This exhibition consisted of Lewty's textural works, some overlaid with abstract markings rather than surreal creatures as in his earlier works, others purely textural with more formal lettering. In his introductory essay, Paul Hills writes that in these textural paintings, Simon Lewty "has banished the lure of the figurative...to forestall and inclination to read the painting in terms of illustration, thereby bringing us forcibly back to the work as an object, to the look of the whole, to the matter of the text and its material presence." -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts two works from the Sackner Archive who is also listed among the supporters of this publication. The drawing was given to the 11 supporters of the publication of this book. -- Source of annotation: Marvin or Ruth Sackner.

Most of the images depicted in this catalogue are examples of Language Art. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts two works from the Sackner Archive that is also listed among the supporters of this publication. A drawing given to the 11 supporters of the publication of this book is depicted in another entry. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition consisted of Lewty's mainly more visual than textural works. -- Source of annotation: Marvin or Ruth Sackner.