Scope and Contents

The loose sheet consists of production notes on the book stating that this single sheet structure was based on a tunnel book created by Carlton B. Lees in 1977. Half of the text describes a delicious lunch and the other half is critical of the meal. Each page depicts an illustration of an item on the menu that is handcolored by Hutchins. The cover is collaged with fabric red lips. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The varied colored sheets without words, suggest the natural hues of a garden. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Phillips dedication reads "for Fiona" [Phillips' wife]. In addition, "This volume is also dedicated in fond memory to the late Ruth Sackner." Marvin and Ruth Sackner togetheras collectors and friends have been the mainstayof support to A Humumentfor over thirty years. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Phillips dedication reads "for Fiona" [Phillips' wife]. In addition, "This volume is also dedicated in fond memory to the late Ruth Sackner." Marvin and Ruth Sackner togetheras collectors and friends have been the mainstayof support to A Humumentfor over thirty years. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Phillips dedication reads "for Fiona" [Phillips' wife]. In addition, "This volume is also dedicated in fond memory to the late Ruth Sackner." Marvin and Ruth Sackner togetheras collectors and friends have been the mainstayof support to A Humumentfor over thirty years. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Phillips' dedication reads "for Ruth and Marvin Sackner, patrons, friends who guard my work between them like book ends." The first revision of the book contains 50 pages in which new images have been substituted for the original ones. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Phillips dedication reads "for Ruth and Marvin Sackner, patrons, friends who guard my work between them like book ends." This fourth edition, as denoted on the dust jacket but as the third revised edition on its title page, contains about 40 pages in which a new image has been substituted for the original. The pages are printed as giclee printes which is a high class kind of ink jet on fine paper. A purple dust jacket covers the gold cloth covered, cardboard binding. Two humument fragment prints (Canon color copier?) are included in this special edition of the book. One print reads "the life time suspect who knew the arts connect - veil his hidden drama of suspected actors - persons and names : so the changes make the book continue." The color background surrounding a rectangle placed in the center consisting of gray-black murky figures from collaged old engravings consists of line drawn faces. The poem in this print references Tom Phillips' continuing involvement with A Humument....

Scope and Contents

Phillips dedication reads "for Ruth and Marvin Sackner, patrons, friends who guard my work between them like book ends." This third edition, as denoted on its cover but the second revised edition as denoted on its title page, contains about 100 pages in which a new image has been substituted for the original. The cover of this book is predominantly yellow-gold rather than brown intended by the designer. It was purchased at the Dual Muse exhibition held at the Washington University Museum of Art. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 42 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. There are two boxes labelled Vol. X. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 42 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. The colophon is not signed.Theer are two boxes labelled Vol. X. -- Source of annotation: Marvin or Ruth Sackner.