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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 129 Collections and/or Records:

Focus: Multiple Arts '76: Concrete Poetery / Cluver C ; Pignatari D ; Solt ME ; DeCampos H ; DeCampos A ; Phillips MJ ; Sanders E ; Azeredo R ; Braga E ; Pinto LA ; Xisto P ; Plaza J ; Cussen A ; Moore AD ; D'Agostino G., 1976

 Item
Identifier: CC-12777-13048
Scope and Contents

Claus Cluver provides an introduction that describes the international Concrete Poetry movement. The program for exhibition, film, graphic art and musical performances is presented. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Folhetim. No.605 / DeCampos A., 1988

 Item
Identifier: CC-11398-11614
Scope and Contents

The final page contains the poem "Tvgrama" by Augusto de Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

From Noigandres to "Milagre da Alegria": The Concrete Poets and Contemporary Brazilian Popular Music / Perrone, Charles ; DeCampos A ; DeCampos H ; Pignatari D., 1985

 Item
Identifier: CC-03924-3997
Scope and Contents

Author establishes the relationship of Brazilian Concrete Poetry to Bosa Nova Music. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

futura: Luxo Lixa. No.9 / Augusto De Campos., 1966

 Item
Identifier: CC-27466-28514
Scope and Contents

De Campos provides notes that explain the poem. The word LIXO (garbage) is formed by repeated printing of the word luxo (luxury). "The typographical display wants to operate in a direct impact - the metamorphosis of the opposite doublet - a concrete antiadvertisement unpoetical poem - a clean ode to garbage by the poet letter collector - an opop poem." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Haroldo de Campos, 73, Form-Bending Poet / De Campos, Haroldo; DeCampos A; Pignatari D; Sarduy S., 2003

 Item
Identifier: CC-41411-43396
Scope and Contents

Simon Romero wrote this obituary and described concrete poetry as the arrangement of the letters of the word in shapes that would lend them multiple meanings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Konkrete Texte / Studium Generale ; DeCampos A ; Pignatari D ; DeCampos H ; Azeredo R ; Ruhm G ; Heissenbuttel H ; Gomringer E ; Shannon C ; Bense M., 1959 - 1960

 Item
Identifier: CC-03105-3153
Scope and Contents

Deals with an academic course in which the participating poets taught students; this catalogue prints representative concrete poems and supporting texts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1959 - 1960

Lecture for Eyear / Houedard, Dom Sylvester; Gomringer E; DeCampos A; Isou I; Lemaitre M; Garnier P; Chopin H; Heidsieck B; Novak L; Bense M; Tilson Jo; Williams E; Dufrene F., 1964

 Item
Identifier: CC-09695-9888
Scope and Contents

Houedard in his introduction states that this is the first lecture (concrete poetry) delivered in the English speaking world. He presents an extensive critical analysis of Gomringer's poems including "Avenidas," "Silencio,"etc. and DeCampos poetry. Calligrammes were inspired by Mallarme's "Un Coup De Des" as well the music of Webern. He discusses the basis for Ultra-Lettrisme and Sound Poetry and provides a chronology for Sound Poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

[Letter to Dom Sylvester Houedard 26 July 63] / De Campos, Augusto; Finlay IH; Pignatari D; DeCampos H; Roth D; Mallarme S., 1963

 Item
Identifier: CC-14893-15206
Scope and Contents

DeCampos provides a brief discussion of his first meeting with Gomringer in his first communication with Houedard. He thanks Houedard for sending him typogrammes..."very interesting as studies of form though I personally prefer always to use the semantical element." States that both Gomringer and his group began from the same starting point, i.e., Mallarme's the throw of the dice, "the threshold of new poetry." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963