Concrete poetry
Found in 340 Collections and/or Records:
Jacob's Boat / Finlay, Ian Hamilton., 1996
The pages describe the boat with a grid of words that signify colors, e.g., green, brown, black, and ochre. The last page has a grid of the word, patch. -- Source of annotation: Marvin or Ruth Sackner.
Jibs / Finlay, Ian Hamilton ; Tammes, Diane ; Cutts S., 1972
The photographs that were reproduced in this book were taken by Dianne Tammes. -- Source of annotation: Marvin or Ruth Sackner.
Joseph-Agricola Viala 1780-1893 / Finlay, Ian Hamilton., 1994
konkrete poesie international / Max Bense, curator ; Finlay IH ; Steen V ; Williams E ; Greenham P ; Novak L ; Hirsal J ; Grogerova B ; DeVree P ; Goeritz M ; Belloli C ; Gomringer E ; Ruhm G ; DeCampos H ; Grunewald JL ; Mon F ; Pignatari D ; Dohl R ; Ulrichs T ; Schauffelen KB ; Bense M., 1966
Max Bense contributed a two page critical essay. Each page depicts a single poem. -- Source of annotation: Marvin or Ruth Sackner.
Ky MK I / Finlay, Ian Hamilton; Thorpe, John R.., 1975
These are preparatory drawings for a wooden sculpture sited in Finlay's garden. One drawing is cut on the circle and the other is not. -- Source of annotation: Marvin or Ruth Sackner.
Lanes / Finlay, Ian Hamilton., 1969
Lined sheet was torn from a notebook. This poem was included in the Finlay Archive purchased by the Sackners from Pedler. -- Source of annotation: Marvin or Ruth Sackner.
(Le Circus) / Finlay, Ian Hamilton; Stevenson, Ann., 1966
This is preparatory print with multiple colored letters on white background for the subsequent smaller dimensioned poster poem which was printed on heavier paper by Tarasque Press with glowing red letters on a light blue background. The latter had optical image characteristics whereas this version does not. The Sackner Archive holds several works by Ann Stevenson under another name, Ann Noel. She is the widow of Emmett Williams. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Dom Sylvester Houedard 26 July 63] / De Campos, Augusto; Finlay IH; Pignatari D; DeCampos H; Roth D; Mallarme S., 1963
DeCampos provides a brief discussion of his first meeting with Gomringer in his first communication with Houedard. He thanks Houedard for sending him typogrammes..."very interesting as studies of form though I personally prefer always to use the semantical element." States that both Gomringer and his group began from the same starting point, i.e., Mallarme's the throw of the dice, "the threshold of new poetry." -- Source of annotation: Marvin or Ruth Sackner.
[Letter to John Furnival] / Bann, Stephen; Clyne H; Mayer HJ; Finlay IH., 1967
Letter discusses catalogue and guide for the Brighton Festival exhibition; asks whether Furnival is in possession of "Arc/Ark" piece and whether Furnival's "Ajar" piece is "still in an exhibition-worthy state." -- Source of annotation: Marvin or Ruth Sackner.
[Letter to John Furnival] / Bann, Stephen; Mayer HJ; Finlay IH., 1967
Bann thanks Furnival for typographical material and requests use of two designs in the Alan Ross anthology. Bann asks that Furnival consider an outdoor rather than an indoor site for his installation at the Brighton Festival. -- Source of annotation: Marvin or Ruth Sackner.
[Letter To John Furnival] / Bann, Stephen; Mayer HJ; Houedard DS; Finlay IH; Cox K; Clyne H; Steadman P., 1967
Letter concerns setting up, transporting and caring for Furnival's work at the first Brighton Festival as well as asking for an indication of the arrangement of Furnival's panels and whether Houedard could associate with the project. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to my dear peter[mayer] (731030) / Houedard, Dom Sylvester; Finlay IH; Albert-Birot P; Fortunatus V., 1973
Houedard has included two reconstructed abc-rhymes and a new one -" u k rhyming scheme." His letter refers to several early Christian poets writingn in Latin in appoximatley 200 to 600AD. HOuedard writes that Venantius Fortunatus " got there before later people did" in composing and being a foreruner of poster poems. This material deals with his contribution to Cobbing and Mayer's book, 'Concerning Concrete Poetry', with specific respect to chronology. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Roger? and Johnny?] / Finlay, Ian Hamilton., 1964
Mentions receipt of "Bean Train, Night Bean" from Roger & Johnny? and his own mistake with an anonymous Brazilian poem in P.O.T.H. in which he was supposed to print "Gaol" three times at the end but printed "Goal" instead. Notes that two collections of poems are in preparation, "Canal Funnel" and Telegrams De Mon Moulin" (after Daudet). -- Source of annotation: Marvin or Ruth Sackner.
Ligue des Droits / Finlay, Ian Hamilton., 1988
This is an indirect attack on Michel Blum and the Ligue des Droits for rejection of Finlay's commission for the city of Paris. The poem reads, "l'homme - l'homme - l'homme - l'homme - some. -- Source of annotation: Marvin or Ruth Sackner.
Lines of Thin Pale Blue and Red / Cutts, Simon ; Finlay, Ian Hamilton ; Bann S., 1990
Lines of Thin Pale Blue and Red / Cutts, Simon ; Finlay, Ian Hamilton ; Bann S., 1990
List 94: Modern Pamphlets & Ephemera / Halsey, Alan ; Blok A ; Cobbing B ; Finlay IH ; Furnival J ; Lewty S ; Lax R ; Nichol bp ; Williams J ; Phillips T ; Jandl E ; Patchen K ; Cutts S ; Griffiths B ; Fisher R ; Hawkins S ; Halsey A ; Logue C ; Nuttall J., 1995
The cover was designed by Bill Griffiths. -- Source of annotation: Marvin or Ruth Sackner.