This exhiition dealt with Nannucci's book and art works and those published by Zona and Exempla editions. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Nannucci box. "This voume, subtitled "Nonprofit Collective Organizations in the 1960's and 1970's," gathers one of the first extensive research on artist-run spaces. Developed in collaboration with the initiators and founders of Art Metropole (Vancouver), Artpool (Budapest), Ecart (Geneva), Farnklin Furnace (New York) La Mamelle (San Francisco), Printed Matter (New York), and Zona (Florence), the activities of these interconnected points of an alternative network are thus introduced by figures such as AA Bronson, Lucy Lippard, Tom Marioni, and Maurizio Nannucci. They develop on the implications of new art practices, self-organizaion strategies, and politics of exchange." -- Source of annotation: Marvin or Ruth Sackner.

This is a listing of Nannucci's works available for sale including typewriter poems. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Wendy Woon. Nancy Tousley contributed an essay tracing the history of artists' books in Canada and the United States. Felipe Ehrenberg's essay describes his work as a book artist in England and Mexico. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts a reproduction of a Phillips' "Dante's Inferno" print that is also held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The title "M 40" refers to the Olivetti typewriter used to produce the pages of this book. Each page depicts a single letter or symbol from the keyboard that is separated by a half space. -- Source of annotation: Marvin or Ruth Sackner.

The poetry style is reminiscent of the colored minimalist poetry of Robert Lax. The position of the calligraphic text om the paper differs between the two copies. -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition of artists' books from September through December 2005. -- Source of annotation: Marvin or Ruth Sackner.