Exhibition review
Found in 298 Collections and/or Records:
COCA Show Exceptional, Earthy / Kohen, Helen L.; Gonzalez G; Nicastri J; Presser E; Satin CJ; Tan S; Spector B; Wharton M; Gerlovin V; Gerlovina R., 1993
The Sackner Archive lent several works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Common on the Top - Die Art Basel Miami Beach ist nicht zu toppen / Gunther, Thomas ; Penck A ; Warhol A ; Rauschenberg R ; Sackner RK ; Sackner MA ; Selbar K ; Tarlatt U., 2006
Conceptual But Verbal, Very Verbal / Johnson, Ken., 1999
The Sackner Archive lent an manuscript and book by Willem Boshoff to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Conceptually Speaking: Translating Global Aesthetics / Platt, Susan; Koraichi R., 2001
Rachid Koraichi is mentioned in this review of the exhibition, Global Conceptualism. He is described as "an Algerian living in Tunisia, who stands here also as a window into the Middle East and Muslim culture...Koraichi's calligraphic work uses Arabic script that combines political questions and private psychological explorations. Of course , for the Westerm eye it becomes a formal device that we cannot read." -- Source of annotation: Marvin or Ruth Sackner.
Concrete Words and Earthy Images / Ingleby, Richard; Finlay IH; Finlay S., 1999
This is a review of a photographic exhibition of Ian Hamilton Finlay's garden in Little Sparta at the Portrait Gallery. The reviewer describes the garden as arguably one of the great art works of art ever made on Scottish soil. "Certainly, it's the greatest ever made of Scottish soil - the realisation of one man's vision of a classical garden in the midst of an untamed land." -- Source of annotation: Marvin or Ruth Sackner.
Connections with the Past / Solnit, Rebecca; Berman W., 1985
Review of exhibition "Past/Presence/Contemporary Sources" at the College of Notre Dame Gallery and extensive discussion of six works by Wallace Berman. -- Source of annotation: Marvin or Ruth Sackner.
Contradiction of Consumption / Lazzari, Margaret; Farber M., 1987
One assemlage from Michael Farber's exhibition which was reviewed in this article, was acquired by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Cosmologies / Smith, Roberta; Lombardi M; Tomaselli F; Reinhardt A., 2007
Martin Wilner whose drawings are held by the Sackner Archive also exhibited his work in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Dada Spoof Is Elegant Revenge for Edinburgh / Lister, David; Finlay IH., 1989
Article describes the St. Just Vigilantes' defense of Ian Hamilton Finlay after the French government cancelled his commission stating that the artist was "inspired by Nazism." -- Source of annotation: Marvin or Ruth Sackner.
Dada's Untrustworthy Words / Kimmelman, Michael., 1989
Filed with Kimmelman's book. -- Source of annotation: Marvin or Ruth Sackner.
Danae. May / Hubaut J., 1990
Dear Friends of Ray, and Audiences of One / Wallach, Amei; Hoyem A; Danto A; Johnson R., 1999
Eight artists and writers and friends of Ray Johnson contribute personal reminiscences to coincide with the Johnson exhibition at the Whitney Museum of American Art. -- Source of annotation: Marvin or Ruth Sackner.
Deborah Grant: A Gin Cure / Smith, Roberta; Grant D., 2006
Delerious Decay From a Prolific Jack-of-All-Arts / Smith, Roberta; Roth D., 2004
This is a favorable review of Dieter Roth's retrospective exhibition at The Museum of Modern Art Queens in March 2004. -- Source of annotation: Marvin or Ruth Sackner.
Dialogue. No.3 / Bennett JM ; Sackner MA ; Sackner RK ; Tipping R ; Strangulensis F., 2002
This issue includes a review by Tracy Aollinger Turner of "An American Avant Garde: Second Wave" curated and conceived by John M. Bennett in the Rare Books and Manuscripts Library at Ohio State University. Ruth and Marvin Sackner attended the exhibition and Marvin delivered the keynote address at the poetry symposium. -- Source of annotation: Marvin or Ruth Sackner.
Documents of a Contrarian" Duane Michals / Gopnik, Blake., 2014
The Sackner Archive contains a family photographic portrait and a double image of an Egyptian temple. -- Source of annotation: Marvin or Ruth Sackner.
Dom Sylvester Houedard's Cosmic Typewriter / Poynor, Rick; Houedard DS; Furnival J; Sackner MA., 2012
Poyner describes the symposium and exhibition held on the poet Dom Sylvester Houedard at the South London Gallery with a book launch by Occasional Papers .Marvin Sackner presented an illustrated talk on the drawings of Houedard and lent works for the pop-up exhibition. The Sackner Archive contributed the illustrations from the Archive for the catalogue. Stored in Houedard box. -- Source of annotation: Marvin or Ruth Sackner.
Duality of Muse / Laws, Frederick; Schwitters K; Carroll L; Herbert G; Houedard DS; Kolar J; Xisto P; Furnival J; Picabia F; Themerson S; Cox K; Mayer HJ; Finlay IH., 1965
This article reviews the "Between Poetry and Painting" exhibition held at the ICA London, in 1965. -- Source of annotation: Marvin or Ruth Sackner.
Electric Portrait / Nuding, Gertrude Prescott; Phillips T., 2000
Gertrude Nuding composed this text describing Tom Phillips' creation of the DVD portrait of the Director of the RI, Susan Greenfield. The Sackners were invited by Phillips to participate in the vernissage of the electronic portrait and the preliminary drawings at the Royal Institution in November, 2000. -- Source of annotation: Marvin or Ruth Sackner.
Encompassed in Paper / Curtis, Cathy; Ely T; Fritzius H., 1983
Timothy Ely's work "Modal Passage" is illustrated in this review of an Eaton/Shoen Gallery exhibition. -- Source of annotation: Marvin or Ruth Sackner.