Scope and Contents

Part 1 is subtitled "Innocence, Elegance, Riches & Rags" and traces historical events from 1903 (Wilbur and Orville Wright fly an airplane at Kitty Hawk) to the 50's. Part 2 is subtlitled "Wars, rights & ego-echo." Part III is "Cyber Self & the Ether/Other." Brad Freeman was responsible for the digital prepress and offset printing. -- Source of annotation: Marvin or Ruth Sackner.

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Laxson's work combines the visual and the verbal poetically, sensitively and intellectually. She works in the book and print format, and although the pieces are generally small in scale, the power and beauty of the text, line, typography and message combine to create strong, meaningful work. -- Source of annotation: Marvin or Ruth Sackner.

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Ruth Laxson, who was interviewed by V.W. Smith in this issue, states "I am intrigued by the looks of systems of communication - the markings for music and physics and mathematics...A hand-written or printed page is really beautiful." -- Source of annotation: Marvin or Ruth Sackner.

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Each page records four progressively finished images, the result of one or the other artist adding to the original drawing his/her marks through a solely artist correspondence back and forth between the two. -- Source of annotation: Marvin or Ruth Sackner.

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This article about Ruth Laxson notes that she received the first prize for her new book "A Hundred Years of : LEX FLEX" from the Pyramid Atlantic Book Conference. -- Source of annotation: Marvin or Ruth Sackner.

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Essay by Jan Avgikos, "How to Read an Artist's Book." Reproduces Richard C's "The Private Life of the Rabbit," Ruth Laxson's "Earth Score" and "Two Letter Words," all held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This is a review of Ruth Laxson's book, "[Ho+Go]2=It. -- Source of annotation: Marvin or Ruth Sackner.

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This book is Laxson's view of the impact of a nuclear explosion. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Catherine Foc exhibition review at MOCA GA: Over the course of her long, fecund career, Ruth Laxson has honed a unique language rooted in her fascination with forms of communication. Letters, words, hieroglyphics, mathematical symbols, equations, Braille, computer acronyms, typefaces, handwriting, pictures: the Atlanta artist uses these elements as abstract shapes, allusive imagery "” and content. Text is as important as image, be it straightforward sentences and phrases or wordplay: the puns, anagrams and lists through which she gets at more elusive meanings than linear language allows.The parameters of her subject matter and worldview are, you might say, microcosmic.* Laxson's take on enduring themes "” love, sex, power and their manifestation in relationships, feminism, war, politics and philosophy "” all are nested in perception of matter, space and time shaped by the teachings of Georgia Tech physics professor David Finkelstein and her own ruminations about God. Her works are...

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This book consists of three booklets and a leaflet mounted within the hard covers. -- Source of annotation: Marvin or Ruth Sackner.

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Laxson writes that the "Letters to the Ether Other" first existed as one-of-a-kind bas relief wall pieces... This small edition is a spin off of that work printed while the hand-set type was still in tack on various papers found around the studio." Each page is presented as a combination folded letter with a black printed envelope waiting to be mailed. -- Source of annotation: Marvin or Ruth Sackner.

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The object is shaped like an envelope with a Laxson "postage stamp in the right upper corner. The printed message on the envelope reads, "Dear Sirs: I recently received your MULTI-Measuring Device. It arrived in good condition, but it does not allow for the/the image slippage factor! Do you have a new model? Sincerely yours... -- Source of annotation: Marvin or Ruth Sackner.

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Johanna Drucker, Jerry Cullum and Glen Harper contributed essays on Ruth Laxson to this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Written on the occasion of Marvin Sackner's retirement from the practice of medicine. -- Source of annotation: Marvin or Ruth Sackner.