Conceptual art
Found in 1033 Collections and/or Records:
A to Z, with Esthetic Punctuation / Johnson, Ken; Weiner L., 1999
This is a review of Lawernce Weiner's conceptual word works at Marion Goodman Gallery. -- Source of annotation: Marvin or Ruth Sackner.
A (Visual poem for TWO - You TWO) / Saunders, Robert., 2014
The letter contains instructions for Ruth and Marvin to perform this work. -- Source of annotation: Marvin or Ruth Sackner.
A Visual Primer by Yves Abrioux, 2nd Edition / Finlay, Ian Hamilton ; Bann S., 1992
a working drawing for a small object to be hung on the wall / Selenitsch, Alex; Duchamp M., 1973
This work depicts a simple diagram based upon Marcel Duchamp's "Nude Descending the Staircase." -- Source of annotation: Marvin or Ruth Sackner.
Above Beyond Below / Weiner, Lawrence., 1986
Addenda to No.14A / Lure ; General Idea ; Lax R ; Roth D ; Saito T ; Baldessari J ; Brecht G ; Filliou R ; Hutchins A ; Levine L ; Ruscha E ; Spoerri D ; Weiner L., 1993
Admit One to the World of Tra: A Musing / Beery, Gene B.., 1979
Adventure in Technos Dystopium / Drozdik, Orshi ; Spector N ; Hapgood S., 1990
In an essay in the catalogue, Nancy Spector mentions the Sackner piece "Pulmonary Consumption" but the work is not depicted in this book. Drozdik's work deals mainly with physical, life and medical sciences. -- Source of annotation: Marvin or Ruth Sackner.
After Raphael / Phillips, Tom., 1973
The image after a painting by Raphael was created according to the proportions of the Golden Section (square root of 2). The lines making up these divisions are visible as faint black lines that have been enhanced by silkscreening a layer of clear varnish on this 31 color silkscreen print. -- Source of annotation: Marvin or Ruth Sackner.
After the Freud Museum, 2000
This book was a result of an initial installation in the Freud Museum, London, 1994 called "The Reading Room." Hiller states that "it locates something else which is entirely distinct conceptually." The artist created complex boxes with found objects and texts "orchestrating relationships, and inventing fluid taxonomies, while not excluding [herself] from them...Sequences, patterns, repetitions and gaps structure this book." This is a second edition of this book which coincides with the exhibition of the work at the Tate Modern. The Sackner Archive also contains the 1995 first edition. -- Source of annotation: Marvin or Ruth Sackner.
After the Freud Museum, 1995
The artist writes in an Afterward, "The title looks back on my recent experience of creating an installation at and for the Freud Museum and at the same time, it locates something else which is entirely distinct conceptually. What I think is positioned here is an extended and episodic view of my personal sense of inhabiting an historically-specific museum of culture with permeable boundaries...Probably artists function by simultaneously enacting the reciprocal roles of curator and subject, therapist and client; I've worked by collecting objects, orchestrating relationships, and inventing fluid taxonomies, while not excluding myself from them." -- Source of annotation: Marvin or Ruth Sackner.
Agentzia: Octobre. No.28 / Walter Aue., 1970
This issue is composed of weather maps from Le Monde, for the month of October 1969. Newspaper stories on the verso of each map page are from France-Soir and report crimes committed on the following day. -- Source of annotation: Marvin or Ruth Sackner.
Aggie Weston's. No.16/Win / Richard Long., 1979
Edited by Stuart Mills. -- Source of annotation: Marvin or Ruth Sackner.
Air Fresh / Noel, Ann; Figueiredo, Cesar., 1999
Noel's images depict eight air deoderizer cans lined in a two rows that are reminiscent of Damien Hirst's pharmacy shelves. Cesar Figueiredo's two images are visual poems. -- Source of annotation: Marvin or Ruth Sackner.
Airlines `73 / De Aquino, Angelo., 1973
Ajawaan / Fulton, Hamish., 1987
Alighiero E. Boetti: Gagosian Gallery, 2001
This exhibition mostly dealt with tapestries. -- Source of annotation: Marvin or Ruth Sackner.