Scope and Contents

This well illustrated exhibition catalogue provides a broad view of contemporary concrete and visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This catalogue features 53 essays on international aspects of visual poetry and individual poets. There are several poets cited in the essays whose works are not depicted in the exhibition. The essays deal with such topics as Mantova and visual poetry, political poetry dealing with war, visual poetry objects, futurism and Zaum, musical aspects of visual poetry, the periodical Lotto Poetica, Neoism, Oyvind Fahlstrom, constellations, Emilio Villa, Mario Diacono, Marcel Duchamp, calligraphic aspects of visual poetry, Quebec visual poetry, Carlo Belloli, Portuguese visual poetry, poema processo, Yugoslavian visual poetry, Carlfriedrich Claus, analysis of Brazilian concrete poetry, South American visual poetry, Gruppo 70, Joan Brossa, concrete and visual poetry in Japan, concrete poetry in England, Ezra Pound, e.e. cummings, Lettrisme, visual poetry in Spain, Francesco Conz, and collections of Paolo Berardelli, Francesco Conz, Adriano Parise, and Giuseppe Verzeletti. All of these essays...

Scope and Contents

This exhibition was curated by Enrico Mascelloni and Sarenco. This CD catalogue depicts the two volume catalogue in hypertext. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue consists of colored photographic reproductions of works on paper, one or at the most two to a page. The covers of the two volumes have identical images but Volume 1 is rendered in black and white while Volume 2 is printed in color. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This portfolio is the first Latin American anthology of visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition aimed to document the aesthetic shift that took place in the 1960's and 70's in Czech concrete poetry, art, letters and images. Josef Hlavacek writes in his introduction, ''The relationship between the image and the letter could be called mutual initiation. It became evident that the letter as an object not only of literary but also of artistic interest has a long history with particular accents in classical antiquity, the era of the Baroque and the avant-garde of the 1910s and '20s...The experiment in poetry was brought about by what was essentially a direct reaction to the problematic line of civic poetry...[Then] attention became focused on the word as an independent phenomenon and language...A third stimulus stemmed from a strong interest in how art mediates information about the outer world through artistic signs, doing so in a much more direct way than the spoken or written word." The exhibition featured small magazines, exhibition catalogues and books of the...

Scope and Contents

This book includes a contribution on the life and work of conceptual artists Silesian (Karel Adamus, Jan Wojnar, Martin Klimes, Milan Lasota, George Å igut), descriptions of works, biographical information, an overview of exhibitions and representation in collections. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This unedited and unpublished manuscript depicts drawings, graphics, photos, and visual poems produced by collage, rubberstamped or photocopied techniques. Most were rendered as photocopies. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In this issue, Adamus superimposed typewriter art on reproductions on renaissance art works. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue was edited by Jiri Valoch. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The titles of poems in this catalogue are written un graphite by Adamus. The three visual images appear to relate to Zen. -- Source of annotation: Marvin or Ruth Sackner.