Each sign is accompanied by a sheet listing the date of printing, dimensions, material, producer, edition, date of original artwork and notes by the artist. The catalogues contain essays by Alex Selenitsch, Sing Song, and George Alexander, Richard Tipping's Cure for the Common Code. The Sackner Archive is listed as holding Tipping's works. Other, more recent acquisitions have also been placed in this box. This box also has been acquired by MOMA. -- Source of annotation: Marvin or Ruth Sackner.

Catalogues:
Hear the Art. The Eagle Gallery, London, Great Britain, 1997. (3-fold A4 catalogue essay, 21 x 29.5 cm)
Multiple Pleasures. Thorny Devil Press, Wonji Wonji, Australia. / The Art Gallery of New South Wales, Sydney, Australia, 1996. (5-fold A6 catalogue essay, 10 x 15 cm)
Richard Kelly Tipping: Public Works. The School of Design, Communication and Information Technology, University of Newcastle, Australia, 2002. (16-page catalog, 20.2 x 20.8 cm)

Cards:
Errorism. Multiple Box Sydney, Waterloo, Australia, 2004. (card, 9.6 x 12 cm)
Hear the Art: Earth Heart. Greenaway Art Gallery, Adelaide, Australia, 2002. (invitation card, 21 x 10 cm)
Multiple Box. Gallery for Multiples and Limited Editions, Waterloo, Australia, 2017. (card, 10 x 10 cm)
OTHERENDOPEN. ARTikel Editionen, Munich, Germany, 1999. (postcard, 14.8 x 10.5 cm)
Recent Art Signs and Word Sculptures. Banning and Low, Kensington, Maryland, 2004. (card, 15.2 x 23 cm)
Welcome to Tribeca. Banning, New York, 2002. (card, 15.2 x 15.2 cm)

