The same text was written on two clear sheets of acetate. When aligned in the frame between two sheets of glass, the registration between the two is slightly off from overlapping such that an optical image is created. The title in English is cheek. -- Source of annotation: Marvin or Ruth Sackner.

This letterpress edition of Journal of Evidence Weekly Volume 138 was published on the occasion of Martin Wilner's exhibition, "More Drawings about History and Evidence," at the Pierogi Gallery in Brooklyn, New York from January 4 through February 4, 2008. The Sackner Archive lent three of their original Wilner drawings to the exhibition. The Archive also holds a unique book of subway drawings with a different cast of characters seated on the train, Journal of Evidence Weekly Volume 122. The books are visual chronicles of Wilner's trips from his house to his office (he is a practicing phychiatrist) on the New York subway. He draws portraits of his fellow passengers adn records their conversations in cartoon bubbles as he evesdrops on them. Running across the top of the drawings and meandering through someof the drawings are the names of the subway stops where the action took place. -- Source of annotation: Marvin or Ruth Sackner.

Annette Lawrence is an African-American artist concerned with significant dates in her life. The drawing on a flattened, brown paper bag depicts spokes radiating from the center that consist of a series of two dates terminated with a large period. The dates mark the onset and termination of her menstrual periods from 1980-1994. Four thick vertical lines formed from her menstrual blood suggest an appearance of an incomplete cube, perhaps symbolizing absence of ovum fertilization. Lawrence was a participant in the Whitney Biennial 1997. -- Source of annotation: Marvin or Ruth Sackner.

Bennett gave these prints to the Sackners during his visit to the Archive in June 2001. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes a section from Jake Berry's "Brambu Drezi Book Two." The Sackner Archive holds the manuscript of this book as well as the trade edition book. -- Source of annotation: Marvin or Ruth Sackner.

The covers were designed by John M. Bennett and Tim Gaze. -- Source of annotation: Marvin or Ruth Sackner.

Painting was shown in an exhibition entitled Mysticism and Jewish Art at B'nai B'rith Klutznick National Jewish Museum, Washington, D.C., 1996. -- Source of annotation: Marvin or Ruth Sackner.

This sound poem was performed by Rotella on Revue OU 23-24 record and on OU - Cinqueme Saison on CD. -- Source of annotation: Marvin or Ruth Sackner.

This book derives from a series of notes, drawings, and images for a video tape of the same title. The first part consists of black and white photographs of mountains and clouds affected by the katabatic or downslope gravity winds. The second part depicts sketches of found and imaginary objects and diagrams. There are several colored photographs based on natural abstractions in this section. The stapled sheets mention that Skuber's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The original drawing for this bookplate is held by the Sackne Archive. This work was given by Houedard to Ken Cox's family shortly after Cox's death. -- Source of annotation: Marvin or Ruth Sackner.

The original drawing for this bookplate is held by the Sackne Archive. This work was given by Houedard to Ken Cox's family shortly after Cox's death. -- Source of annotation: Marvin or Ruth Sackner.