Professor Emeritus of Afro-American Studies and Music at the University of Minnesota; University of Iowa alumna.

Highly stylized typography in the genre of the San Francisco "flower children" posters of the same period. -- Source of annotation: Marvin or Ruth Sackner.

This is the program for the concert of the Composers Ensemble with Tom Phillips that included a performance of Phillips' opera "Irma." The concert was one event in the month long schedule of exhibitions highlighted by Phillips' retrospective at the Royal Academy. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Vittore Baroni and the booklets were edited by BAU. -- Source of annotation: Marvin or Ruth Sackner.

Scholar, writer and artist.

Denoted as #15 of 6th series of musical books. Consists of three blocks of hollowed painted wood that have moveable metal objects within them to give sounds when shakened. The blocks are joined together by cardboard onto which has been printed a listing of types of books, viz., A Book of Hours, A Log Book, A Workbook, A Psalter, A Hymnal, An Ablum, etc. -- Source of annotation: Marvin or Ruth Sackner.

Professor of music, University of Iowa, from 1919 until his death in 1953. Composer and symphony conductor. Compositions, correspondence, and scrapbooks containing newspaper articles.

This collection contains sheet music, brochures, concert announcements, photos, digital files, and various correspondence pertaining to Red Cedar Chamber Music program .

Book consists of an avant garde musical score; the tape cassette is a recording of its first performance. -- Source of annotation: Marvin or Ruth Sackner.