Scope and Contents This book was published on the occasion of an exhibition of Irma Balnk at the Galleria Spaziotemperaneo di Milano in November 2002. In his essay Gillo Dorfles describes Irma Blank's techniques for the blue paintings. "Indeed the artist uses both hands to fill with signs the vast canvases and the series of polyester sheets, all realized with a wholly manual, or rather 'corporal' technique. In fact, holding a bunch of ball-point pens in each hand, and giving each of these a synchronous rotary movement from the edge towards the centre, in close correspondence with her respiration and heartbeats, she impresses on the surface of the canvas, of polyester sheet, skeins of bright, stratified colours that - as the writing proceeds - thicken until they cover the whole surface of the painting, while maintaining imperceptible openings between one line and another: this is, in a sense, the breathing (the einatmen, or inhalation, and ausatmen, or exhalation) of the colour." -- Source of...

Scope and Contents

Article includes illustrations of F. Depero's "Volume Imbullonato," and E. Pouchard's "Legeres Paroles," which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a copiously illustrated catalogue of unique and editioned artist books and unique book objects made by an international group of artists. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a historic survey of women that have used language in art as well as women who are concrete and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition is a homage to the poet Giacomo Leopardi. The collage by Alessandro Benfenati depicts the profile of a young woman's head covered with calligraphic text of a poem by Leopardi. -- Source of annotation: Marvin or Ruth Sackner.