No Longer Innocent: Book Art in America 1960-1980 / Bright, Betty ; Sackner MA ; Sackner RK ; Andel J ; Antin E ; Apollinaire G ; Apollonio U ; Ashbery J ; Baldessari J ; Beckett S ; Berman W ; Beube D ; Bigus R ; Blake W ; Blumenthal J ; Bonet P ; Breton A ; Brown J ; Burke C ; Burroughs WS ; Butler F ; Cage J ; Carrion U ; Castleman R ; Celant G ; Chen J ; Clay S ; Cobden-Sanderson TJ ; Cohen A ; Cohen EL ; Compton S ; Cornell J ; Coron A ; Creeley R ; Cros C ; Crotti J ; Cutts S ; Davids B ; Davids K ; Dorny B ; Duchamp M ; Dubansky M ; Drescher H ; Edelson MB ; Ely T ; Ehrenberg F ; Ernst M ; Feldman E ; Fish M ; Freeman B ; Gass W ; Ginsberg A ; Glier M ; Godine D ; Graham D ; Greenbaum M ; Grosz G ; Higgins D ; Hompson DD ; Hoyem A ; Iliazd ; Jackman S ; Johns J ; Johnston A ; Kaprow A ; Kiefer A ; King R ; King S ; Kirshenbaum S ; Klima S ; Kostelanetz R ; Kyle H ; Lacy S ; Lange G ; Lavater W ; Lerner A ; LeWitt S ; Lissitzky E ; Loeffler C ; Loewy F ; Lovejoy M ; Lyons J ; Maciunas G ; Magalhaes A ; Mallarme S ; McClure M ; McLuhan M ; Meador C ; Minsky R ; Moeglin-Delcroix A ; Moholy-Nagy L ; Munari B ; Nauman B ; Olson C ; Paik NJ ; Delaunay S ; Cendrars B ; Risseeuw J ; Rosler M ; Roth D ; Rodchenko A ; Rothenberg J ; Ruscha E ; Samaras L ; Schaer M ; Schwitters K ; Seitz W ; Siegelaub S ; Sligh C ; Smith K ; Smith P ; Spencer H ; Spector B ; Spoerri D ; Stauffacher J ; Steiglitz A ; Sterne L ; Stuart M ; Stokes T ; Snow M ; Steir P ; Tapies A ; Taylor T ; Tomkins C ; Traister D ; Tschichold J ; Tuttle R ; VanVleit C ; Verlaine P ; Wakoski D ; Wirth K ; Zimmerman P ; Wilson M ; Warhol A ; Walkup K., 2005
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Scope and Contents
The Foreword was written by Renee Reise Hubert & Judd D. Hubert. Amazon.com commented: "This important history of the artist's book, a flourishing form which over the years has often been greeted with confusion by critics, collectors, historians, and artists, aims to spell out its role in contemporary art and to claim for it a vital and heretofore unacknowledged status since the blossoming of the artform in the 70s. Renowned scholar and curator Betty Bright takes an inclusive view of the varied field in order to redress its marginalization, identifying three distinct types: the fine press book, the deluxe book, and the bookwork. She covers crucial supporters of the form, like New York's Center for Book Arts, Franklin Furnace, and the Visual Studies Workshop Press in Rochester, New York, as well as key organizations and figures in Chicago, Atlanta, San Francisco, and Los Angeles. Bright examines how artist's books have responded to specific movements, such as Pop, Fluxus, and Conceptualism, and how the book arts' own mini-art world of the 70s was shaped by seminal exhibitions, fledgling nonprofit organizations, and collectors." Marvin Sackner reviewed the prepublication manuscript and wrote a blurb for the back cover. -- Source of annotation: Marvin or Ruth Sackner.
Dates
- Creation: 2005
Creator
- Bright, Betty (Person)
- Sackner, Marvin A., 1932-2020 (Person)
- Sackner, Ruth (Person)
Extent
0 See container summary (1 soft cover book + card (ink, handwriting) (301 pages)) : illustrations (some color) ; 25.4 x 17.8 x 2.1 cm
Language of Materials
From the Collection: English
Physical Location
artist books american
Custodial History
The Sackner Archive of Concrete and Visual Poetry, on loan from Ruth and Marvin A. Sackner and the Sackner Family Partnership.
General
Published: New York : Granary Books. Signed by: Betty Bright (r.c.- near title page); Betty [Bright] (b.c.- card). Inscription: For Marvin and Ruth, for having provided a home, a context, and - that greatest of gifts - a legacy for these impertinent and fascinating books. Thank you for so much and so many kindnesses.... Nationality of creator: American. General: Added by: MARVIN; updated by: RED.
Genre / Form
Repository Details
Part of the The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry Repository
125 W. Washington St.
Main Library
Iowa City Iowa 52242 United States
319-335-5921