Conceptual art
Found in 1033 Collections and/or Records:
Arakawa, Whose Art Tried to Halt Aging, Dies at 73 / Bernstein, Fred A.; Gins M., 2010
Arbeiten 1968-1978 / Badura, Michael., 1978
Arche-Noah-Syndrom / Jurgen O. Olbrich; Michael Heckert., 1989
Arcs and Lines / LeWitt, Sol., 1974
Art a la Lettre, L' / Alechinsky P ; Broodthaers M ; Dotremont C ; Staritsky A., 1977
Art after Philosophy and After; Collected Writings, 1966-1990 / Kosuth, Joseph ; Lyotard JF., 1991
In a critical essay, Jean-Francois Lyotard writes of words as being "things," sentences are "events," and thought is "art." He states that "the space-time-matter of language is made perceptible, visible, by writing. Kosuth's work is a meditation on writing." Lyotard "compares Kosuth's visual works with the square letters of the Torah. These letters are also texts, but they are waiting for their accents, their vowels, their punctuation, their intonation, their putting into practice." -- Source of annotation: Marvin or Ruth Sackner.
Art as Social Environment / Nannucci, Maurizio., 1978
The title is solely printed in red on the middle of each page; the pages are perforated at the left margin presumably to be torn out for a label. -- Source of annotation: Marvin or Ruth Sackner.
Art as Thought Process / Michael Compton, curator ; Phillips T ; Lichtenstein R ; Willats S ; Burgin V ; Atkinson T., 1974
The loose sheet announces the replacement of Tom Phillips' Terminal Grey Arrangement 1974/5 with Terminal Greys IV-VII 1971/3. -- Source of annotation: Marvin or Ruth Sackner.
Art between the Pages 7 to 11 / Duch, Leonhard Frank., 1980
Art by Telephone / Jan Van Der Marck, curator ; Arman ; Artschwager R ; Baldessari J ; Baxter I ; Bochner M ; Brecht G ; Byars JL ; Cumming R ; Giorno J ; Haacke H ; Higgins D ; Hompson DD ; Kosuth J ; Levine L ; LeWitt S ; Nauman B ; Oppenheim D ; Wiley WT ; Vostell W., 1969
This catalogue records the instructions by telephone from the participants (as a 33 rpm record in a record jacket) along with documentation on the inside of the record jacket. The outside cover of the record jacket, has the printed caption, "This Is A Recording" whereas the inside cover, has the printed caption, "This Is A Catalogue." The Archive for this exhibition along with a work by William T. Wiley are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Art Conceptuel Formes Conceptuelles / Christian Schlatter, curator ; Atkinson T ; Acconci V ; Agnetti V ; Barry R ; Boetti A ; Brouwn S ; Burgin V ; Darboven H ; Haacke H ; Huebler D ; Kawara O ; Kosuth J ; Levine L ; Long R ; Nannucci M ; Nauman B ; Ruppersberg A ; Weiner L ; Oppenheim D., 1990
Exhibition curated by Christian Schlatter. This catalogue contains reprints of critical texts and documents regarding Conceptual Art. -- Source of annotation: Marvin or Ruth Sackner.
Art for Artists Only / Beery, Gene B.., 1988
Art for Art's Sake / Baroni, Vittore., 1974 - 1975
Art in America. No.12/Dec / Ruppersberg A., 1985
Peter Plagens in an essay "Ruppersberg's Encyclopedia" reviews the work of Allen Ruppersberg. -- Source of annotation: Marvin or Ruth Sackner.
Art Intermedia. Dec / Knoebel W., 1970
Art is Life/Life is Art / Roth, Dieter ; Spector B ; Edwards K ; Williams E ; Mayer HJ ; Higgins D ; Drucker J ; Phillpot C., 1999
In her essay "The Myth and the Mythmaker," curator Kathleen Edwards wrote that Roth was influenced by Dadaism, Surrealism, Pop Art, Abstract Expressionism, Fluxus and Conceptual Art. Buzz Spector contributed an essay "The Artist as Archivist, The Book as Body: Dieter Roth's Gesammelte Werke." He defined an Archive as a "repository of texts and/or images organized around a given subject. It provides for a relation of general equivalence between its components, and for a means of sorting through their accumulation. Unlike dictionaries or encyclopedias, which define words or ideas in relation to general linguistic or cultural models, and whose cognitive "force" is directed centrifugally, toward the margins of a discursive terrain, the force of the archive is centipetal, drawing in traces of its concern that coalesce to form clearer - which is to say, denser, more focused - insights into the meaning of its subject." -- Source of annotation: Marvin or Ruth Sackner.
Art is the Universe Admiring Itself / Beery, Gene B.., 1983
Art = MC2 / Perneczky, Geza., 1985
Art Monthly Australia. No.63/Sep / Tipping R., 1993
The cover was designed by Richard Tipping. -- Source of annotation: Marvin or Ruth Sackner.