Concrete poetry
Found in 67 Collections and/or Records:
Visual Voices Unpublished; The Weave in the Fabric of the Sonnet; page 54 / Weiss, Irving., 1994
This poem is based upon Wyatt, "Who so list to hount" Stretch out the sonnet in order to perceive better how the weave works, any type of sonnet will do, in this example Wyatt's use of the Italian connection. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Touch and Tinker Poem; or, What Would Be the Degrees of Stress If You Were to Stretch Out the Lines as Prose?; page 61 / Weiss, Irving., 1994
This poem is based from Keats, Hyperion, Book 2 -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; World Within a World Poem; page 59 / Weiss, Irving., 1994
This poem is based upon Chapman, from The Whole Works of Homer, c.1616, Iliad, Book XVIII -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished;Poem Accumulating Fourteen Lines; page 24 / Weiss, Irving., 1994
This poem is based upon Shakespeare, Sonnet 106 -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Zeroing - In Poem; pages 84-85 / Weiss, Irving., 1994
This poem is based upon Ben Jonson, "Slow, slow, freah fount." from Cynthia's Revels. The word at the zero circlet, between "grief" and "showers," is, indeed, "in." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Zipperpoem: The Approach, Closure, and Congress; pages 56-57 / Weiss, Irving., 1994
This poem is based upon William Shakespeare (1564-1616), Sonnets 65 and 71. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices;Two Poems Accidentally Driven Together by Homolettristic Explosions in an Alphabetical Minefield; pages 58-59 / Weiss, Irving., 1994
This poem is based upon Sir Thomas Wyatt (1503-1542), "Hate whom ye list." Barnabe Googe (1504-1594), "To Doctor Bale." The two poems, unaware of each other's presence, meet in an alphabetical minefield. In their collision they accidentally interconnect lines, becoming a monster of a single poem, at which the mines go off homolettristically, each mine blowing up its letter-likeness in an adjacent line of the monstrous poem. -- Source of annotation: Marvin or Ruth Sackner.