Exhibition review
Found in 298 Collections and/or Records:
Exhibit and Concert Celebrate Talents of Multimedia Artist / Phillips, Tom., 1994
This relates to Phillips' exhibition at the Yale Center for British Art, April through June 12, 1994. The Sackners lent six works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Exhibition First of Its Kind in City / W., V.; Houedard DS; Furnival J., 1965
This review is related to the Nottingham Midland Group of Artists exhibition which included several British concrete poets. The catalog is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Exhibition Review: Elaine Reichek / Cotter, Holland., 2004
Exhibition Review: The Poetry Society's Gala Exhibition, London / Cobbing, Bob; Houedard DS; Cox K; McClure M; Wright E; Gette PA; Verey C; Furnival J; Gerz J; Bory JF; Blaine J; Chopin H; Garnier P; Schuldt; Logue C., 1969
Exhibits Hark Back to Abstract Origins / Ahlander, Leslie Judd; Sackner RK; Sackner MA., 1983
Review of Sackner collection of Russian Avant Garde art at the Lowe Museum, University of Miami. -- Source of annotation: Marvin or Ruth Sackner.
Experiencia Neo Concreta / Anonymous; Gullar F; Jardim R; Spanudis T., 1959
Consists of a review of exhibition held at Museu de Arte Moderna, Rio de Janiero, March-April, 1959. -- Source of annotation: Marvin or Ruth Sackner.
Extensions of the Book / Edwards, Janis; Ely T; Hoffberg J; Licata B; Irland B; Dean N; Lederman SB; Holden K; Hocks P., 1985
Florida Artists Make Solid Show / Kohen, Helen; Macia C; Presser E., 1985
Elena Presser's "Ana Magdalena Bach" works were lent by the Sackner Archive to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Focus on History of the "Mechanical Sketchbook" / Lister, David; Phillips T., 1989
Tom Phillips states "he remains sceptical that photography can be considered an art form" in this preview article on the RA 150 years of photography exhibition. -- Source of annotation: Marvin or Ruth Sackner.
For This Clown Prince, Art Here, Art There, Art Everywhere / Goldberg, Vicki; Ben., 1998
This is an exhibition review of Ben Vautier's work at John Gibson's Gallery in New York. -- Source of annotation: Marvin or Ruth Sackner.
Form Letters / Levin, Kim; Dwyer N., 1988
Levin writes a critique of Nancy Dwyer's exhibition at Josh Baer Gallery. -- Source of annotation: Marvin or Ruth Sackner.
France, Conscious of Its Cultural Image, Tries to Showcase Contemporary Art / Riding, Alan; Hubaut J., 2006
In this article on French artists Joel Hubaut's contribution is described as "Among noteworthy works are Joel Hubaut's 'Chorale Epidemik,' a video installation showing the faces of 18 people singing or babbling nonsense." -- Source of annotation: Marvin or Ruth Sackner.
From the Studio / Slivka, Rose; Share S; Minsky R; Brecht G; Cage J; Ono Y; Ely T; Beube D; Lederman SB., 1992
GA. No.6/Jan / Byars JL., 1990
Galleries Being Galleries, but More So / McGill, Dominic., 2010
This column depicts a reproduction of a McGill drawing and a review of his work on display at Derek Eller Gallery. The Sackner Archive holds a drawing by McGill. -- Source of annotation: Marvin or Ruth Sackner.
Genesis Breyer P-Orridge / Cotter, Holland., 2009
This is a review of an exhibition of the British collage artist and his wife. -- Source of annotation: Marvin or Ruth Sackner.
Gibes at the Experts from an Enigmatic Chatterbox / Cotter, Holland; Johnson R., 1999
This review of "Ray Johnson:Correspondences" at the Whitney Mueum of American Art describes Johnson's collages as masterworks. "The visual elements they incorporated were equally diverse: pieces of photographs, magazine clips, commercial logos, abstract shapes, cartoons and above all, words: jokes, puns, anagrams, song lyrics, poetry, nonsense syllables, exclamations, dedications and lists of names of artists and actors, social luminaries and friends. The results amount to a consummate insider, a figure who was at once everywhere and nowhere in the art world, and who used his work to spin a personal myth." The Sackner Archive contains a collage of Johnson's. -- Source of annotation: Marvin or Ruth Sackner.
Giorno sets poetry to music / Moon, Tom; Knapp J., 1985
This is a review of Giorno's performance at the Miami Center for Fine Arts (attended by the Sackners). -- Source of annotation: Marvin or Ruth Sackner.
Give Me a Break: An Operagoer's Lament / Waleson, Heidi; Bernstein C; Benjamin W., 2005
Charles Bernstein wrote the text for an opera titled "Shadowtime" with musical composition by Brian Ferneyhough. the work is based on the life of the German Jewish philospher and critic, Walter Benjamin. -- Source of annotation: Marvin or Ruth Sackner.
Goats Chasing Nudes, and Other Visions / Goldberg, Vicki; Hugnet G; Breton A; Thomson V., 1999
This article reviews the exhibition at the Zabriskie Gallery, "Georges Hugnet (1906-1974): Collages." It describes Hugnet's talents as a collage artist, poet, photographer, art historian of Dada and Surrealism, film writer, playwright and publisher. Vicki Goldberg points out how the Surrealist impulse can still be found in the collage of 20th century life with the images of the urban street, TV surfing and computer special effects all infiltrating our visual environment. -- Source of annotation: Marvin or Ruth Sackner.