This book deals with the content of Russian Avant Garde books held by The British Library. A large number of these books are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition travelled to the Jewish Museum in New York. The major part of the exhibition dealt with El Lissitzky's hebrew artworks. The editor was Ruth Apter-Gabriel. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. Featured a great number of Russian Avant Garde books. -- Source of annotation: Marvin or Ruth Sackner.

This is a profusely illustrated, well documented catalogue of Lissitzky's life and works. The works depicted in this catalogue, which are held by the Sackner Archive, include "Pressa Cologne, Six Tales with Easy Endings, For the Voice, Beat the Whites with the Red Wedge, and All Union Printing Trade Exhibition." Works formerly held by the Sackner Archive include "Of Two Squares, Had Gadya 1923, Proun 2C, Yingl Tsingl Khvat, and Wendingen." -- Source of annotation: Marvin or Ruth Sackner.

Proun 2 C(acquired in this exhibition), "Wendingen," "For the Voice," and "Of Two Squares" are among the works illustrated in the catalogue that were formally held by the Sackner Archive. This catalogue includes several critical essays by Lissitzky translated into English and German. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition included Chashnik's design for the cover of a book by Gorki on Lenin (page 237); an alternative is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a well illustrated catalogue of the early 20th century avant garde books. -- Source of annotation: Marvin or Ruth Sackner.

The "Box Factory," a work held by the Sackner Archive which was lent to this exhibition, is depicted in the catalog. The exhibition was curated by Magdelena Dabrowski. -- Source of annotation: Marvin or Ruth Sackner.

German Karginov wrote the text. -- Source of annotation: Marvin or Ruth Sackner.

Includes a reproduction of "TAPX" (Vol.2, p791), a letterpress print in the Tarkhanov collection of typographical works, held by the Sackner Archive. Stored on reference shelf apartment 1904. -- Source of annotation: Marvin or Ruth Sackner.

This is the program for the performance of the opera. The Sackners saw the original American performance in and lent several books to the concurrent exhibition at the Los Angeles County Museum of Art in 1980. -- Source of annotation: Marvin or Ruth Sackner.

Thirteen poems by Vladimir Mayakovsky and the graphic design of El Lissitzky are combined in this reprint version of this important Russian Avant Garde book, a set with one copy in Russian and the other translated to English. The Sackner Archive holds an original copy (1923). This set of books also includes one edited by Patricia Railing that features a reminiscence by David Burliuk, excerpts from an interview with El Lissitzky, notes on the visual translation of For the Voice, and an essay titled "For the Voice and For the Eye - Notes on the Aesthetics in For the Voice." Each poem by Mayakovsky is extensively annotated by several contributors. -- Source of annotation: Marvin or Ruth Sackner.

Lists Delauney and Cendrars' "La Prose du Transsiberien" and Lissitzky' "Beat The Whites With The Red Wedge," both of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Includes individual drawings from Kirill Zdanevich's sketch book of 1914-1915, a book with identifiable gray paper pages and evidence that several drawings had been cut from it. Several posters and books by Ilya Zdanevich reproduced in the catalogue have been and are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.