Concrete poetry
Found in 340 Collections and/or Records:
Concrete Poet, 1968
This is a critical essay with illustrations of Finlay's work by Douglas Eadie. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry: An exhibition in four parts / Alvin Balkind, curator ; Johnson R ; Duchamp M ; Finlay IH ; Mayer HJ ; bissett b ; Mon F ; Varney E ; Williams E ; Nichol bp ; Chopin H ; Roth D ; Houedard DS ; Albert-Birot P ; Niikuni S ; DeVree P ; Furnival J ; Kosuth J ; Sharkey JJ ; Cobbing B ; levy da ; Bann S ; Bremer C ; Burkhardt K ; Copithorne J ; Cremer S ; DeSa A ; Ferro L ; Garnier P ; Gilbert G ; Ginzburg C ; Goeritz M ; Gomringer E ; Grunewald JL ; Gutierrez JdeLuxan ; Hirsal J ; Kaprow A ; Kearns L ; Kitasono K ; Kriwet F ; Lee-Nova G ; Mayer HJ ; Mayne S ; Nake F ; Nauman B ; Oldenburg C ; Novak L ; Ono Y ; Ruhm G ; Scobey P ; Steen V ; Vasarely V ; Viccinelli P ; Wiener O ; Westermann H ; Belloli C., 1969
The exhibition consisted of four sections: 1) Ray Johnson collages; 2) Michael Morris concrete/constructivist drawings; 3) international concrete poems and 4) film and tapes of sound poetry. Michael Rhodes traces the historic roots of concrete poetry from 1897 to 1964. Edwin Varney contributes an illustrated, critical essay defining concrete poetry that is expressed in concrete poetic terms. Ian Hamilton Finlay and Stephen Scobie collaborate with an essay on definitions of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry as a Test Case for a Nominalistic Semiotics of Verbal Art / Vos, Eric ; Ulrichs T ; Finlay IH ; Bann S ; Gomringer E ; DeCampos A ; Williams E ; Higgins D ; Kolar J ; Ruhm G ; Bremer C ; Sackner MA ; Sackner RK ; Claus CF ; Steiner W., 1992
This is Vos' doctoral thesis. He mentions that the Sackner and Sohm Archives are excellent sources for reseach on the international concrete poetry movement. He critically reviews definitions of concrete and visual poetry proposed in the past. He relies heavily on the material written by Siegfried J. Schmidt and Nelson Goodman. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry / Finlay, Ian Hamilton., 1969
Brief notes of explanation are provided for several of the poems in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry List / Anacapa Books ; Bann S ; Finlay IH ; Cutts S ; Cox K ; Phillips MJ ; Spatola A ; Sharkey JJ ; Atkinson T ; Aylward D ; Bennett JM ; Birney E ; bissett b ; Blazek D ; Brainard J ; Clark TA ; Cobbing B ; Corita M ; Crozier A ; Houedard DS ; Depew W ; Elmslie K ; Finch P ; Finlay IH ; Gitin D ; Ford CH ; Herman J ; Jess ; Johnston A ; Kern B ; Kostelanetz R ; Lax R ; Lloyd A ; McClure M ; Millan F ; Mustill N ; Nuttall J ; O'Gallagher L ; Padgett R ; Brainard J ; Porter B ; Rothenberg J ; Schwerner A ; Stauffacher J ; Tyson I ; UU D ; Vostell W ; Waldrop R ; Weissner C ; Williams G., 1983
This catalogue features works by Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry / Lucie-Smith, Edward; Apollinaire G; Schwitters K; Garnier P; Finlay IH; Morgan E; Rimbaud A., 1966
This a critical text dealing with issues after the exhibition, "Between Poetry and Painting" at the ICA in London 1966. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry, Works on Paper from the Collection of Stanislaw Drozdz / Finlay, Ian Hamilton ; Rypson P., 2000
This catalogue depicts a wide range of Finlay's poems on cards and prints along with several critical analytic essays. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Words and Earthy Images / Ingleby, Richard; Finlay IH; Finlay S., 1999
This is a review of a photographic exhibition of Ian Hamilton Finlay's garden in Little Sparta at the Portrait Gallery. The reviewer describes the garden as arguably one of the great art works of art ever made on Scottish soil. "Certainly, it's the greatest ever made of Scottish soil - the realisation of one man's vision of a classical garden in the midst of an untamed land." -- Source of annotation: Marvin or Ruth Sackner.
Concrete/Spatial Poetry, An Exhibition of / Ray Gosling, curator ; Cobbing B ; Cox K ; Finlay IH ; Flanagan B ; Furnival J ; Garnier P ; Houedard DS ; Jandl E ; McCarthy C ; Morgan E ; Sharkey JJ ; Themerson S ; Xisto P ; Phillips T ; Page R ; Gosling R., 1966
Ray Gosling wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.
