The binding by Devaux consists of two mirrors with a leather spine; the title of the book is painted onto the mirror with a vertical format twice, one of the titles is a reversed image, i.e., mirror writing. The introductory essay was written by Michel Amarger. The collages in this book consist of fragments of black & white photographs with hand drawn letters, calligraphic markings and hieroglyphics. One of them uses the Hebrew letter 'aleph' as the dominant letter. -- Source of annotation: Marvin or Ruth Sackner.