Concrete poetry
Found in 129 Collections and/or Records:
Exposicion Internacional de Poesia de Vanguardia / Kriwet F ; Arias-Misson A ; Bory JF ; Claus CF ; DeCampos A ; DeCampos H ; Chopin H ; Furnival J ; Finlay IH ; Gomringer E ; Garnier I ; Heidsieck B ; Hausmann R ; Jandl E ; Houedard DS ; Mon F ; Solt ME ; Garnier P ; Aragao A ; Azeredo R ; Belloli C ; Blaine J ; Bense M ; Cameron C ; Bremer C ; Dohl R ; Dupuy J ; Goeritz M ; Chamie M ; Giorno J ; Gysin B ; Grogerova B ; Gette PA ; Gomez de Liano I ; Grunewald JL ; Lora-Totino A ; Hirsal J ; Havel V ; Kolar J ; Harig L ; Heissenbuttel H ; Helms H ; Kitasono K ; deMelo e Castro EM ; Millan F ; McCarthy C ; Morgan E ; Novak L ; Rotella M ; Sharkey JJ ; Valoch J ; DeVree P ; Verdi F ; Vroom I ; Solt ME ; Niikuni S., 1966
The cover depicts a rotopoem by Kriwet. -- Source of annotation: Marvin or Ruth Sackner.
Focus: Multiple Arts '76: Concrete Poetery / Cluver C ; Pignatari D ; Solt ME ; DeCampos H ; DeCampos A ; Phillips MJ ; Sanders E ; Azeredo R ; Braga E ; Pinto LA ; Xisto P ; Plaza J ; Cussen A ; Moore AD ; D'Agostino G., 1976
Claus Cluver provides an introduction that describes the international Concrete Poetry movement. The program for exhibition, film, graphic art and musical performances is presented. -- Source of annotation: Marvin or Ruth Sackner.
Folhetim. No.605 / DeCampos A., 1988
The final page contains the poem "Tvgrama" by Augusto de Campos. -- Source of annotation: Marvin or Ruth Sackner.
From Dante to the Post-Concrete: An Interview with Augusto de Campos / Greene, Roland; DeCampos A; Joyce J; Pound E; Pignatari D; Morgan E; Dante; Rose P; Hollander J; Perloff M; Cage J; Arnheim R; Mallarme S., 1989
From Dante to the Post-Concrete: An Interview with Augusto de Campos / Greene, Roland; DeCampos A; Joyce J; Pound E; Pignatari D; Morgan E; Dante; Rose P; Hollander J; Perloff M; Cage J; Arnheim R; Mallarme S., 1989
From Noigandres to "Milagre da Alegria": The Concrete Poets and Contemporary Brazilian Popular Music / Perrone, Charles ; DeCampos A ; DeCampos H ; Pignatari D., 1985
Author establishes the relationship of Brazilian Concrete Poetry to Bosa Nova Music. -- Source of annotation: Marvin or Ruth Sackner.
futura: Luxo Lixa. No.9 / Augusto De Campos., 1966
De Campos provides notes that explain the poem. The word LIXO (garbage) is formed by repeated printing of the word luxo (luxury). "The typographical display wants to operate in a direct impact - the metamorphosis of the opposite doublet - a concrete antiadvertisement unpoetical poem - a clean ode to garbage by the poet letter collector - an opop poem." -- Source of annotation: Marvin or Ruth Sackner.
Haroldo de Campos, 73, Form-Bending Poet / De Campos, Haroldo; DeCampos A; Pignatari D; Sarduy S., 2003
Simon Romero wrote this obituary and described concrete poetry as the arrangement of the letters of the word in shapes that would lend them multiple meanings. -- Source of annotation: Marvin or Ruth Sackner.
Intraducao: so l (a (e.e. cummings/Augusto de Campos) / De Campos, Augusto., 1984
Invencao (Apr. 10) / De Campos, Augusto, editor; Ricardo, Cassiano, editor; Pignatari, Decio, editor; Braga, Edgar, editor; De Campos, Haroldo, editor; Grunewald, Jose Lino, editor; Chamie M, editor; Xisto, Pedro, editor; daSilvaBrito M; Braga E; DeCampos H; Gomringer E., 1960
This is a page torn from the Sunday newspaper. -- Source of annotation: Marvin or Ruth Sackner.
