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Manifesto

 Subject
Subject Source: Sackner Database

Found in 263 Collections and/or Records:

Taalbeeld - BeeldTaal: Nederlandse Visuele Dichters / Damen H ; VanDijk G ; Joseph R ; Meijboom P ; DeRook GJ ; Stikker U., 1975

 Item
Identifier: CC-32474-34048
Scope and Contents

Although this exhibition is subtitled visual poets, none of the participants in this catalogue presented a visual poem by usual definitions. Instead, concrete poems without images or conceptual art pieces are presented. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Testi Sulla Teoria , 1969

 Item — Folder 80: [Barcode: 31858072538394]
Identifier: CC-05441-5544
Scope and Contents

Text deals with Marxism and Communism. -- Source of annotation: Marvin or Ruth Sackner. Title on front "Tesi Sulla Teoria." ed: CEND.

Dates: 1969

Textes theoriques Tracts 1960-1974 / Ben ; Cage J ; Young L ; Brecht G ; Isou I ; Lemaitre M ; Klein Y ; Duchamp M ; Kaprow A ; Flynt H ; Johnson R ; Arman., 1975

 Item
Identifier: CC-21977-22389
Scope and Contents

This book consists of critical writings by Ben and interviews with Ben about his philosophy of art. The coveer is collaged wth the handwritten aphorism, "la verite." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

The Chip Charter 1984 / Furnival, John., 1984

 Item
Identifier: CC-13257-13558
Scope and Contents

The work deals with chips-frites (French Fried Potatos) adapted from the American Constitution. It includes seven principles, e.g., 1 Fritedom of Speech, 2. Fritedom of Movement, etc. which have been printed from rubberstampings in several colors. Furnival's summary at the bottom of the print reads, "We the Chips of the World Declare these Fritdoms to be Natural, Unalienable, Unfissionable & Uh...Uh... Chips of the World Unite! You've Nothing to lose but your Fat!" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

The Dada Painters and Poets: An Anthology / Motherwell, Robert, editor ; Ball H ; Schwitters K ; Huelsenbeck R ; Tzara T ; Hugnet G ; Breton A ; Duchamp M ; Arp H ; Soupault P ; Eluard P ; Picabia F ; Richter H ; Aragon L ; Ribemont-Dessaignes G ; Aragon L ; Hausmann R., 1951

 Item
Identifier: CC-06355-6472
Scope and Contents

This is the first edition & the second printing done in 1967. The reprinting of the second soft cover edition is also held by the Sackner Archive. It contains English translations of original Dada Documents. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1951

The Divine Chariot Series by Bruria / Bruria ; Abulafia A., 1986

 Item
Identifier: CC-22191-22613
Scope and Contents

Homage to the thirteenth century Spanish Kabbalist poet Abraham Abalafia. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

The Galloping Syntaxi Strands / Hryciuk, Marshall., 1992

 Item
Identifier: CC-09366-9552
Scope and Contents

The author remarks that this book is to be considered the second volume of the No Holds Barred Project. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

The Galloping Syntaxi Strands / Hryciuk, Marshall., 1992

 Item
Identifier: CC-30899-32353
Scope and Contents

The author remarks that this book is to be considered the second volume of the No Holds Barred Project. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

The Ghost Dance Anthology: 25 years of poetry from GHOST DANCE 1968-1993 / Fox, Hugh, editor ; Andrews B ; Ascher S ; Straus DL ; Beining G ; Bennett J ; Bukowski C ; Kostelanetz R ; Lifshin L ; Richmond S ; levy da ; Smith H ; Bennett JM ; Khlebnikov V ; Kruchenykh A ; Huelsenbeck R ; Evason G ; Tzara T ; Cridisque L ; Finlay IH ; Stein G ; Weiner H., 1994

 Item
Identifier: CC-30991-32450
Scope and Contents In introductory essays, Fox critiques the work of each poet included in this anthology and also writes a summarizing appendix. He reprints a statement from John M. Bennett about his poem BLENDER published in GHOST DANCE No.38, 1983. In an inquiry directed to explaining the poem BLENDER, Bennett responded. In general about my work I would say that it differs basically from mainstream American poetries in that it doesn't attempt to provide recipes for life or to conclude with "correct" moral postures, or to be in any other way didactic. My writing wants to be a life; complete and full of it all, a symbolic representation of the universe as perceived through my experience, my consciousness, and my writing itself.... BLENDER specifically seems to represent a transition phase between two styles of mine-from a kind of surrealist narrative toward an anaphoric style (one where the poems were structured around repetitions of key nouns or verbs in each phrase, or repetitions of short...
Dates: 1994

The Salivation Army Black Book (1996-2006) / Treleaven, Scott ; P-orridge G., 2006

 Item
Identifier: CC-46672-49402
Scope and Contents

This book reproduces all ten issues of the homoerotic magazine entitled "This is the Salvation Army." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

The Word and Beyond, 1982

 Item
Identifier: CC-36611-38419
Scope and Contents

Richard Morris reported a survey of 65 poet-editors of different schools of poetry and who were asked "the best poets currently writing in the English language." The results included among others Antin, Ashbery, Beckett, Berrigan, Blaser, Bukowski, Bunting, Cage, Codrescu, Coolidge, Corman, Corso, Davey, Dorn, Elmslie, Ferlinghetti, Ginsberg, Giorno, Hirschman, Hollo, Houedard, Ronald Johnson, David Jones, Kryss, Lifshin, McClure, Mac Low, Meltzer, Merrill, Merwin, Meyer, Perchik, Plymell, Raworth, Rothenberg, Simic, Snodgrass, Charles Stein, Swenson, Tarn, Keith Waldrop, Emmet Williams, Jonathan Williams, Zulovsky. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982