New York gallery exhibitions taking place at the same time as "The Great Utopia," a major exhibition from Russian State Galleries being shown at the Guggenheim Museum. -- Source of annotation: Marvin or Ruth Sackner.
The Rebirth of Shakespeare's Globe / Levy, Paul; Phillips T., 1997
Reviews the restoration of the Globe Theatre in London for Shakespearean plays and specifically mentions Tom Phillips' production design of "The Winter's Tale." -- Source of annotation: Marvin or Ruth Sackner.
The Ruined Book / Courtney, Cathy; Bell & Langlands., 1983
This show includes "The Crisis of Western Civilization" that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.