Skip to main content

Xerox art

 Subject
Subject Source: Sackner Database

Found in 363 Collections and/or Records:

Anthology Spidertangle / And, Miekal, editor ; Zimmer B ; Ernst KS ; Vadja G ; White D ; Altemus R ; Primeau PR ; Chikhladze D ; Stolte M ; Bennett JM ; Weiss I ; Huth G ; Hill C ; Luis C ; Waber D ; Vassilakis N ; Peters M ; Royer R ; Grumman B ; Hanafi A ; Kuhn D ; Chirot D ; Lipman J ; Quarles L ; Thurston K ; Priddle R ; Backonja P ; Wood R ; Greenblatt M ; Young K ; Kempton K ; Rosenberg MR ; Basinski M ; Murphy S ; Austin WJ ; Kervinen JP ; Ciccariello P ; Bennett CM ; Damon M ; Endwar ; Deed M ; Goldstein L ; Satanovsky I ; Drozner L ; Martin C ; Koppany M ; And M ; Kostelanetz R ; Beaulieu D ; Touchon C ; Giovenale M ; Wakest L ; Hansen J ; Bacos C ; Giovenale M., 2009

 Item
Identifier: CC-49230-70272
Dates: 2009
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Aono! / Upton, Lawrence ; Cobbing, Bob., 1996

 Item
Identifier: CC-45154-47335
Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

archive/edition/book/work, 1989

 Item — Box 208: [Barcode: 31858072460144]
Identifier: CC-04956-5053
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

arnyekkotok electrographic art: (1953-1985). No.3 / Gyorgy Vadasz., 1990

 Item
Identifier: CC-49604-70655
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

arnyekkotok electrographic art: The Uncertainty of the US Presidential Elections. No.2 / Daniel Erdely ; Gyula Fay ; Erderly D., 2000

 Item
Identifier: CC-49688-70741
Scope and Contents

Also designated Number 28. This issue illustrates that "through the analysis of the recent, embarrassingly dubious American elections, we prove that the American people is just as much a victim of manipulation as the citizens living under dictatorship. Using a mathematical model, the authors show that through simple media techniques one can easily manipulate common consensus so that one [can] reach the most favorable decisions with regard to the current situation." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

arnyekkotok electrographic art: Try Transmission Again. No.2 / Zsuzsa Dardai, Janos Szasz, Istvan Tenke, Ervin Zsubori, editors ; Kac E., 1995

 Item
Identifier: CC-49611-70662
Scope and Contents

Also designated Number 15. Eduardo Kac contributes an in depth essay titled "Aspects of the Aesthetics of Telecommunications" printed in Hungarian and English. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Arnyekkotok Shadow Weavers; copy art, fax art, computer art / Dardai, Zsuzsa, editor ; Perneczky G ; Olbrich JO ; Norros H ; Szombathy B ; Tisma A ; Perkins S ; Maggi R ; Kac E ; Bleus G ; Bruscky P ; Bentivoglio M ; Muhleck G ; Altemus R ; Hegedus L., 2005

 Item
Identifier: CC-48287-69312
Scope and Contents

This is an anthology of articles from the photocopying periodical "Arnyekkotok" that was founded in 1990. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Art as Life Life as Art / Danon, Betty., 2005

 Item
Identifier: CC-44885-47057
Scope and Contents This book was edited by Marcella and Nicoletta Danon in homage to their late mother and grandmother, Betty Danon. In the introduction by Marcella Danon, mention is made that Betty Danon's work is held in the Sackner Archive. Conceptual artist and visual poet. Danon was born in Istanbul and lived in Milan, Italy, since 1956. She worked with Sound and Sign, starting from Jungian symbology, reducing circle and square in their primal elements - dot and line - that she will develop in her future works: abstract musical scores and interventions on Sound and Sign. She participated, in Italy and abroad, in many personal and collective exhibitions and twice in Special Exhibitions within the Venice Biennial, in 1978 and in 1980. Her work is well documented in many contemporary art magazines and international art archives. She voluntarily left, in the 1980's, the conventional art circuits in order to share her work with artists from all over the world trough Mail Art, and in order to spread...
Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Arte Postale!. No.70/Mar-Apr / Baroni V ; Olbrich JO., 1995

 Item
Identifier: CC-26861-27332
Scope and Contents

Edited by Vittore Baroni, this issue is dedicated to the work of Jurgen Olbrich and coincides with an exhibition in Baroni's gallery, Il Soppalco. The covers have original colored photocopied prints by Olbrich. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Arte Postale!. No.70/Mar-Apr / Baroni V ; Olbrich JO., 1995

 Item
Identifier: CC-26863-27334
Scope and Contents

Edited by Vittore Baroni, this issue is dedicated to the work of Jurgen Olbrich and coincides with an exhibition in Baroni's gallery, Il Soppalco. The covers have original colored photocopied prints by Olbrich. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Arte Postale!. No.70/Mar-Apr / Baroni V ; Olbrich JO., 1995

 Item
Identifier: CC-39358-41309
Scope and Contents

Edited by Vittore Baroni, this issue is dedicated to the work of Jurgen Olbrich and coincides with an exhibition in Baroni's gallery, Il Soppalco. The covers have original colored photocopied prints by Olbrich. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Arte Postale!. No.70/Mar-Apr / Olbrich JO ; Baroni V., 1995

 Item
Identifier: CC-26846-27316
Scope and Contents

Edited by Vittore Baroni, this issue is dedicated to the work of Jurgen Olbrich and coincides with an exhibition in Baroni's gallery, Il Soppalco. The covers have original colored photocopied prints by Olbrich. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Artist at Work: Artist's Bookworks / Neaderland, Louise Odes., 1996

 Item
Identifier: CC-30856-32307
Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Artist Self / Rocola, Robert., 1989

 Item
Identifier: CC-03130-3179
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Artistamp / Bidner, Michael., 1984

 Item
Identifier: CC-22612-23040
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Aspects of Literature / Random, Steve., 1980

 Item
Identifier: CC-39311-41261
Scope and Contents

Random created a false page by collaging strings of printed text onto a photocopied abstract background. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Ausstellungsprojekt / Olbrich JO ; Hainke W., 1992

 Item
Identifier: CC-26394-26863
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Austausch O.K.!": Multilinear Text + Image im Spiegel der Zeit / Olbrich, Jurgen O.., 1997

 Item
Identifier: CC-30924-32379
Scope and Contents

Each print consists of collages of covers and pages from German books reworked in a photocopier machine. The images depict a mixture of distorted but readable texts and images. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Balance Wipes / Cheek, Cris., 1982

 Item
Identifier: CC-19979-20367
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Be Thankful You Can See / Baroni, Vittore., 1994

 Item
Identifier: CC-24093-24545
Scope and Contents

Each page depicts the same image progressively enlarged from a microscopic size to cover the entire page through the xerox technique. It is reminiscent of Emmett Williams' xerox experiments carried out in 1979. Manuscripts from the latter period are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Staff Interface | Visit ArchivesSpace.org | v3.5.1 | Send Feedback or Report a Problem