Each contributor submitted two photographs mounted on museum boards. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

This print was first published in Industrial Sabotage #59, 2000. Also designated Salvage 5:6. -- Source of annotation: Marvin or Ruth Sackner.

The colored photograph appears to depict a rumpled fabric with Lettrist calligraphic markings. The signees on the card are Lettiste poets -- Source of annotation: Marvin or Ruth Sackner.

The colored photograph appears to depict a rumpled fabric with Lettrist calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

The colored photograph appears to depict a rumpled fabric with Lettrist calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

This copy is from the deluxe edition of five copies. The tirage of the ordinary edition without the drawing is not provided. -- Source of annotation: Marvin or Ruth Sackner.

The edition consisted of 25 copies plus seven copies for contributors and legal deposit. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate copy does not have folds. -- Source of annotation: Marvin or Ruth Sackner.

The binding by Devaux consists of two mirrors with a leather spine; the title of the book is painted onto the mirror with a vertical format twice, one of the titles is a reversed image, i.e., mirror writing. The introductory essay was written by Michel Amarger. The collages in this book consist of fragments of black & white photographs with hand drawn letters, calligraphic markings and hieroglyphics. One of them uses the Hebrew letter 'aleph' as the dominant letter. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was a collaboration among the artists, the Institut du Monde Arabe (Paris) and the Galerie Le Chanjour (Nice). -- Source of annotation: Marvin or Ruth Sackner.

This book compiles a series of interviews of Isou by Devaux that took place between November 1991 and January 1992. -- Source of annotation: Marvin or Ruth Sackner.