Second printing. Bory's introduction traces the history of the concrete poetry movement and its aesthetic. -- Source of annotation: Marvin or Ruth Sackner.

The card prints the names of Scottish fishing ships that end in "star." The names are printed in blue and arranged and tilted to be analagous to stars in the sky. The word 'pole" is printed on the two closed borders and the word 'night' is printed on the opened borders. -- Source of annotation: Marvin or Ruth Sackner.

The card prints the names of Scottish fishing ships that end in "star." The names are printed in blue and arranged and tilted to be analagous to stars in the sky. The word 'pole" is printed on the two closed borders and the word 'night' is printed on the opened borders. -- Source of annotation: Marvin or Ruth Sackner.

The card prints the names of Scottish fishing ships that end in "star." The names are printed in blue and arranged and tilted to be analagous to stars in the sky. The word 'pole" is printed on the two closed borders and the word 'night' is printed on the opened borders. -- Source of annotation: Marvin or Ruth Sackner.

The size of this edition is not known nor is it listed in Finlay's book Prints 1963-1997. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing discusses the early concrete poems of Ian Hamilton Finlay, John Furnival, Kenelm Cox, Dom Sylvester Houedard, and Tom Edmonds in depth. This essay is unbpubished. -- Source of annotation: Marvin or Ruth Sackner.

The list was compiled by Pia Simig. -- Source of annotation: Marvin or Ruth Sackner.

This was Included in the Grant U. Roman Archive. According to a note at the bottom, this poem was composed "after Eugen Gomringer's 'ping pong.'" Wikipedia: Robert Pinget (Geneva, July 19, 1919 "“ Tours, August 25, 1997) was a major avant-garde French writer, born in Switzerland, who wrote several novels and other prose pieces that drew comparison to Beckett and other major Modernist writers. He was also associated with the nouveau roman movement. Francis Jean Gaston Alfred Ponge (27 March 1899 "“ 6 August 1988) was a French essayist and poet. Influenced by surrealism, he developed a form of prose poem, minutely examining everyday objects. He was the inaugural recipient of the Neustadt International Prize for Literature in 1974. P.O.T.H. 16 includes a poem by Ponge. -- Source of annotation: Marvin or Ruth Sackner.

The concrete poetic image on this card depicts the horizon seen in Holland. -- Source of annotation: Marvin or Ruth Sackner.

This poem was included in the Grant U. Roman Archive. The title translates in English to 'cry or weep.' This poem also is depicted in a red color in Finlay's book 'Telegrams From My Windmill.' -- Source of annotation: Marvin or Ruth Sackner.

This trade anthology of Finlay's concrete poetry is printed with several different inks on paper with several different colors. -- Source of annotation: Marvin or Ruth Sackner.

This periodical was published in two issues. The Sackner Archive holds only issue No.2. -- Source of annotation: Marvin or Ruth Sackner.

This book was edited and designed by Graeme Murray. Francis Edeline contributes an essay that analyzes the flower poems of Mary Ellen Solt and Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Critical essays on Finlay's work and specific poems are provided by Piotr Rypson and Tadeusz Slawek, respectively. The illustrations in this catalogue depict prints and cards of Finlay's work. -- Source of annotation: Marvin or Ruth Sackner.

Note that one of the three copies has price list of publications on a loose sheet. The optical illustrations throughout the pages of this issue are taken from paintings by Jeffrey Steele. -- Source of annotation: Marvin or Ruth Sackner.

Consists of the port letters and numbers of Scottish fishing vessels fired in green on a white background. -- Source of annotation: Marvin or Ruth Sackner.

The prints are inserted in the folds of the dust jacket. -- Source of annotation: Marvin or Ruth Sackner.