Concrete poetry
Found in 6404 Collections and/or Records:
Archive for Defying Linear Deification: Contemporary Toronto Visual Poetry and its Afterward 1 / curry, jw; Birney E; Nichol bp; UU D; Aylward D; Broudy H; Dutton P; McCaffery S; Truhlar R; Dean M; Amann E; Swede G; Shikatani G; Goluska G., 1987
curry traces the development of concrete and visual poetry in Toronto for an essay in Cross-Canada Writers' Quarterly Vol.9 No.3-4, 1987, a periodical held by the Sackner Archive. He lists Earle Birney's book entitled pnomes jukollages and other stunzas 1969, as the first concrete poetry by a main stream Canadian poet. He comments that bp Nichol's 1st book, Cycles etc., 7 Flowers Press, were chant structures that relied heavily on visual sonic similarities between words. -- Source of annotation: Marvin or Ruth Sackner.
Archive for Defying Linear Deification: Contemporary Toronto Visual Poetry and its Afterward 2 / curry, jw; Hood W; Nichol E; Laba M; lefler P; Dedora B; Evason G; Caruso B; Bradley Df; Venright S; smith s; Ross S; Barwin G; Drumbolis N., 1987
curry then briefly comments on Toronto poets and their activities in concrete, visual, and sound poetry up to the time of publication of the essay in 1987. The 2nd version of the manuscript was submitted for publication to Cross-Canada Writers Quarte In the Afterward written for Innovations in 1989, curry corrects errors in the original essay and comments upon younger poets not mentioned in the earlier essay, e.g., Daniel f. Bradley, Steven Smith, Gary Barwin, Stuart Ross, Steve Venright, -- Source of annotation: Marvin or Ruth Sackner.
Archive for Defying Linear Deification: Contemporary Toronto Visual Poetry and its Afterward 3 / curry, jw., 1987
The handwritten manuscript consists of a bibliography for the essay and the afterward contribution to Innovations. The typed version was submitted to Innovations as the final version. It included reprinting the original essay with corrections publish in Cross-Canada Writers Quarterly in 1987 and the new afterward and bibliography. curry in a letter to the Sackners complained of editing by Innovations 1 & CCWQ 9:3/4, magazines in which this version appeared; both omitted his bibliography. -- Source of annotation: Marvin or Ruth Sackner.
Archive for Imitations, Variations, Reflections, Copies / Finlay, Ian Hamilton., 1976
The manuscript is a typed version of the booklet. The first two additional stapled pages provide instructions to the Stellar Press as to its layout. Another two pages give instructions on revisions to the layout after Finlay's receipt of the first proof copy. The layout was modified from an earlier booklet "A Pretty Kettle of Fish" (1974) to demonstrate it to the printer, viz., a cover drawing indicates the desired placement of the cover photograph and the title typeface. Finlay also furnishes drawings for the inside photographic layout. -- Source of annotation: Marvin or Ruth Sackner.
Archive for Poems Written Upon The Breath A Claudel Varient: Projected Sundial / Finlay, Ian Hamilton; Harvey, Michael; Thorpe, John R.; Harvey M; Cutts S; Lassus B; Gardner I., 1973 - 1974
Archive for Schiff Brooch / Finlay, Ian Hamilton; Cherry, Norman., 1973
In May 1973, Finlay writes Norman Cherry, a jewelry designer in Kelso, to make a brooch using his Schiff (German word for ship) poem composed for the Stuttgart Max Plank project. He offers several designs including Schiff depicted as a reflection in a pool which is ultimately accepted. The two exchange letters on the progress of the work which is completed in Aug 1973. A letter dated Nov 1973 from Finlay to Buchwald, architect of the Stuttgart project, offers the silver brooch for sale. -- Source of annotation: Marvin or Ruth Sackner.
Archive for Student Refectory Installation / Finlay, Ian Hamilton; Lyle, Peter., 1972 - 1973
The drawings consist of architectural sketches for a Student Refectory that was unrealized by the Wild Hawthorn Press. One of the Lyle letters also includes an ink sketch for "Sea Stones" also an unrealozed project. -- Source of annotation: Marvin or Ruth Sackner.
