Scope and Contents

This is a collection of concrete poems during 1964 by the future President of the Czechoslovakian Republic. The book is divided into two sections, one that reprints Antikody, published in 1964 in Prague with contemporary book design, and the other on cheap paper with the original design. The cover of the book was designed by Jiri Kolar. -- Source of annotation: Marvin or Ruth Sackner.

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This is a revision of a book published in 1977 which surveys 20th century art history with accentuation of works with visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

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In this book which is also designated as Tangenten No.4, a small square of mirror is set in stamped out thin card pages. One glassine page overlays it with a printed magic square poem. Parts of the backing of the mirror have been scatched out by the artist and it has been glued down to the card. Poetry has been printed on the pages with the stamped out sections. This book was edited by Walter Aue. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition honoed Jiri Kolaron the occasion of his 70th birthday. Poster reproduces work from the catalogue published by Galerie Pragxis, held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This pamphlet provides an illustrating listing of silkscreened prints and books published by the press. The card is the price list; one of the copies is missing it. -- Source of annotation: Marvin or Ruth Sackner.

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This portfolio was published to accompany Hirsal and Gregorova's book of concrete poetry, job-boj, a work also held by the Sackner Archive. The print by Kolar depicts a two-headed silhouette of Hirsal and Gregorova on a background of collaged words and phrases. The texts are adapted fom contemporary, foreign, newspaper articles. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Jakub Hanzi (internet): Jiri Valoch (1946-) theorist, art critic, columnist, exhibit curator, and conceptual artist. He is the creator of visual and conceptual poetry, photographic poetry and photographic concepts, text installations and conceptual drawings. Between 1965-1970 he studied German Language and Literature, Czech Language and Literature, and Aesthetics at the College of Philosophy (Philosophical Faculty) of Masaryk University in Brno. In the 1960s and 1970s he addressed the production of visual and conceptual poetry focused on linguistic introspection, text installations, and conceptual drawings, and events touching upon the field of body art, land art and conceptual photography. His poetic texts, bordering between word and image, gradually followed a more radical evolution. They began more to reflect his own language, work with texts becomes subordinate to a strict concept, and he returns to a traditionally-expressed, linear, poetic text: most often tied to the classic...

Scope and Contents

Includes a major listing of works by d.a.levy. -- Source of annotation: Marvin or Ruth Sackner.

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This is a textural collage. -- Source of annotation: Marvin or Ruth Sackner.

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This book is his laureate thesis. This second volume consists of a large number of photocopied illustrations to complement Volume I. The first section features international concrete poems, the second section Italian concrete poems, the third section predominantly Italian poesia visiva and the fourth section calligraphic visual poems. Miglietta folows these illustrations with analysid and critical comments on these poems.This thesis concludes with a listing of the birthdates of the poets and a bibliography. -- Source of annotation: Marvin or Ruth Sackner.

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This essay is about Tool and is stored with the Tool publications. The Sackner Archive holds another copy, an original, that is included in "Agentzia 2." -- Source of annotation: Marvin or Ruth Sackner.

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The printed Hebrew text collaged onto this sculpture was taken from the text of Chronicles in the bible. The object onto which the paper was collaged is an old wine press. -- Source of annotation: Marvin or Ruth Sackner.