Concrete/Visual Poetry / Leiber, Steven ; Finlay IH ; Furnival J ; Houedard DS ; Morgan E ; Ulrichs T ; Gerz J ; Jandl E ; Chopin H ; Blaine J ; Ruutsalo E ; Hirsal J ; Higgins D ; Bory JF ; Grogerova B ; Vicinelli P ; Toshihiko S., 1993
Country Life. No.29/July / Finlay IH., 1996
The cover depicts a stone sculpture in the garden of Ian Hamilton Finlay. It illustrates a statement of Saint Just, which is carved on nine rocks, "Paths to enlightenment in a garden of ideas." An essay within this magazine by Alan Powers entitled "The Sparta of the North," describes the poet's garden in Lanarkshire as one of the significant creations of our time. He states that Finlay recreated a poetic, classical garden as a place of beauty, and a journey of the mind; complex schemes of iconography provide entertainment and painted a moral. The essay is illustrated with nine colored photographs. The Sackners visited the garden with their daughter Sara in 1980. -- Source of annotation: Marvin or Ruth Sackner.
Cover Design for Neue Texte No.2: Integration Alone is not Enough Marco Movies Natter I II / Cobbing, Bob; Finlay IH; Morgan E., 1969
Crossing Over / Finlay, Ian Hamilton., 1997
Designed Words for Designed Worlds: The International Concrete Poetry Movement, 1955-1971 [A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy] / Hilder, Jamie ; Finlay IH ; DeCampos A ; Nichol bp ; Pignatari D ; DeCampos H ; Chopin H ; Roth D ; Williams E ; McLuhan M ; Fiore Q ; Bory JF ; Burda V ; Knowles A ; Gomringer E ; Hirsal J ; Grogerova B ; Azeredo R ; Grunewald JL ; Gappmayr H ; Garnier I ; Garnier P ; Mon F ; Solt ME ; Fernbach-Flarscheim C ; Andre C ; Mayer HJ ; Graham D ; Acconci V ; Sarenco ; Sharkey JJ ; Ferro L ; Thomkins A ; Scobie S ; Blaine J ; McCaffery S ; Sackner MA ; Sackner RK ; Watson S ; Fahlstrom O ; Dohl R ; Arp H ; VanDoesburg T ; Bill M ; Weaver M ; Kostelanetz R ; Phillips T ; Weiner L ; Ruscha E ; Cage J ; MacLow J ; Isou I ; Houedard DS ; Furnival J ; Bann S ; Bowler B ; Klonsky M ; Cook G ; Scobie S ; Chopin H ; DeVree P ; Grunewald JL ; Goldsmith K ; Kotz L ; Flynt H ; Art & Language ; LeWitt S ; Kosuth J ; Smithson R ; Graham D ; Siegelaub S ; Rosler M ; Cordeiro W ; Drucker J ; Kitasono K., 2010
Die Grenzen Verwischen Sich / Cobbing, Bob; Cobbing B; Houedard DS; Finlay IH; Morgan E; Furnival J; Mayer P; Chopin H; Mayer HJ., 1969
Dim Wim in His Crazy Windmill / Finlay, Ian Hamilton., 1987
The poem is presented in the shape of a windmill. Wim refers to Wim Meulenlamp, the co-author of the book "Follies a National Trust" which was antagonistically critical of Finlay's Temple Garden. The poem rhymes Dim and Wim. -- Source of annotation: Marvin or Ruth Sackner.
dsh for ihf: po po poem (220863) / Houedard, Dom Sylvester; Finlay IH., 1963
This poem with consists of repititions of "po po po. Its significance is unclear. -- Source of annotation: Marvin or Ruth Sackner.
Earthship / Ian Hamilton Finlay; Alistair Cant., 1965
Nineteen cards printed with text at their bottom edge were bent into a curved shape and stapled together. This poem object can be positioned in different configurations to create the image of a ship that in Finlay's vision might be adapted for travel on land. The text includes such words as "fin, bow, number, sail, etc." as locations for the various aids to make this "Earthship." The cardboard box has a few waterstains but the poem object is undamaged. According to Paul Robertson (catalogue: he patted), only 25 of these poem objects might have been actually made with the printed box. 3 -- Source of annotation: Marvin or Ruth Sackner.
Earthship / Ian Hamilton Finlay; Alistair Cant., 1965
Nineteen cards printed with text at their bottom edge were bent into a curved shape and stapled together. This poem object can be positioned in different configurations to create the image of a ship that in Finlay's vision might be adapted for travel on land. The text includes such words as "fin, bow, number, sail, etc." as locations for the various aids to make this "Earthship." The cardboard box has a few waterstains but the poem object is undamaged. According to Paul Robertson (catalogue: he patted), only 25 of these poem objects might have been actually made with the printed box. 3 -- Source of annotation: Marvin or Ruth Sackner.
Echoes Series: D.H. Lawrences Autumn Rain as G.Apollinaire's Il Pleut / Finlay, Ian Hamilton; Apollinaire G., 1995
Finlay laid out D.H. Lawrence's poem, "Autumn Rain" in the style of Apollinaire's Il Pleut. -- Source of annotation: Marvin or Ruth Sackner.