Scope and Contents

This exhibition, curated by Julien Blaine, comprised statements and representative works from several international visual poets that memorialized five "ambassadors" of poetry who died in the past five years. The "ambassadors" were Franco Beltrametti, Julio Campal, Guillermo Deisler, Mathias Goeritz, amd Adriano Spatola. The statements were responses to the questions: What do you speak about in your work? Why the world? What about international exchange? Each poet also submitted an autobiography that was reprinted. Page IX depicts a photographic reproduction of a sculpture, "A" by Bartolome Ferrando that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The two pages were originally composed in 1995. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The theme of this exhibition involving Fluxus artists and visual poets was a riff on Leonardi Da Vinci's work. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This periodical was begun in 1971 and ran through June 1975. The second series, edited by Sarenco, began in 1982 and finished in 1984. The Sackner Archive holds a complete run of both series. In this exhibition, each of the 74 artists contibuted two or more collages or drawings with the header "Lotta Poetica" and the dimensions of the cover as a homage. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The theme of this exhibition was the alphabet. Judith Hoffberg delivered a talk at the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was heavily into Fluxus material with poesia visiva a secondary interest. There were several multiples exhibited that are also held by the Sackner Archive included in this catalogue, most notably the Museum of Ben, Jackson Mac Low's score for A Vocabulary for Sharon Belle Mattlin, and Jean Dupuy's painting 'Trou Verge.' -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Internet: Two cities and four institutional venues have more than one thousand works from various foundations and collections, with a total of one hundred and fifty Italian and foreign artists selected: these features make Visual Poetry the most important initiative dedicated to Visual Poetry, on the fiftieth anniversary of the founding of the Group 70 Florence, among the first and most effective propellers of this kind of art, who in 1964 coined the term, in fact, "Visual Poetry" in the climate of the turbulent bubbly and neo-avant-garde European Union. The Group was formed in '63 by Lamberto Pignotti and Eugenio Miccini, brought forward his artistic research in an interdisciplinary way, probing the possible relations between culture, language spoken, advertising and mass communication, between word and image, writing and painting, creating new meanings and complex systems, according to an idea of "‹"‹total art that characterized the research of various movements of the sixties...