Archive for Stuttgart Max Planck Project / Finlay, Ian Hamilton; Costley, Ron., 1972 - 1978
Archive for Wave/Rock Project/Bridge for Scottish Arts Council / Finlay, Ian Hamilton; Harvey, Michael., 1972 - 1974
Archive for Windflower Brooch / Windflower Medal / Finlay, Ian Hamilton; Cherry, Norman; Harvey, Micheal., 1973 - 1975
Archive of Abracadada / Bory, Jean-Francois., 1997
The linear, black printed text is laid out with mixed typefaces and sizes. The maquette is a sketch book with chaotically arranged handwritten text that employs several colored inks and calligraphic styles. The manuscript appears to have made with a combination of photocopying and colored letraset type. -- Source of annotation: Marvin or Ruth Sackner.
Archive of Correspondence: [Letter from Cinicolo to Houedard] (24 august 1970) / Houedard, Dom Sylvester; Cinicolo 3, Donato., 1970
Donato Cinicolo writes that he will be unable to travel to Prinknish Abbey with Houedard but will meet him there as he has a;ready booked a ticket. The typings are arranged in clusters with frequent use of words translated into French and Italian. -- Source of annotation: Marvin or Ruth Sackner.
Archive of Correspondence: [Letter from Houedard to Cinicolo (080670)] / Houedard, Dom Sylvester; Cinicolo 3, Donato; Mayer HJ; Atchley D., 1970
Houedard addresses Donato as Danilo, typing the name as an optical image concrete poem. His own signature is also typed as an optical image. He thanks Cinicolo for sending him his project book and indicates that he should tell Hansjorg Mayer that he will send him Dana Atchley's Notebook. -- Source of annotation: Marvin or Ruth Sackner.
Archive of Correspondence: [Letter from Houedard to Cinicolo (080670)] / Houedard, Dom Sylvester; Cinicolo 3, Donato; Mayer HJ; Atchley D., 1970
Houedard addresses Donato as Danilo, typing the name as an optical image concrete poem. His own signature is also typed as an optical image. He thanks Cinicolo for sending him his project book and indicates that he should tell Hansjorg Mayer that he will send him Dana Atchley's Notebook. -- Source of annotation: Marvin or Ruth Sackner.
Archive of Correspondence: [Letter from Houedard to Cinicolo] (090770) / Houedard, Dom Sylvester; Cinicolo 3, Donato., 1970
Houedard thanks Donatello [cinicolo 3) for the greenbook and writes that he is" trying to catch up on letters & writing bookreviews &tc & typing out things for the anthology of soundpoetry i am supposed to have finished last year." -- Source of annotation: Marvin or Ruth Sackner.
Archive of Correspondence: [Letter from Houedard to Cinicolo] (090770) / Houedard, Dom Sylvester; Cinicolo 3, Donato., 1970
Houedard thanks Donatello for the greenbook and writes that he is" trying to catch up on letters & writing bookreviews &tc & typing out things for the anthology of soundpoetry i am supposed to have finished last year." -- Source of annotation: Marvin or Ruth Sackner.
Archive of Correspondence: [Letter from Houedard to Cinicolo](19 june 70) / Houedard, Dom Sylvester; Cinicolo 3, Donato; Mayer HJ., 1970
Addresses Donato as my dear do don't NATO donato3 donatello donatissimo donatellone. Thanks him for his "squareletter" which pleased the postman (envelope 05-08-1970). Indicates that he is still waiting for a silver ribbon. Complains about Hansjorg Mayer and friends hogging an art show for first year graphic students. The text of the letter is typed in a pattern of wavy rather than the usual straight lines. -- Source of annotation: Marvin or Ruth Sackner.
Archive of Correspondence: [Letter from Houedard to Cinicolo](19 june 70) / Houedard, Dom Sylvester; Cinicolo 3, Donato; Mayer HJ., 1970
Addresses Donato as my dear do don't NATO donato3 donatello donatissimo donatellone. Thanks him for his "squareletter" which pleased the postman (envelope 05-08-1970). Indicates that he is still waiting for a silver ribbon. Complains about Hansjorg Mayer and friends hogging an art show for first year graphic students. The text of the letter is typed in a pattern of wavy rather than the usual straight lines. -- Source of annotation: Marvin or Ruth Sackner.
Archive of Du meme auteur, 2000
Includes a photocopy of Mallarme's Un Coup de Des (1914), -- Source of annotation: Marvin or Ruth Sackner.