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Exhibition review

 Subject
Subject Source: Sackner Database

Found in 298 Collections and/or Records:

Conceptual But Verbal, Very Verbal / Johnson, Ken., 1999

 Item
Identifier: CC-32425-33999
Scope and Contents

The Sackner Archive lent an manuscript and book by Willem Boshoff to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Conceptually Speaking: Translating Global Aesthetics / Platt, Susan; Koraichi R., 2001

 Item
Identifier: CC-43243-45302
Scope and Contents

Rachid Koraichi is mentioned in this review of the exhibition, Global Conceptualism. He is described as "an Algerian living in Tunisia, who stands here also as a window into the Middle East and Muslim culture...Koraichi's calligraphic work uses Arabic script that combines political questions and private psychological explorations. Of course , for the Westerm eye it becomes a formal device that we cannot read." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

Concrete Words and Earthy Images / Ingleby, Richard; Finlay IH; Finlay S., 1999

 Item
Identifier: CC-33779-35444
Scope and Contents

This is a review of a photographic exhibition of Ian Hamilton Finlay's garden in Little Sparta at the Portrait Gallery. The reviewer describes the garden as arguably one of the great art works of art ever made on Scottish soil. "Certainly, it's the greatest ever made of Scottish soil - the realisation of one man's vision of a classical garden in the midst of an untamed land." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Connections with the Past / Solnit, Rebecca; Berman W., 1985

 Item
Identifier: CC-01899-1935
Scope and Contents

Review of exhibition "Past/Presence/Contemporary Sources" at the College of Notre Dame Gallery and extensive discussion of six works by Wallace Berman. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Contradiction of Consumption / Lazzari, Margaret; Farber M., 1987

 Item
Identifier: CC-06958-7081
Scope and Contents

One assemlage from Michael Farber's exhibition which was reviewed in this article, was acquired by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Cosmologies / Smith, Roberta; Lombardi M; Tomaselli F; Reinhardt A., 2007

 Item
Identifier: CC-46318-49041
Scope and Contents

Martin Wilner whose drawings are held by the Sackner Archive also exhibited his work in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Dada Spoof Is Elegant Revenge for Edinburgh / Lister, David; Finlay IH., 1989

 Item
Identifier: CC-06952-7075
Scope and Contents

Article describes the St. Just Vigilantes' defense of Ian Hamilton Finlay after the French government cancelled his commission stating that the artist was "inspired by Nazism." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Dada's Untrustworthy Words / Kimmelman, Michael., 1989

 Item
Identifier: CC-07707-7857
Scope and Contents

Filed with Kimmelman's book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Dear Friends of Ray, and Audiences of One / Wallach, Amei; Hoyem A; Danto A; Johnson R., 1999

 Item
Identifier: CC-32017-33548
Scope and Contents

Eight artists and writers and friends of Ray Johnson contribute personal reminiscences to coincide with the Johnson exhibition at the Whitney Museum of American Art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Delerious Decay From a Prolific Jack-of-All-Arts / Smith, Roberta; Roth D., 2004

 Item
Identifier: CC-42308-44318
Scope and Contents

This is a favorable review of Dieter Roth's retrospective exhibition at The Museum of Modern Art Queens in March 2004. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

Dialogue. No.3 / Bennett JM ; Sackner MA ; Sackner RK ; Tipping R ; Strangulensis F., 2002

 Item
Identifier: CC-39406-41358
Scope and Contents

This issue includes a review by Tracy Aollinger Turner of "An American Avant Garde: Second Wave" curated and conceived by John M. Bennett in the Rare Books and Manuscripts Library at Ohio State University. Ruth and Marvin Sackner attended the exhibition and Marvin delivered the keynote address at the poetry symposium. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Documents of a Contrarian" Duane Michals / Gopnik, Blake., 2014

 Item
Identifier: CC-59765-10002823
Scope and Contents

The Sackner Archive contains a family photographic portrait and a double image of an Egyptian temple. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2014

Dom Sylvester Houedard's Cosmic Typewriter / Poynor, Rick; Houedard DS; Furnival J; Sackner MA., 2012

 Item
Identifier: CC-55983-9999451
Scope and Contents

Poyner describes the symposium and exhibition held on the poet Dom Sylvester Houedard at the South London Gallery with a book launch by Occasional Papers .Marvin Sackner presented an illustrated talk on the drawings of Houedard and lent works for the pop-up exhibition. The Sackner Archive contributed the illustrations from the Archive for the catalogue. Stored in Houedard box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012

Duality of Muse / Laws, Frederick; Schwitters K; Carroll L; Herbert G; Houedard DS; Kolar J; Xisto P; Furnival J; Picabia F; Themerson S; Cox K; Mayer HJ; Finlay IH., 1965

 Item
Identifier: CC-27789-28919
Scope and Contents

This article reviews the "Between Poetry and Painting" exhibition held at the ICA London, in 1965. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Electric Portrait / Nuding, Gertrude Prescott; Phillips T., 2000

 Item
Identifier: CC-35056-36782
Scope and Contents

Gertrude Nuding composed this text describing Tom Phillips' creation of the DVD portrait of the Director of the RI, Susan Greenfield. The Sackners were invited by Phillips to participate in the vernissage of the electronic portrait and the preliminary drawings at the Royal Institution in November, 2000. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Encompassed in Paper / Curtis, Cathy; Ely T; Fritzius H., 1983

 Item
Identifier: CC-20498-20895
Scope and Contents

Timothy Ely's work "Modal Passage" is illustrated in this review of an Eaton/Shoen Gallery exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983