Concrete poetry
Found in 338 Collections and/or Records:
Books etc. for Sale / Halsey, Alan ; Clark TA ; Corman C ; Enslin T ; Finlay IH ; Bann S ; Niedecker L ; Williams J ; Zukofsky L., 2003
Born to Concrete / Clements L ; Cowen R ; Douglas D ; Dugan M ; Duke JH ; Finlay IH ; Herel P ; Selenitsch A ; Hutchinson G ; Krausmann R ; Macpherson RD ; May F ; Murphy P ; Parr M ; Powell D ; Reed S ; Riddell A ; spence p ; thalia ; Tipping R ; Stevens G ; Zurbrugg N., 2013
Stored with issues of the periodical, "Born to Concrete." -- Source of annotation: Marvin or Ruth Sackner.
Bouleau-Birch / Finlay, Ian Hamilton; Webb, Caroline., 1991
In the title, Bouleau means Birch Tree. The poem reads Marbre which is French for marble. -- Source of annotation: Marvin or Ruth Sackner.
British Modernism, Fact or Fiction? - A Debate / Cobbing, Bob; Lucie-Smith, Edward; Finlay IH; Houedard DS; Furnival J; Fernbach-Flarscheim C; Cox K., 1971
Designated pamphlet seven. Although the title page of this publication announces a debate, the pages consist of photocopied reproductions of concrete poems. -- Source of annotation: Marvin or Ruth Sackner.
Broadside & Poster Gallery / Maser, Jeff ; Chopin H ; Finlay IH ; Kriwet F ; Albert-Birot P ; Mon F ; Furnival J ; Snyder G., 2008
Canal Stripe Series 3 / Finlay, Ian Hamilton., 1964
A single word on facing pages in different size typeface signifies distances for the object on viewing them as a landscape. -- Source of annotation: Marvin or Ruth Sackner.
Canal Stripe Series 4 / Finlay, Ian Hamilton., 1964
Canal Stripe Series 4 / Finlay, Ian Hamilton., 1964
Capital Ship / Finlay, Ian Hamilton; Harvey, Michael., 1991
The word "Capital" at the top of this print is set in large capital bold letters and the word "Ship" in smaller normal typeface. -- Source of annotation: Marvin or Ruth Sackner.
Catalogue Raisonne 1958-1990 / Finlay, Ian Hamilton., 1990
This catalogue lists and describes 773 publications of Finlay. The pamphlet lists the prices of the cards and Poor Old Tired Horse. -- Source of annotation: Marvin or Ruth Sackner.
Celebrating a Life's Work 1927 - 1968 / Cox, Kenelm; Clark TA; Brett G; Finlay IH; Bann S; Furnival J; Reichardt J; Houedard DS., 2008
The Sackner Archive holds a Clock that was made by Kenelm Cox on behalf of Dom Sylvester Houedard. Also in the Archive is the sculpture Suncycle that was planned with Nicholas Logsdale at the Lisson Gallery, cast in brass and sold as a multiple without a motor. The author title for this book is "Ken Cox." -- Source of annotation: Marvin or Ruth Sackner.
Celebrating a Life's Work 1927 - 1968 / Cox, Kenelm ; Clark TA ; Brett G ; Finlay IH ; Bann S ; Furnival J ; Reichardt J ; Houedard DS., 2008
The Sackner Archive holds a Clock that was made by Kenelm Cox on behalf of Dom Sylvester Houedard. Also in the Archive is the sculpture Suncycle that was planned with Nicholas Logsdale at the Lisson Gallery, cast in brass and sold as a multiple without a motor. The author title for this book is "Ken Cox." -- Source of annotation: Marvin or Ruth Sackner.
Ceolfrith: Ian Hamilton Finlay with Photographs by Diane Tammes. No.5 / Ian Hamilton Finlay ; Diane Tammes ; Bann S., 1970
This catologue includes facsimile examples of Finlay's poems, a bibliography, a list of works in the exhibition together with prices, and a history of the Wild Hawthorne Press. -- Source of annotation: Marvin or Ruth Sackner.
Checklist / Finlay, Ian Hamilton., 1980
Chimes Quarterly. Spr / Finlay IH., 1966
Contains reproduction of pages from Finlay's "6 small songs in 3's." -- Source of annotation: Marvin or Ruth Sackner.
Clouds/Rain / Finlay, Ian Hamilton., 1993
The poem is printed in single or double white letters on a grey background, "Clouds your incredible capitals crown the tall grey columns of Rain." -- Source of annotation: Marvin or Ruth Sackner.
Collect to Invest: Rebellious artists get all profitable / Windsor, John; Cobbing B; Finlay IH; King R; Tyson I; Ono Y; Upton L., 1997
The writer describes the scene at the London Artists' Book Fair at the Barbican Centre in November 1997. He stresses the increased appreciated value of artist books, particularly those done by Ian Hamilton Finlay and Bob Cobbing. Writing about Cobbing, he mentions that "His Domestic Ambient Noise" series, in collaboration with the visual poet Lawrence Upton, has run to 157 editions in the past three years. Their cost is 1 pound each or four for 5 pounds. Winsor states that "A rich collector in Miami [Marvin Sackner not identified!] and two assiduous London collectors have all 157." -- Source of annotation: Marvin or Ruth Sackner.
Combatting Historical Prejudices / Genereux, Linda; Finlay IH., 1989
[Concrete and Sound Poems] / Finlay, Ian Hamilton, editor; Cobbing B; Sharkey JJ; Jandl E; Gysin B; Schwitters K; Garnier P; Carroll L., 1967
Concrete Poet, 1968
This is a critical essay with illustrations of Finlay's work by Douglas Eadie. -- Source of annotation: Marvin or Ruth Sackner.