Typewriter art
Subject Source: Sackner Database
Found in 146 Collections and/or Records:
Formation of Moire Pattern [Black] , 2014
A Moire pattern is a secondary and visually evident superimposed pattern created when two usually transparent identical patterns on a surface (such as closely spaced grids or straight lines are overlaid while displaced or rotated a small amount from one another. -- Source of annotation: Marvin or Ruth Sackner.
Formation of Moire Pattern [Red], 2014
A Moire pattern is a secondary and visually evident superimposed pattern created when two usually transparent identical patterns on a surface (such as closely spaced grids or straight lines are overlaid while displaced or rotated a small amount from one another. -- Source of annotation: Marvin or Ruth Sackner.
Gratte-Ciel N* 116 / Chopin, Henri., 1987
The English translation of the title is skyscraper. -- Source of annotation: Marvin or Ruth Sackner.
Hamburg - Typings, 1988
This book was edited by Ulrich Dorrie and Holger Priess. -- Source of annotation: Marvin or Ruth Sackner.
How to Become Expert in Typewriting , 1890
Selected pages were downloaded as a pdf file on Google Books. -- Source of annotation: Marvin or Ruth Sackner.
Idioms of 'Krete: Selections of idiomorphic concrete poetry, 2000
One poem is printed on each of the pages except for a few pages with brief commentary.The following text is printed on the back cover. "Literature is the only artform whose organon is already symbolic. Concrete poetry has always been devoted to the breakdown of the assumed symbolism, either to reform a new one or to celebrate raw, lingual materiality for its own sake. While one branch seeks a new understanding of what was always there through this breakdown - most evident in 'found poetry' - and this is called the 'collective branch'; the other, the ideomorphic, seeks to forever push the process into fresh and singular dislocation. Here are three poets with the latter propensity: Haiku-focused LeRoy Gorman with his constuctivist tendencies, the more sculptural Daniel f. Bradley, minimalist panache in tow and cheek and the graphically ham-fisted Marshall Hryciuk, who feels positively didactic next to the other two." -- Source of annotation: Marvin or Ruth Sackner.
In vino verites. And what's in beer., 1977
[indented rectangles] (101266), 1966
This typing in done in blue ink composed of nine constuctivistic images, formed by dashes and underlines, is arranged in a 3 x 3 grid. -- Source of annotation: Marvin or Ruth Sackner.
iX, 1971 January 20
[L and cube slash and dash], 1963-1964
A large L shaped figure and a smaller cube are composed of slashes and dashes. This typing was acquired from Charles Cameron. -- Source of annotation: Marvin or Ruth Sackner.
La Danse Des Oh!, 1992
The Letter "O" has been typed as an overlay to create Moire effects. -- Source of annotation: Marvin or Ruth Sackner.
Le Bibelot, No. 18: Poeme Froufroutant Electronique, 1991
Le Temps Aujourd'hui, 1972
This print is divided into an upper half that depicts a typewriter poem with a typed frontal view of a face. The lower half depicts the tItle in bold typography and a collage of an eye and dentures. -- Source of annotation: Marvin or Ruth Sackner.
Letter from Kythera, 1994
The photocopied black & white image depicts a nude frontal view of a woman emphasizing her pubic hair. The white portion of the print is filled in with dense typed letters that do not have any linguistic meaning. Kythera aka Cerigo is a Greek island in the Mediterranean which had a temple of Aphrodite in antiquity. Presumably, Diotallevi is pointing out that language doesn't matter in a Temple of Love. -- Source of annotation: Marvin or Ruth Sackner.
Little Xerox Book: Eon Pulse (for Sylvia). No.3, 1981
This work was first published by NRG magazine. -- Source of annotation: Marvin or Ruth Sackner.
Little Xerox Book: Eon Pulse (for Sylvia). No.3, 1981
This work was first published by NRG magazine. -- Source of annotation: Marvin or Ruth Sackner.
Lost Alfabet Found, 1979
In this book, almost each page depicts a typewriter piece that is constructivistic in appearance. -- Source of annotation: Marvin or Ruth Sackner.
L's & Mirror Imaged L's, 1967
This print depicts L's and mirror imaged L's. -- Source of annotation: Marvin or Ruth Sackner.
