The cover depicts a page from Miccini's artist book, "Liber." It is a color reproduction of "Omaggio aK. Malevich. -- Source of annotation: Marvin or Ruth Sackner.

The sheets and print depict visual images cut from popular magazines, separated into strips collaged onto paper with lower case printed letters placed into some of the spaces between the strips. According to Eugenio Miccini who wrote an intoductory essay, the spaces represent emptiness and the letters stand for minimal elements of speech. -- Source of annotation: Marvin or Ruth Sackner.

This collage has a circular shape and is bordered by an unpainted wooden frame. A related collage is illustrated on page 253 of Miccini's catalogue, Poesia Visiva 1962-1991, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Stored with Todorovic material. -- Source of annotation: Marvin or Ruth Sackner.

Each stamp depicts an identical turkey captioned by an Italian poet's name. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. Not identified as No.0 but cited as such because of its year of publication. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. The prints in this edition differ from a work of the same title, publisher and year of publication that has a red cover. In addition, the unnumbered, red cover edition has a quote from Alexis de Tocqueville printed on the first print that introduces the works. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. The prints in this edition differ from a work of the same title, publisher and year of publication that has a gray cover. In addition, this edition has a quote from Alexis de Tocqueville printed on the first print that introduces the works. -- Source of annotation: Marvin or Ruth Sackner.

The shapes of the cards have the appearance of fragments of a jig saw puzzle. Date of publication stated as 1969 but numbering system indicates 1970. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. -- Source of annotation: Marvin or Ruth Sackner.

The book contains reproductions of drawings by Morando. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. This is a position paper emphasizing the differences between concrete and visual poetry that was presented at an International Exhibition of Visual Poetry held in Belgrade, Yugoslavia, in 1971. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts Miccini's visual poetic collages along with a brief introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Published for the First Congress of the International Association for Semiotic Studies. -- Source of annotation: Marvin or Ruth Sackner.