Critical text
Found in 3308 Collections and/or Records:
Experimentelle Texte: Story of "O"/VocoVisual. No.9 / Vladen Radovanovic., 1986
Experimentelle Texte: Visuelle Poesie aus den USA. No.41-42 / Hartmut Andryczuk, editor ; Sackner MA ; Vassilakis N ; Martin SP ; Grumman B ; CrackerJackKid ; Selby S ; St Thomasino G ; Higgins D ; Burrus H ; Corbett M ; Kempton K ; Bennett JM ; Rosenberg MR ; Kostelanetz R ; Byrum J ; Bart H., 1995
In his introduction, Andryczuk discusses Sackner's The Beauty in Breathing exhibition (1992) along with the Glossary of Terms used in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.
Experimentelle Texte: WortKopfe: Visuelle Poesie 1969 - 1991. No.26-28 / Klaus Peter Dencker ; Weiss C., 1991
Includes complete reproductions of several of Dencker's unique books including "Jazz," an artist book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Experimentelle und Konkrete Poesie / Reichartz, Peter, editor ; Morgenstern C ; Ball H ; Schwitters K ; Gomringer E ; Mon F ; Gappmayr H ; Ruhm G ; Jandl E ; Bremer C ; Harig L ; Achleitner F ; Marti K ; Schmidt SJ., 1981
Experiments in Art and Technology (E.A.T.). No.7 / Julie Martin, editor ; Knowles A., 1971
Experioddicist, The. No.4/Sep / Jack Foley., 1993
Edited by Jake Berry. -- Source of annotation: Marvin or Ruth Sackner.
Exploding Galaxies: The Art of David Medella by Guy Brett[CR]Exploding Galaxies: The Art of David Medalla by Guy Brett / Medalla, David ; Ashton D ; Bois YA., 1995
From the back cover:"This book by the distinguished art critic Guy Brett is the first attempt to bring together a fascinating and ephemeral body of artistic work which escapes a simple definition... David Medella has distinguished himself internationally as a major innovator of the avant-garde. Over the last forty years his work has embraced a multitude of enquires and enthusiasms, forms and formats, to express a singular yet deeply coherent vision of the world...evolving his own art which strives towards the emergence of a new kind of transitional and polymorphic culture." -- Source of annotation: Marvin or Ruth Sackner.
Exploding the Codex: The Theater of the Book / Austin, Mary K. ; Daisy Carlson, curator ; Barton CJ ; Black L ; Chen J ; Coron B ; King R ; Price R ; Silverberg RA ; VanVleit C ; Wolf An ; Wolf A., 2012
Exploits & Opinions of Dr. Faustroll, Pataphysician / Jarry, Alfred ; Simon Watson Taylor, translator ; Shattuck R ; Themerson S ; Mallarme S ; Valery P., 1996
This book includes an in-depth introduction to the English translated version of Jarry's novel written in 1911 that forms the basis for Pataphysica. -- Source of annotation: Marvin or Ruth Sackner.
Expose sur les Creations de Alain Satie by Marie-Helene Montbazet, 1991
Expose sur les Creations / Satie, Alain., 1991
This book was written by Marie-Helene Montbazet. -- Source of annotation: Marvin or Ruth Sackner.
Exposicao de Poesia Experimental Portuguesa/PO.EX.80 / Hatherly A ; deMelo e Castro EM ; Barros JA ; Aragao A ; Tavares S ; Pestana S., 1980
Exposicion de Poesia Inista / Koine ; Molero-Prior FJ ; Bermejo L ; Bermudez M ; Ray M ; Ibrico ; Bermejo M., 1993
This book includes a brief history of Inism in Spain by Koine Taller 3. -- Source of annotation: Marvin or Ruth Sackner.
Exquisite Corpse. No.3-4/Mar-Apr / Burroughs WS ; Lipman J ; Hollo A ; Dawson F ; Saunders J., 1984
Exquisite Corpse. No.10-11/Oct-No / Hornick L ; Mayakovsky V ; Wellman D ; Myers Gjr ; Kostelanetz R ; Berge C., 1983
Extra Verse. No.17 / Bob Cobbing ; Cobbing B ; Houedard DS., 1966
The introduction by Dom Sylvester Houedard critiques the sound poems by Cobbing reproduced in this issue. -- Source of annotation: Marvin or Ruth Sackner.
Extra Verse. No.17 / Bob Cobbing ; Cobbing B ; Houedard DS., 1966
Eye. No.13/Sum / Sutnar L., 1994
Includes a critical essay on the American work of Ladislav Sutnar, the Czech graphic designer. -- Source of annotation: Marvin or Ruth Sackner.
Eye. No.26/Fall / Cage J ; Satie E ; Feldman M ; Knowles A ; Higgins D ; Ono Y ; Phillips T ; Zwart P ; Heller S ; Heartfeld J ; Lissitzky E ; Rodchenko A ; Stepanova V ; Telingater S ; Carson D ; Tschichold J ; Eno B., 1997
John Walters contributes a lengthy, well illustrated essay, "Sound, code, image," that describes visual musical scores that composers use to liberate their sound from its five-line grid. He claims these scores are graphic designs of music. Steven Heller traces the history of picture magazines from German, Russian, Dutch and finally the American Life magazine. He notes that these visual narratives succeeded until the advent of television. Julia Thrift describes the radical magazines published for political purposes on duplicators, copy machines and now on the internet in her essay, "Do-it-yourself." -- Source of annotation: Marvin or Ruth Sackner.
Eye. No.56/Sum / Poynor R ; Heller S ; Mau B., 2005
Rick Poynor contributes as essay "Critique/Select, Arrange" and reviews "The Situationist International: A User's Guide" by Simon Ford. Steven Heller writes "Me Feral Designer." Bruce Mau's book "Massive Change: The Future of Global Design." -- Source of annotation: Marvin or Ruth Sackner.