Scope and Contents Deals with the artist's consideration of the environment and personal artistic language. Internet: Bilge Friedlaender, 65, a Turkish-born artist known for combining natural materials into delicate arrangements and renderings, died of brain cancer in April 2000 in Istanbul.Mrs. Friedlaender, who lived in Germantown during the years she worked and taught in Philadelphia, had her pastel drawings, two-dimensional wall hangings, abstract sculptures, and minimalist installations exhibited at several venues in the region. They included Old City galleries, the Pennsylvania Academy of the Fine Arts, Beaver College, Moore College of Art and Design, and the Horticultural Center and Arboretum in Fairmount Park. She had solo exhibitions in New York; Boston; Kyoto, Japan; and Istanbul. Her work also was shown as part of group exhibitions in several cities, including Washington and Munich, Germany. Mrs. Friedlaender was an assistant professor who taught at the University of Pennsylvania from 1983...

Scope and Contents

All the poems in this book are printed with a red colored typeface. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was compiled by jw curry from unpublished (?) concrete poems of bp Nichol's early work which were composed by typings or writings. curry had access to these works through cataloging of Nichol's archive. These works emphasize the diversity and intelligence of Nichol's typewriter poetry; the calligraphic works are presented with far less examples. The cited authors in this book consist of those whom Nichol composed a poem in their style or as an homage to them. The covers of the book have been collaged with a dust jacket created from an overprinting of a cover by Coach House Press entitled, 'New Wave Canada.' -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was compiled by jw curry from unpublished (?) concrete poems of bp Nichol's early work which were composed by typings or writings. curry had access to these works through cataloging of Nichol's archive. He has had access to such work through his cataloging of Nichol's archive. The works emphasize the diversity and intelligence of Nichol's typewriter poetry; the calligraphic works are presented with far less examples. The cited authors in this book consist of those whom Nichol composed a poem in their style or as an homage to them. The covers of the book have been collaged with a dust jacket created from an overprinting of a cover by Coach House Press entitled, 'New Wave Canada.' -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was compiled by jw curry from unpublished (?) concrete poems of bp Nichol's early work which were composed by typings or writings. curry had access to these works through cataloging of Nichol's archive. The works in this volume emphasize Nichol's visual poems and concrete poems made with letraset.; the typewriter poems are presented with far less examples. The covers of the book have been collaged with a dust jacket created from an overprinting of a cover by Coach House Press entitled, 'New Wave Canada.' -- Source of annotation: Marvin or Ruth Sackner.

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Also designated in "Curvd H&Z" series as No.94 and in "One Cent Series" as No.59. -- Source of annotation: Marvin or Ruth Sackner.

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The poem reads as a column, 1978 1979 1980 1981 198| with the final digit a scribble rather than 1982. The poem is also designated Curvd H&Z No.51 and pomez a penny #31. -- Source of annotation: Marvin or Ruth Sackner.

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Some of the poems, one to a page, demonstrate word play through alteration of a single letter, e.g., 'artistic - autistic,' and 'games of slaughter - games of laughter.' Also designated Curvd H&Z No.37.. -- Source of annotation: Marvin or Ruth Sackner.

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The poem reads, DDT - ddt. It is also designated Curvd H&Z No.38 and pomez a penny #21. -- Source of annotation: Marvin or Ruth Sackner.

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The poem reads 'POST-TU-LATE.' T his is the 2nd edition of a poem first published by Ganglia 1969. Also designated pomez a penny #37 and Curvd H&Z #59. -- Source of annotation: Marvin or Ruth Sackner.

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his image was printed by Brice Marden. Saroyan received a $5,000 grant from NEA to produce this print and FOUR other minimalist, concrete poems. This grant prompted William Proxmire, senator from Wisconsin, to award his Golden Fleece Award to the National Endowment for the Arts as one of the most outrageous examples of slap-your-forehead misappropriations. In his book "an/thology of pwoermds" Geof Huth writes the following: "I began to write pwoermds after becoming entranced by Saroyan's eyeye. The simple beauty of that poem haunted me, even though (and maybe because) the poem began as a typographical error of Saroyan's and it took a friend of his to point out to him its signficance (Solt, Concrete Poetry, 57)." This print was redone in 1989 as a silkscreen orint in 1989 in an edition of 150 with a priceof $1,000 on the internet. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book contains minimalistic poems that frequently are associated with geometric images, squares and lines. -- Source of annotation: Marvin or Ruth Sackner.