Each letter of the alphabet has a composition on a single page in this book. -- Source of annotation: Marvin or Ruth Sackner.

Laxson's work combines the visual and the verbal poetically, sensitively and intellectually. She works in the book and print format, and although the pieces are generally small in scale, the power and beauty of the text, line, typography and message combine to create strong, meaningful work. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict photographs of lips mouthing words when the pages are flipped that are "absolutely incomprehensible." -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamps were provided to Gaglione for an exhibition in 2009 at the Stamp Art Museum in Chicago. -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamps were provided to Gaglione for an exhibition in 2009 at the Stamp Art Museum in Chicago. -- Source of annotation: Marvin or Ruth Sackner.

Each of the small booklets contains part of the three volume story. The booklets are bound in black fabric and tied to small wooden toothpicks with thread. The booklets are placed in a small metal case that is hand engraved with the title Academy of Memory. -- Source of annotation: Marvin or Ruth Sackner.

The author defines Acrophony as a means of using symbols (glyphs) to represent sounds. The two main properties of music are duration and pitch; with these two elements in mind, the author set out to compose a notation system using the glyphs of the planets as the scale. Acrophony is a project created in 1991 that explores symbols and sound. Merging visual and soundscape artwork using a unique invented musical hieroglyphic language; Acrophony is a work concerned with art and language. Each of the fifty books is hand printed onto handmade paper with original wood cuts, lino cuts, wood engravings. The box that contains the CD and book is also hand printed and assembled with a vacuumed formed port (hand painted) made from the symbols used in the text and notations. The CD is original music by the artist with hand printed original lino cuts and hand set and cast type for the text. -- Source of annotation: Marvin or Ruth Sackner.

Blank colored pages of varying green hues to provide an allusion to Andrew Marvell's poem "The Garden." -- Source of annotation: Marvin or Ruth Sackner.

Blank colored pages of varying green hues to provide an allusion to Andrew Marvell's poem "The Garden." -- Source of annotation: Marvin or Ruth Sackner.

The book consists of identical pages, viz., a printed arrow directed toward a round perforation of the page. -- Source of annotation: Marvin or Ruth Sackner.

Consists of several images in a circular format on a page of fragmented texts and images. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book is a correspondence from a man dying with AIDS with Heft. -- Source of annotation: Marvin or Ruth Sackner.

According to Stokes' WEB site: "A ravishing series of visual dishes have been served up for our delectation, varying from the raw to the overdone the verse providing the cutlery for this feast. The text by the Russian poet collaborator plays a role more like the guy ropes and pegs that keep a tent erect and fixed in one place." -- Source of annotation: Marvin or Ruth Sackner.

Heimbach used the first page of a German newspaper and transferred letters from the words on this page to the 24 pages of his book such that in the printed, final form, the words are read through layers in three dimensions. -- Source of annotation: Marvin or Ruth Sackner.

The transparent pages are printed recto-verso with the texts in varied size fonts and typefaces. This book was reprinted c.1995 by the Faculty Fine Arts in Cuenca. -- Source of annotation: Marvin or Ruth Sackner.