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Manifesto

 Subject
Subject Source: Sackner Database

Found in 263 Collections and/or Records:

Schism: Art Strike Form. No.24., 1990

 Item
Identifier: CC-01827-1863
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Schritte: Der Stein der Weisen. No.7 / Konrad Bayer., 1963

 Item
Identifier: CC-22740-23175
Dates: 1963
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Score Broadsides: Body Sound Art Manifesto. No.O / Jean-Paul Curtay., 1991

 Item
Identifier: CC-02297-2337
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Scriptures / Mills, Neil., 1971

 Item
Identifier: CC-47686-68704
Scope and Contents Designated Writers Forum Number Ten. Mills writes: "That poetry developed language as medium of perception or experience with the coming of the printed poem, when poetry was first known to young men as a silent thing, when a poet could be a poet & never read aloud, the bard died away, but not extinct. That language as object of perception or experience, that is modulation of human voice as carrier of poetic truth rather than semantically induced mental pictures, or, in visual terms, the magic of the written sign, in 20th century urban environment made explicit, was implicit always in the spoken chant or poem & the awe of the rune. That these 2 languages can lead to very different poetries, as regards emphasis on word as semantics, but.as regards poetry as meaning in other than semantic terms, this theoretical division is useless, that sound poetry as such is an extraction from all poetry that has ever been written or recited, that poetry has always been music when spoken,...
Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Seven Dada Manifestos and Lampisteries / Tzara, Tristan ; Barbara Wright, translator ; Apollinaire G ; Huelsenbeck R ; Picabia F., 1981

 Item
Identifier: CC-40839-42816
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Short List: No.11 (Surrealism) / Ex Libris ; Duchamp M ; Ernst M ; Hugnet G ; Jarry A ; Aragon L ; Artaud A ; Breton A., 1982

 Item
Identifier: CC-13870-14175
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Short-Prose / Kasper, Michael., 1989

 Item
Identifier: CC-07736-7887
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Silence: a gavotte is so difficult nobody knows how to do it now. No.13 / Barry Flanagan, editor ; Flanagan B., 1965

 Item
Identifier: CC-39486-41442
Scope and Contents This periodical was edited by Barry Flanagan. According to Thames and Hudsons Dictionary of Arts and Artists, Flanagan is "a British sculptor who has emerged since the 1960s as one of the most interesting, original and distinguished contemporary sculptors. He studied at St Martin's School of Art 1964-6, at the time when Caro and King were teaching there. Initially Flanagan made abstract work with a variety of materials -- cloth, rope, sand, polystyrene, light and glass -- some of which were Environmental installations. Flanagan also made films, drawings, etchings and furniture. From the 1970s he started working in metals, stone, clay and marble: his 'anarchic wit' became even more pronounced in this work; he also began making discreet references to traditional carving and modelling in mysterious, fossil-like sculptures, or references to prehistoric and Celtic iconography. In the late 1970s and early 1980s Flanagan finally turned to explicit but idiosyncratic figurative sculpture...
Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Silence: man made, full of holes, etc.. No.11 / Barry Flanagan, editor ; Flanagan B ; Themerson S., 1965

 Item
Identifier: CC-39482-41438
Scope and Contents

In all issues of Silence edited by Barry Flanagan, amorphous, solid shapes are mimeographed that mirror his later sculptural works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Situationist International: Anthology / Ken Knabb, editor & translator ; Debord G ; Baj E ; Breton A ; Isou I ; Jorn A ; Moles A ; Wolman G ; Vaneigem R., 1981

 Item
Identifier: CC-53650-65706
Scope and Contents

In 1957, a few experimental European groups came together to form the Situationist International. The name came from their aim of liberating everyday life through the creation of open-ended, participatory situations (as opposed to fixed works of art). Over the next decade the situationists developed a critique of the global spectacle-commodity system, and their new methods of agitation helped trigger the May 1968 revolt in France. Although the SI was dissolved in 1972, situationist theories and tactics have continued to inspire radical currents in dozens of countries all over the world. This is the most comprehensive collection of situationist writings in English, greatly revised and expanded, with over 100 pages of new material. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Society of the Spectacle / Debord, Guy., 1970

 Item
Identifier: CC-14863-15176
Scope and Contents

This book, an unauthorized translation from the French, was co-published by Radical America Vol.4 No.5 and is one of the key books written on Situationism. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Soulevement de la Jeunesse: Le Droit des Jeunes. / Jacques Vartanian, editor., 1968

 Item
Identifier: CC-45259-47444
Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Start-up Report 1983 - 1986 / Sitter, Jim ; Sackner MA ; Sackner RK., 1987

 Item
Identifier: CC-50765-71843
Scope and Contents

Stored with MCBA newsletter. Lists the Sackners as Founders of the Center. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Statement Of Aims And Purposes Of The Black Thumb Press / Hendricks, Bici., 1966

 Item
Identifier: CC-49924-70982
Dates: 1966
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Statements: An Advertisement in Experiments in Disintegrating Language / Clark, Thomas A. ; Mills, Neil ; Verey, Charles., 1971

 Item
Identifier: CC-20182-20578
Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Studies Towards A Portrait: Worknotes Only / Buck, Paul., 1978

 Item
Identifier: CC-22149-22571
Scope and Contents

This book also is designated as Winter Series No.4. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Studio Brescia Exhibition Catalog: Poesia Visiva. No.5 / Herman Damen ; Apicella R., 1972

 Item
Identifier: CC-37841-39721
Dates: 1972
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Sur le Passage de Quelques Personnes a travers une Assez Courte Unite de Temps / Debord G ; Jorn A ; Nash J ; Broodthaers M., 1989

 Item
Identifier: CC-01981-2018
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Sweden Writes: Contemporary Swedish Poetry and Prose, Views on Art, Literature and Society / Backstrom, Lars, editor ; Palm, Goran, editor ; Fahlstrom O ; Johnson BE ; Duchamp M ; Reutersward CF ; Cage J., 1965

 Item
Identifier: CC-23004-23441
Scope and Contents

Preface by L. Backstrom and G. Palm. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

SYZYGY. No.1/Sep / Seth Tisue, Brad Russell, editors ; And M ; Helsem M ; Mark A ; Beining G ; Berry J ; Evason G ; Jupitter-Larsen G ; Bennett JM ; Musicmaster ; Shores M., 1990

 Item
Identifier: CC-02133-2171
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

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