Concrete poetry
Found in 6489 Collections and/or Records:
Techne, Rivista: Recto-Verso. No.7/Suppl / Jochen Gerz., 1971
Technical Report / Russ, Andrew ; levy da., 2008
This work is also designated as Card 31 from "Stories from the Flats." It is also entitled technical report in the manner of d.a. levy. Andrew Russ is also known as Izen, endwar, stuart pid, annie one, a.r. -- Source of annotation: Marvin or Ruth Sackner.
Techniques of Fornication / Copley, William N.., 1993
Shares a slipcase with books by Iannone and Williams. -- Source of annotation: Marvin or Ruth Sackner.
Tel-Let / Vieira, John., 1994
Tele-Visual Po-Ums For Bloodshot Eye Balls , 1973
Telegram 1 / Biro, Jozsef., 1987
Telegram 2 / Biro, Jozsef., 1987
Telegram 3 / Biro, Jozsef., 1987
Telegrams from Central Control / Wagner, D.r., editor ; Green P ; levy da ; Harris DW ; Taylor K ; Blazek D ; Baxter ER-III ; Bloom G ; DelPino L ; Martin R., 1966
Includes three poems from the "American Cross" series by David W. Harris aka David UU. The originals of these poems are held by the Sackner Archive. This copy does not include the photograph as does the limited edition of 50 copies. -- Source of annotation: Marvin or Ruth Sackner.
Telegrams from Central Control / Wagner, D.r., editor ; Green P ; levy da ; Harris DW ; Wagner Dr ; Taylor K ; Blazek D ; Baxter ER-III ; Bloom G ; DelPino L., 1966
Includes three poems from the "American Cross" series by David W. Harris aka David UU. The originals of these poems are held by the Sackner Archive. A color photograph of a young woman in a bathing suite (Barbara Connelly) is pasted to the inner front cover; 50 copies of the book included this feature. -- Source of annotation: Marvin or Ruth Sackner.
Telegrams from My Windmill / Finlay, Ian Hamilton., 1964
This is Finlay's first book of concrete poetry based upon a typed layout. Sixtenn poems are printed in red color. -- Source of annotation: Marvin or Ruth Sackner.
Tempo Della Memoria, Il / Bortolani, Giovanni ; Verdi, Franco., 1990
Tempo/Fine / Belloli, Carlo., 1980
Originally appeared in C. Belloli's "Ravoli Visuali," Edizioni della Rivista Gala, Rome, 1948. -- Source of annotation: Marvin or Ruth Sackner.
Tent / Noble, Paul., 2011
Noble comments in this catalogue: All buildings in Nobson Newtown are seen in the oblique projection (sometines called cavalier projection) that is, with a flat frontal plane and side planes that retreat parallel to each other at 45 degrees from left to right. Everything is equally close to the eye. Nothing is in the background, mid-ground or foreground. He adds "I make drawings that sometimes look like buildings but really the buildings are words pictorised or illuminated in pencil. The words are written in a font I designed called nobson. The letter shapes of nobson look like buildings. I write a word in nobson and it becomes a place. I write TENT and it is a tent." -- Source of annotation: Marvin or Ruth Sackner.
Tentative de Mise en Onomatopees d'un Soiree chez Madame Verdurin a l'Instant ou l'un des fideles Lache une Grosse Faribole / Crombie, John., 1997
This copy of the book was printed on art board. The Sackner Archive also holds the deluxe edition that was printed on Rives et Arches. The words are adapted from "Du Cote de chez Swann" by Marcel Proust. -- Source of annotation: Marvin or Ruth Sackner.
Tentative de Mise en Onomatopees d'un Soiree chez Madame Verdurin a l'Instant ou l'un des fideles Lache une Grosse Faribole / Crombie, John., 1997
This copy of the book was printed on Rives et Arches. The Sackner Archive also holds the ordinary edition that was printed on art board. The words are adapted from "Du Cote de chez Swann" by Marcel Proust. -- Source of annotation: Marvin or Ruth Sackner.