The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

The title of the broadside is The Golden Message. Twelve poems using the Spanish word "oro," which means gold, are printed in futura typeface. The letters o, r and o are printed repetitively in different permutations. This work was loaned to the Museum of Modern Art NYC for their exhibition, "Eye on Europe: prints, books & mutiples 1960 to now." -- Source of annotation: Marvin or Ruth Sackner.

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Contains critical essay and examples of work of Mathias Goeritz written by Jan Bervoets. -- Source of annotation: Marvin or Ruth Sackner.

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. Omar Rayo Reyes (20 January 1928 "“ 7 June 2010) was a renowned Colombian painter, sculptor, caricaturist and plastic artist. He won the 1970 Salón de Artistas Colombianos. Rayo worked with abstract geometry primarily employing black, white, red and yellow. He was part of the Op Art movement. Rayo's work shows that geometric art is as much a part of the past as it is of the future. He used traces of the past to discover new ways to present visual and geometric sketches. One of his most celebrated exhibitions was carried out in the National Room of the Museum of the Palace of fine arts of Mexico, titled "20 years, 100 works: Omar Rayo." -- Source of annotation: Marvin or Ruth Sackner.

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. Omar Rayo Reyes (20 January 1928 "“ 7 June 2010) was a renowned Colombian painter, sculptor, caricaturist and plastic artist. He won the 1970 Salón de Artistas Colombianos. Rayo worked with abstract geometry primarily employing black, white, red and yellow. He was part of the Op Art movement. Rayo's work shows that geometric art is as much a part of the past as it is of the future. He used traces of the past to discover new ways to present visual and geometric sketches. One of his most celebrated exhibitions was carried out in the National Room of the Museum of the Palace of fine arts of Mexico, titled "20 years, 100 works: Omar Rayo." -- Source of annotation: Marvin or Ruth Sackner.

Stored in Mathias Goeritz box. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue deals with the works published by Mayer as well as his own experiments in concrete poetry. It is profusely illustrated with works by artist/poets published by the press and also with reproductions of Mayer's monoprints. -- Source of annotation: Marvin or Ruth Sackner.

According to his widow, Stubbing composed concrete poems in the late forties and early fifties both in English and Spanish. However, he is best known for his palm print abstract paintings. He might have became influenced in concrete poetry by Mathias Goeritz with whom he knew in the School of Altamura, Spain in 1949-1950. However, Goeritz's concrete poetry was published over a decade later from the Spanish experience. An original concrete poetic collage and typing "Poema Vociferado" c.1949 is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Max Bense and Elisabeth Walther. -- Source of annotation: Marvin or Ruth Sackner.

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.