Skip to main content

Exhibition review

 Subject
Subject Source: Sackner Database

Found in 298 Collections and/or Records:

Exhibit and Concert Celebrate Talents of Multimedia Artist / Phillips, Tom., 1994

 Item
Identifier: CC-04627-4714
Scope and Contents

This relates to Phillips' exhibition at the Yale Center for British Art, April through June 12, 1994. The Sackners lent six works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Exhibition First of Its Kind in City / W., V.; Houedard DS; Furnival J., 1965

 Item
Identifier: CC-00584-598
Scope and Contents

This review is related to the Nottingham Midland Group of Artists exhibition which included several British concrete poets. The catalog is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Exhibits Hark Back to Abstract Origins / Ahlander, Leslie Judd; Sackner RK; Sackner MA., 1983

 Item
Identifier: CC-26277-26744
Scope and Contents

Review of Sackner collection of Russian Avant Garde art at the Lowe Museum, University of Miami. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Experiencia Neo Concreta / Anonymous; Gullar F; Jardim R; Spanudis T., 1959

 Item
Identifier: CC-26154-26617
Scope and Contents

Consists of a review of exhibition held at Museu de Arte Moderna, Rio de Janiero, March-April, 1959. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1959

Florida Artists Make Solid Show / Kohen, Helen; Macia C; Presser E., 1985

 Item
Identifier: CC-07784-7937
Scope and Contents

Elena Presser's "Ana Magdalena Bach" works were lent by the Sackner Archive to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Focus on History of the "Mechanical Sketchbook" / Lister, David; Phillips T., 1989

 Item
Identifier: CC-06951-7074
Scope and Contents

Tom Phillips states "he remains sceptical that photography can be considered an art form" in this preview article on the RA 150 years of photography exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

For This Clown Prince, Art Here, Art There, Art Everywhere / Goldberg, Vicki; Ben., 1998

 Item
Identifier: CC-31225-32695
Scope and Contents

This is an exhibition review of Ben Vautier's work at John Gibson's Gallery in New York. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Form Letters / Levin, Kim; Dwyer N., 1988

 Item
Identifier: CC-07088-7228
Scope and Contents

Levin writes a critique of Nancy Dwyer's exhibition at Josh Baer Gallery. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

France, Conscious of Its Cultural Image, Tries to Showcase Contemporary Art / Riding, Alan; Hubaut J., 2006

 Item
Identifier: CC-45063-47239
Scope and Contents

In this article on French artists Joel Hubaut's contribution is described as "Among noteworthy works are Joel Hubaut's 'Chorale Epidemik,' a video installation showing the faces of 18 people singing or babbling nonsense." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Galleries Being Galleries, but More So / McGill, Dominic., 2010

 Item
Identifier: CC-51012-72091
Scope and Contents

This column depicts a reproduction of a McGill drawing and a review of his work on display at Derek Eller Gallery. The Sackner Archive holds a drawing by McGill. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Genesis Breyer P-Orridge / Cotter, Holland., 2009

 Item
Identifier: CC-50463-71533
Scope and Contents

This is a review of an exhibition of the British collage artist and his wife. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Gibes at the Experts from an Enigmatic Chatterbox / Cotter, Holland; Johnson R., 1999

 Item
Identifier: CC-31784-33300
Scope and Contents

This review of "Ray Johnson:Correspondences" at the Whitney Mueum of American Art describes Johnson's collages as masterworks. "The visual elements they incorporated were equally diverse: pieces of photographs, magazine clips, commercial logos, abstract shapes, cartoons and above all, words: jokes, puns, anagrams, song lyrics, poetry, nonsense syllables, exclamations, dedications and lists of names of artists and actors, social luminaries and friends. The results amount to a consummate insider, a figure who was at once everywhere and nowhere in the art world, and who used his work to spin a personal myth." The Sackner Archive contains a collage of Johnson's. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Giorno sets poetry to music / Moon, Tom; Knapp J., 1985

 Item
Identifier: CC-31704-33214
Scope and Contents

This is a review of Giorno's performance at the Miami Center for Fine Arts (attended by the Sackners). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Give Me a Break: An Operagoer's Lament / Waleson, Heidi; Bernstein C; Benjamin W., 2005

 Item
Identifier: CC-43922-46031
Scope and Contents

Charles Bernstein wrote the text for an opera titled "Shadowtime" with musical composition by Brian Ferneyhough. the work is based on the life of the German Jewish philospher and critic, Walter Benjamin. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Goats Chasing Nudes, and Other Visions / Goldberg, Vicki; Hugnet G; Breton A; Thomson V., 1999

 Item
Identifier: CC-32715-34304
Scope and Contents

This article reviews the exhibition at the Zabriskie Gallery, "Georges Hugnet (1906-1974): Collages." It describes Hugnet's talents as a collage artist, poet, photographer, art historian of Dada and Surrealism, film writer, playwright and publisher. Vicki Goldberg points out how the Surrealist impulse can still be found in the collage of 20th century life with the images of the urban street, TV surfing and computer special effects all infiltrating our visual environment. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999