Scope and Contents

Janecek reviews all issues of Transponans published from 1979-1984. These periodicals included original Artworks in the style of assemblings. The Sackner Archive holds most of these issues (published in an edition size of only five copies) and this article is stored in the box holding them. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Library University of Hamburg Internet: "While the avant-garde movements such as Futurism, Dadaism and Surrealism in the early 20th Century was one of the Russian avant-garde to the most important and was a leader in the development not only of abstract painting, but a new book designs. After the October Revolution of 1917 recognized ideologically for the construction of the new country, woke up the genre artist's book in Russia around 1985, during the perestroika, back to life and gained popularity - not only by the disappearance of censorship, but also as an art form, the could spread euphoria of those days; inspiration were the futuristic books of Russian avant-garde. The first exhibition of modern Russian artists book took place in 1990 in Leningrad instead, the exhibition, The Metamorphosis' is a small homage to it. It represents the interaction between the genres in the book arts at the center and examines how Russian artists in the last 25 years saw the book. In 50 works...

Scope and Contents

After a brief introductory essay, Schmidt depicts the works of book artists from several countries by depicting a one or two black & white photographs of their work, one to a page. Marvin Sackner selected and contributed the photographs for the section on American book artists. -- Source of annotation: Marvin or Ruth Sackner.

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The image is a incised eye on the incised twig leaf displayed on an painted intense black, background on a found Russian postcard. The verso has a printed Russian text. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue provides a description of the MMM publications along with other publications of the press. -- Source of annotation: Marvin or Ruth Sackner.

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Eighteen expressionistic self-portrait drawings done with black-gray watercolors are affixed one to each page. They measure approximately 12.5 cm x 7.5 cm. In addition, two drawings are done as full pages in black, blue, and yellow paint over a found (?) Russian calligraphic text. The pages in white painted, handwriting appears to be a sound poem dealing with the sentence in German, "I am a dummy" and extensions of this sentence. -- Source of annotation: Marvin or Ruth Sackner.

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The backgrounds of several drawings are old postcards. Konstriktors's work is mounted on beige and Andryczuk's on cream color paper. the four drawings within the envelope were done with watercolor, magic marker, and rubberstamping. -- Source of annotation: Marvin or Ruth Sackner.

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Konstriktor filled a found notebook with drawings in ink, colored graphite and paint. The drawings include illustrations of strange creatures, varying handwritten typographic pages and writing combined with drawings. -- Source of annotation: Marvin or Ruth Sackner.

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This copy is addressed to Jake Berry and signed by Franco Piri Focardi aka Crash and F Piri F. Vittore Baroni translated the introduction into English. -- Source of annotation: Marvin or Ruth Sackner.

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Several artist books by Boris Konstriktor, one of the artists who participated in this exhibition, are held by he Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The pages are taken from popular design and fashion magazine from Finland published in 1984 onto which Konstrictor has added expressionistic images and text. -- Source of annotation: Marvin or Ruth Sackner.