The word bianco is typed in two facing arrow shapes. When the dot over the i is obscured by a typed row, the work blanco appears. -- Source of annotation: Marvin or Ruth Sackner.

The long message from Nannucci to Aaron deals with contributions to Mela and a request to publish a William Burroughs piece. The letter is written on an announcement for the recording of Poesia Sonora that Nannucci edited. -- Source of annotation: Marvin or Ruth Sackner.

In his introduction to this print series Nannucci writes that "The growing importance of the visual over the verbal which started developing during the fifties, has doubtlessly influenced the proliferation of experimental poetry all over the world...This collection of unpublished poems is both a survey of the field made up to the end of the year 1970 and a proposal for the continuation of experimental work in poetry and for th e qualitative renewal of its original aspects." -- Source of annotation: Marvin or Ruth Sackner.

In his introduction to this print series Nannucci writes that "The growing importance of the visual over the verbal which started developing during the fifties, has doubtlessly influenced the proliferation of experimental poetry all over the world...This collection of unpublished poems is both a survey of the field made up to the end of the year 1970 and a proposal for the continuation of experimental work in poetry and for the qualitative renewal of its original aspects." -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet provides an illustrating listing of silkscreened prints and books published by the press. The card is the price list; one of the copies is missing it. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the page reference is to Nannucci's biography. In this version of the poem"nero," the layout is a narrow rectangle with the word fragmented into seven columns. -- Source of annotation: Marvin or Ruth Sackner.

6 prints, written in italian, they each relate to one color: giallo, nero, rosso, bianco, blu. One of the prints is framed. -- Source of annotation: Marvin or Ruth Sackner.

The cover of the card depicts Emmett Williams' poem "SolDIEer." -- Source of annotation: Marvin or Ruth Sackner.

The print depicts the Italian word for red, "rosso," repetitively in a staggered grid on a red background. -- Source of annotation: Marvin or Ruth Sackner.

The typing depicts the Italian word for red, "rosso," in nine typed blocks. The Sackner Archive also holds a print of rosso on a red background in a repetitively staggered grid. -- Source of annotation: Marvin or Ruth Sackner.

The typing depicts the Italian word for red, "rosso," in the diagonal. The Sackner Archive also holds a print of rosso on a red background in a similar repetitively staggered grid. -- Source of annotation: Marvin or Ruth Sackner.