First draft of poem written on the occasion of Smith's friend, Bill Segal's 90th birthday. Segal is married to Marielle Buscon, the book artist. -- Source of annotation: Marvin or Ruth Sackner.

Final version of poem; the first draft is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Poem written for Ruth Sackner on her 60th birthday while William Smith was a guest at the Sackner's house. -- Source of annotation: Marvin or Ruth Sackner.

The poems were illustrated by Erik Blegvad. -- Source of annotation: Marvin or Ruth Sackner.

This Christmas card was printed as a pop-up ornament by O & J Design for Art for Um. -- Source of annotation: Marvin or Ruth Sackner.

This is the first draft of the poem that eventually became a larger conventional poem that was published in "The Tin Can and Other Poems" (1966), a book also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a photocopied page of "Bay-Brested Barge-Bird" in, "The Tin Can and Other Poems" (1966), a book also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The woodcut illustrations were done by Jacques Hnizdovsky. -- Source of annotation: Marvin or Ruth Sackner.

Woodcut illustrations by Jacques Hnizdovsky. -- Source of annotation: Marvin or Ruth Sackner.

Introduction by E. Brasil and W. Smith features a discussion of concrete poetry in Brazil. Includes notes by H. DeCampos about his book "Transient Servitude," and poem, "Nekuia." -- Source of annotation: Marvin or Ruth Sackner.

Contains a poem written by Smith in celebration of the Century Club's 150th birthday. The pamphlet details the program of the event. -- Source of annotation: Marvin or Ruth Sackner.

Jacques Hnizdovsky provided woodcut illustrations. -- Source of annotation: Marvin or Ruth Sackner.