Signs:
3 Hour Barking. UtterBliss, Australia, 2000. / Electromark, New York, 2001. (screenprint on pressed aluminum, 10.2 x 15.2 cm)
Airpoet. Australia, 1979. / Electromark, New York, 1999. (plastic sticker, 10.2 x 7.7 cm)
Airpoet. NewStudio, Australia, 1979. / Electromark, New York, 2003. (screenprint on plastic, 10.2 x 7.7 cm)
Artwork Ahead, End of Artwork. Australia, 2004. / Electromark, New York, 2004. (screenprint on plastic, 7.6 x 20.3 cm)
Artwork Ahead, End of Artwork. Australia, 2004. (screenprint on cardstock, 7.5 x 18.3 cm)
Behoerden Verhoeren (Question Authority Questioning). Electromark, New York, 1999. (screenprint on vinyl, sticker, 10.2 cm diam)
Beuys Crossing. Electromark, New York, 1999. (screenprint on vinyl, sticker, 10.2 x 10.2 cm)
Caution, There Is No Avant-Garde. (corrugated plastic, 29.5 x 22.5 cm)
Dadaists & Surrealists Not Admitted. Footprint, Newcastle, Australia, 1993. (screenprint on white-enamel metal, 4 x 15 cm)
Danger: Surrealism Is Electric. Thorny Devil Press, Wangi Wangi, Australia, 1993. (styrofoam, 29.7 x 22.5 cm)
Danger: Postmodernism... Australia, 1992. / Electromark, New York, 2004. (screenprint on pressed aluminum, 10 x 15 cm)
Do Nut Eater. NewStudio, Australia, 1998. / Electromark, New York, 2003. (screenprint on plastic, 12.8 x 12.8 cm)
Eines Tages. Electromark, New York, 1999. (screenprint on vinyl, sticker, 15.2 x 5 cm)
Exit Strategy. NewStudio, Australia, 2003. / Electromark, New York, 2003. (screenprint on pressed aluminum, 17.5 x 17.5 cm)
Exit Strategy. Street Talk, Australia, 2003. / Electromark, New York, 2003. (screenprint on pressed aluminum, 17.5 x 17.5 cm)
FCK. Australia, 1994. / Electromark, New York, 2004. (screenprint on pressed aluminum, 15 x 10 cm)
Form 1 Planet. NewStudio, Australia, 1992. / Electromark, New York, 2003. (screenprint on plastic, 15.3 x 11.5 cm)
Ground Under. Street Talk, Australia, 1997. / Electromark, New York, 2003. (screenprint on pressed aluminum, 10.1 x 12.7 cm)
Hypocrisy Credibility. Broadley Signs, Newcastle, Australia, 2002. (screenprint on vinyl, sticker, 10.5 x 14 cm)
Hypocrisy Credibility. Rising Earth, Newcastle, Australia, 2004. (screenprint on cotton, 12 x 16 cm)
Keep Uptight. Australia, 2003. / Electromark, New York, 2004. (plastic sticker, 15.3 x 10.3 cm)
Lifetime Guarantee. UtterBliss, Australia, 1999. / Electromark, New York, 2002. (screenprint on pressed aluminum, 15.3 x 13.3 cm)
No More Cunding Futs. Footprint, Newcastle, Australia, 1992. (screenprint on vinyl, sticker, 25.1 x 5 cm)
No More Cunding Futs. Footprint, Newcastle, Australia, 1992. (screenprint, 28 x 22 cm)
No Understanding. UtterBliss, Australia, 1999. / Electromark, New York, 2000. (screenprint on pressed aluminum, 15.3 x 10.3 cm)
No Understanding. Australia, 1999. / Electromark, New York, 2008. (screenprint on pressed aluminum, 15.3 x 10.3 cm)
Notice (Thank You For Noticing…). Australia, 2001. / Electromark, New York, 2008. (metal, 12.7 x 12.6 cm)
Notice (Thank You For Noticing…). Street Talk, Australia, 2001. / Electromark, New York, 2003. (metal, 12.7 x 12.6 cm)
Notice (You Are Now Noticing…). Australia, 2002. / Electromark, New York, 2004. (screenprint on plastic, 15 x 12.5 cm)
One Day. Australia, 1998. / Electromark, New York, 2004. (screenprint on pressed aluminum, 5 x 15.2 cm)
Open Closed. Electromark, New York, 2001. (plastic, 30.3 x 20.3 cm)
P (Parking) Only with a Happy Mother. Australia, 1999. / Electromark, New York, 2004. (screenprint on pressed aluminum, 15 x 10 cm)
Prepare to Shop. Australia, 2004. / Electromark, New York, 2004. (plastic sticker, 20 x 13.3 cm)
SEXIT. Electromark, New York, 2001. (plastic on cardboard, 30.5 x 23 cm)
Sing. Australia, 1981. / Electromark, New York, 2004. (screenprint in pressed aluminum, 12.5 cm diam)
Stop Go. UtterBliss, Australia, 1998. / Electromark, New York, 2000. (screenprint on pressed aluminum, 15.1 x 15.1 cm)
Stop Go. Australia, 1999. / Electromark, New York, 1999. (screenprint on vinyl, sticker, 8.8 x 8.8 cm)
Stop Go. Australia, 1999. / Electromark, New York, 1999. (screenprint on vinyl, sticker, 9.2 x 9.2 cm)
Street Talk. Banning, New York, 2003. (screenprint on plastic, 5.5 x 8.5 cm)
This End Up. NewStudio, Australia, 2001. / Electromark, New York, 2003. (screenprint on vinyl, 10 x 7.5 cm)
This Way Up. Multiple Box Sydney, Australia, 2001. (cardstock with string, 16.7 x 8.6 cm)
Tourists Welcome. UtterBliss, Australia, 2000. / Electromark, New York, 2000. (screenprint on pressed aluminum, 15 x 13 cm)
Versions. Electromark, New York, 1998. (screenprint on pressed aluminum, 7.5 x 15.2 cm)
Wrong Day. Australia, 2004. / Electromark, New York, 2004. (screenprint on pressed aluminum, 10 x 15 cm)
Wrong Day. Hunter Valley Signs, Australia, 2004. (screenprint on vinyl, magnetic, 5 x 7 cm)