Invencao (Apr. 24) / De Campos, Augusto, editor; Ricardo, Cassiano, editor; Pignatari, Decio, editor; Braga, Edgar, editor; De Campos, Haroldo, editor; Grunewald, Jose Lino, editor; Chamie M, editor; Xisto, Pedro, editor; daSilvaBrito M; Filho JM., 1960
This is a page torn from the Sunday newspaper. -- Source of annotation: Marvin or Ruth Sackner.
Invencao (Feb. 1) / De Campos, Augusto, editor; Ricardo, Cassiano, editor; Pignatari, Decio, editor; Braga, Edgar, editor; De Campos, Haroldo, editor; Grunewald, Jose Lino, editor; Chamie M, editor; Xisto, Pedro, editor; Pignatari D; Bernard S; Pinto A; cummings ee., 1960
This is a page torn from the Sunday newspaper. -- Source of annotation: Marvin or Ruth Sackner.
Invencao (Jul. 24) / De Campos, Augusto, editor; Ricardo, Cassiano, editor; Pignatari, Decio, editor; Braga, Edgar, editor; De Campos, Haroldo, editor; Grunewald, Jose Lino, editor; Chamie M, editor; Xisto, Pedro, editor; Gomringer E; Chamie M; DeCampos H., 1960
This is a page torn from the Sunday newspaper. -- Source of annotation: Marvin or Ruth Sackner.
Invencao (Jun. 19) / De Campos, Augusto, editor; Ricardo, Cassiano, editor; Pignatari, Decio, editor; Braga, Edgar, editor; De Campos, Haroldo, editor; Grunewald, Jose Lino, editor; Chamie M, editor; Xisto, Pedro, editor; Basho; DeCampos H; Chamie M; DeCampos A., 1960
This is a page torn from the Sunday newspaper. -- Source of annotation: Marvin or Ruth Sackner.
Invencao (May 20) / De Campos, Augusto, editor; Ricardo, Cassiano, editor; Pignatari, Decio, editor; Braga, Edgar, editor; De Campos, Haroldo, editor; Grunewald, Jose Lino, editor; Chamie M, editor; Xisto, Pedro, editor; Xisto P; Filho JM; Chamie M; Freire R., 1960
This is a page torn from the Sunday newspaper. -- Source of annotation: Marvin or Ruth Sackner.
Kassel Expoe Poesia Visual de Brasileiros / Scalzo, Fernanda; Pignatari D; DeCampos A; DeCampos H; Nikonova R; Bonvicino R., 1990
Koncrete ABC, Das / Adler J ; Bense M ; Mayer HJ ; DeCampos A ; Pignatari D ; DeCampos H., 1988
Konkrete Texte / Studium Generale ; DeCampos A ; Pignatari D ; DeCampos H ; Azeredo R ; Ruhm G ; Heissenbuttel H ; Gomringer E ; Shannon C ; Bense M., 1959 - 1960
Deals with an academic course in which the participating poets taught students; this catalogue prints representative concrete poems and supporting texts. -- Source of annotation: Marvin or Ruth Sackner.
Lecture for Eyear / Houedard, Dom Sylvester; Gomringer E; DeCampos A; Isou I; Lemaitre M; Garnier P; Chopin H; Heidsieck B; Novak L; Bense M; Tilson Jo; Williams E; Dufrene F., 1964
Houedard in his introduction states that this is the first lecture (concrete poetry) delivered in the English speaking world. He presents an extensive critical analysis of Gomringer's poems including "Avenidas," "Silencio,"etc. and DeCampos poetry. Calligrammes were inspired by Mallarme's "Un Coup De Des" as well the music of Webern. He discusses the basis for Ultra-Lettrisme and Sound Poetry and provides a chronology for Sound Poetry. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Dom Sylvester Houedard 26 July 63] / De Campos, Augusto; Finlay IH; Pignatari D; DeCampos H; Roth D; Mallarme S., 1963
DeCampos provides a brief discussion of his first meeting with Gomringer in his first communication with Houedard. He thanks Houedard for sending him typogrammes..."very interesting as studies of form though I personally prefer always to use the semantical element." States that both Gomringer and his group began from the same starting point, i.e., Mallarme's the throw of the dice, "the threshold of new poetry." -- Source of annotation: Marvin or Ruth Sackner.