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Commissioned for " The Beauty in Breathing" exhibition. The words in varied colors are placed both in the xy and z planes of the hologram and constitute the following: "When butterflies and gears subtle lightening breathe." -- Source of annotation: Marvin or Ruth Sackner.

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Also designated Number 15. Eduardo Kac contributes an in depth essay titled "Aspects of the Aesthetics of Telecommunications" printed in Hungarian and English. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue of a virtual museum consists of three books bound into one. The first is a manifesto and history of the launching of Casa das Rosas written by Jose Roberto Aguilar. The second section is the catalogue Arte Suporte Computador (Computer aas a Support for Aaart) including web art, Clip-Poemas Digitais by Augusto de Campos, High Voltage Harp by Barry Schwartz and several web site exhibitions. -- Source of annotation: Marvin or Ruth Sackner.

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The work of Kac is presented on the cover and on page20. It is noted that his digital poems were created before the internet. Kac is described as a radical inovator creating a universal poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents On page 52 and 53 a hologram "Adrift" (1991) by Kac is acknowledged and illustrated to be in the collection of the Sackner Archive. In another publication Kac has described this work, "Adrift is composed basically of seven words that dissolve in space and into each other as the viewer reads them. In one case, the reader may be invited to start reading from the letter which is further away from him or her. In another case, the letter closer to the reader could be the starting point. The letters that make the words are floating irregularly along several Z axes, except for the word 'breathe', which is integrated into the overall light field. This word is blown by an imaginary wind as its letters actually move away from their original position to dissolve the light field. The movement of the letters in this word disrupts the apparent stability of the other words."This book is divided into sections titled Holopoetry, Digital Poetry, Biopoetry and Space Poetry. -- Source of annotation:...

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Subtitled "Essays, manifestoes, critical and theoretical writings" the author traces the developement of visual poetry from Mallarme to contemporary multi-media poets. The essays concentrate on holographic techniques and specific holopoems of the author. The book includes in depth interview of Kac. -- Source of annotation: Marvin or Ruth Sackner.

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The disc holds several files with different formats; only some can be read with the Windows operating system. -- Source of annotation: Marvin or Ruth Sackner.

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The disc holds several files with different formats; only some can be read with the Windows operating system. -- Source of annotation: Marvin or Ruth Sackner.

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The image is a detailo of a sikscreen print. -- Source of annotation: Marvin or Ruth Sackner.

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This issue provides a great deal of technical information about the making of holograms. -- Source of annotation: Marvin or Ruth Sackner.

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Since the early 1980's Kac has pioneered new art forms to create poetry and art that explore the limits of locality, light, language and life. From his anticipatory holopoetry to his current biopoetry, from his telepresence works to his ongoing bio art ...Kac has integrated many disciplines to present an imaginative view of art's relevance to the contemporary world. Widely recognized for his innovative work, he pioneered telecommunications art before the Web, particularly with his telepresence art. The text of this book is in the form of 15 questions presented to Eduardo Kac by Dominique Moulon. -- Source of annotation: Marvin or Ruth Sackner.

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On page 147, Figure 10 depicts a hologram "Adrift" (1991) by Kac that is acknowledged to be in the collection of the Sackner Archive. Kac writes on page 145, "Adrift is composed basically of seven words that dissolve in space and into each other as the viewer reads them. In one case, the reader may be invited to start reading from the letter which is further away from him or her. In another case, the letter closer to the reader could be the starting point. The letters that make the words are floating irregularly along several Z axes, except for the word 'breathe', which is integrated into the overall light field. This word is blown by an imaginary wind as its letters actually move away from their original position to dissolve the light field. The movement of the letters in this word disrupts the apparent stability of the other words." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book served as a catalogue for exhibitions in Gwangiu, Korea and Sao Paulo. Elena Giulia Rossi edited the texts contributed by several authors. -- Source of annotation: Marvin or Ruth Sackner.