Picture poetry

Achtung Minen / Finlay, Ian Hamilton ; Harvey, Michael., 1977

Item

Identifier: CC-57994-10001254

Dates: 1977

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Adam's First Words to Eve / Furnival, John., 1978

Item

Identifier: CC-12698-12941

Scope and Contents

A reclining, naked Adam is depicted in Classical sculptural imagery enunciating, "So what? Small is Beautiful! -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Adventurer - Bath / Finlay, Ian Hamilton; Clark, Laurie., 1976

Item

Identifier: CC-12024-12247

Scope and Contents

The card depicts a line drawing of a sailing vessel bow named Adventurer - Bath. This is a head-on drawing of a sailing ship with what looks like a liquid soap dispenser in the background. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

AEIOU Blue & Gloire de Marengo / Finlay, Ian Hamilton; Dinkel, Madeleine., 1976

Item

Identifier: CC-12104-12328

Scope and Contents

These preparatory drawings were intended for glass water-floating sculptures. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Aeronaut Schwerer Kreuzer "Prinz Eugen" / Finlay, Ian Hamilton; Hincks, Gary., 1995

Item

Identifier: CC-12988-13280

Scope and Contents

The image and caption on this card deal with the sinking of a wooden model in 1994 of the Nazi warship "Prince Eugen." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Affection / Torok, Karl; Cutts, Simon., 1974

Item

Identifier: CC-33223-34853

Dates: 1974

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

After Bernini / Finlay, Ian Hamilton; Hincks, Gary., 1987

Item

Identifier: CC-12367-12593

Scope and Contents

This print depicts a confident Apollo,a metaphor for the French revolutionary leaders, and a frightened Daphne, a symbol of the beginning Republic as indicated by her wrappings of the French Tricolor flag. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

After / Finlay, Ian Hamilton ; Jones, Grahame., 1989

Item

Identifier: CC-11850-12071

Scope and Contents

Printed by John Tetley. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

After John Flaxman R.A. / Finlay, Ian Hamilton; Hincks, Gary., 1993

Item

Identifier: CC-11044-11259

Scope and Contents

Christmas card from Finlay. John Flaxman (1755-1826) was a British-born Swedenborgian sculptor, painter, designer and illustrator. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

After John Flaxman R.A. / Finlay, Ian Hamilton; Hincks, Gary., 1980

Item

Identifier: CC-12062-12286

Scope and Contents

Depicts a landscape image from a Greek classic but the caption deals with an allied air raid in progress. John Flaxman (1755-1826) was a British-born Swedenborgian sculptor, painter, designer and illustrator. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

After Terborch / Phillips, Tom., 1971

Item

Identifier: CC-54420-52442

Scope and Contents

Gerard Terborch (1617-1681). He was a Dutch painter of portraits and genre scenes noted for their subtle light and color. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

After the Russian / Finlay, Ian Hamilton; Furnival, John., 1969

Item

Identifier: CC-12460-12687

Scope and Contents

Finlay's three worded constellations serve as captions for Furnival's drawing of a Russian sailor and ship. First published in London Magazine in January 1969. This work is cited as a pamphlet (also held by Sackner Archive) but not as a print. There is also a signed edition of 300 copies.There is no reproductions in the Finlay Prints 1963-1997 book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

After the Russian / Finlay, Ian Hamilton ; Furnival, John., 1969

Item

Identifier: CC-12459-12686

Scope and Contents

Finlay's three worded constellations serve as captions for Furnival's drawing of a Russian sailor and ship. First published in London Magazine in January 1969. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

After Theocritus / Finlay, Ian Hamilton; Lindsley, Kathleen., 1996

Item

Identifier: CC-35204-36938

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

After Thomas Hearne / Finlay, Ian Hamilton; Hincks, Gary., 1977

Item

Identifier: CC-12028-12251

Scope and Contents The card consists of two similar images that depict a Palladian inspired house at a distance from a tree lined foreground. The captions of one image is "Palladian" referring to the house and of the other "Picturesque" to the more complex landscape. Wikipedia 2011: Thomas Hearne (1744 "“ 13 April 1817) was an English landscape painter, engraver and illustrator. Hearne was born at Brinkworth near Malmesbury in Wiltshire. He came in his teens to London, and had to work as a pastry cook, but in 1763 was awarded a premium by the Society of Arts. In 1765 he was apprenticed to Liam Woollett, the engraver, with whom he stayed for six years. In 1771 he travelled to the Leeward Islands with the newly-appointed Governor-General, Sir Ralph Payne. He remained there for three-and-a-half years, making drawings of the characteristic features of the islands. This work also employed him for two years after his return to London in 1775, and turned the direction of his art from engraving to...

Dates: 1977

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry