Ohel - Ruach and "Struktur-Bruch" that are depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds the following concrete poems that are reproduced in this book, viz, buchstaben-insel, ohel-ruach (tent - spirit), struktur-bruch/bruchstaben-gefuge, bruchstaben/monaden. Several poems in this book are constellations of nouns in the style of Eugen Gomringer. -- Source of annotation: Marvin or Ruth Sackner.

Skillfully cut, glued together, styrofoam Hebrew letters are stacked one on top of another in a random, pyramid shape. The letters may be a metaphor for victims of the Holocaust. The glass box could represent Kristelnacht, when the Nazis destroyed the glass windows of Jewish shops and burned Jewish books. -- Source of annotation: Marvin or Ruth Sackner.

Skillfully cut, glued together, styrofoam Hebrew letters are stacked one on top of another in a random, pyramid shape. The letters may be a metaphor for victims of the Holocaust. The glass box could represent Kristelnacht, when the Nazis destroyed the glass windows of Jewish shops and burned Jewish books. -- Source of annotation: Marvin or Ruth Sackner.

Two clusters of Hebrew letraset letters are positioned in the top left and bottom right corners. -- Source of annotation: Marvin or Ruth Sackner.

This is a reproduction of a drawing that consists of five Hebrew letters falling from the top of the page. This card is combined with others from Edition Splitter and stored as a card set. -- Source of annotation: Marvin or Ruth Sackner.

Clusters of large and small Hebrew letraset letters are randomly positioned throughout the surface. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a minimalist arrangement of eight Hebrew letters falling from upper left to the center of the surface. -- Source of annotation: Marvin or Ruth Sackner.

Clusters of large and small Hebrew letraset letters and numbers are randomly positioned throughout the surface. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of five formulas: i2 = -1 / E=mc2 / 0+0= infinity symbol=shin / Aleph=Yod+Vav+Yod / Taw=Raish+Vav. -- Source of annotation: Marvin or Ruth Sackner.

Three columns of Hebrew text were hand cancelled with calligraphic strokes of black ink. The combination of the newsprint text and the markings create a dense fabric-like image. -- Source of annotation: Marvin or Ruth Sackner.

Three columns of newsprint were cancelled with white ink by handmarking. The text becomes impossible to read and the work appears like fabric. -- Source of annotation: Marvin or Ruth Sackner.

Several works depicted in this book are held by the Sackner Archive. These include Transparente Zeit(ung), two Durch-Streichung drawings, and Konsonanten-Akkumulation, -- Source of annotation: Marvin or Ruth Sackner.

This is a reproduction of a work that consists of styrofoam Hebrew letters Gimel - Lamed - Mem placed vertically in a glass pyramid. This card is combined with others from Edition Splitter and stored as a card set. -- Source of annotation: Marvin or Ruth Sackner.

The cover illustration depicts the tetragram JHWH in Hebrew letters as designed by Daniel. Several concrete poems in this book are based on permutations of these four letters. Another section deals with permutations and combinations of the words, picture, drawing, writing, and text among others. -- Source of annotation: Marvin or Ruth Sackner.

Daniel randomly cut Hebrew letters of various styles and sizes and collaged them onto paper. -- Source of annotation: Marvin or Ruth Sackner.

The original work is a collage of cut Hebrew letters. This card is combined with others from Edition Splitter and stored as a card set. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue demonstrates the varied styles of Hebrew concrete poetry composed by Peter Daniel. The Sackner Archive holds the print depicted in the book, Ein offenes Manifest. It also holds the following drawings and collages: Der Buchstabe als Weltenformel, Vernetzung, Buchstaben-Fragmentation, and Durch-Streichung. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition dealt with concrete poems installed in public places. There are also critical texts about concrete poetry by Gomringer and Valoch in the catalogue. Peter Daniel lists his work in exhibition in the Sackner Archive's "Hebrew Concrete Poetry" in 1997. -- Source of annotation: Marvin or Ruth Sackner.

The first Hebrew word, ohel (tent) is changed in five stages to the final word in the column, ruach (wind, spirit). The letter forms are drawn in black ink. The concrete poem suggests how easily a tent can be transformed by wind. -- Source of annotation: Marvin or Ruth Sackner.