The chapters consist of the following: 1). The post-cognitive era: looking for the sense in it all. 2). Five traditions of art history. 3). Intermedia. 4). Some poetry intermedia. 5). Games of art. 6). Exemplative works of art. 7). Intending. 8). Against movements. 9). Boredom and danger. 9). Structural researches. 10). Seen, heard and understood. 11). Towards an allusive referential. 12). Blank images. 13). Innovation. 14). Inventing our back pages. 15). Styles in cognitivism. 16). A something else manifesto. 17). On doing too much. 18). About Bern Porter and his 'I've left'. 19). Why Gertrude Stein. 20). Getting into Emmett William's poetry. 21). Conceptual forks. 22). A commentary by the poet on 'conceptual forks'. 23). An exemplativist manifesto. -- Source of annotation: Marvin or Ruth Sackner.

Young includes a section on sound and concrete poetry entitled, " Post-Dada, Pop-Poetry, and the Literary Undergound." He highlights works by Henri Chopin, Bob Cobbing, Adrian Henri, Jeff Nuttall, Ian Hamilton Finlay, and Christopher Middleton. -- Source of annotation: Marvin or Ruth Sackner.